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6.6/10
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Agrega una trama en tu idiomaA tender young woman and her musician husband attempt to eke out a living in the slums of New York City, but find themselves caught in the crossfires of gang violence.A tender young woman and her musician husband attempt to eke out a living in the slums of New York City, but find themselves caught in the crossfires of gang violence.A tender young woman and her musician husband attempt to eke out a living in the slums of New York City, but find themselves caught in the crossfires of gang violence.
- Premios
- 1 premio ganado en total
W.C. Robinson
- Rival Gang Member
- (as Spike Robinson)
Gertrude Bambrick
- At Dance
- (sin créditos)
Lionel Barrymore
- The Musician's Friend
- (sin créditos)
Kathleen Butler
- On Street
- (sin créditos)
- …
Christy Cabanne
- At Dance
- (sin créditos)
Donald Crisp
- Rival Gang Member
- (sin créditos)
Frank Evans
- At Dance
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The Musketeers of Pig Alley (1912) :
Brief Review -
Griffith sows an Unbelievable idea of Goodwill in One of the First Gangster Film Ever Made in Cinema World. Largely known as The First (or one of the first) Gangster film Ever made, The Musketeers of Pig Alley is still very exciting even without long runtime and heroic/villainous dialogues. I have seen lots of Crime/Gangster dramas till date and have always wondered why there was no film made ever made which could have used goodwill for the sake gangster's character to give him a deserving chance? At last, i found my catch here. The idea i have been looking for was already sown by Genius Griffith way before audience started loving crime dramas i.e post 1930s. A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the neighborhood gangster. A highly predictable drama (for today's time i mean) follows the rest of the narrative and the allegorical climax of 'deserving chance' ends this film on a high note. As it states, "One good turn deserves another" and "Links in the System", you can't stop clapping for Griffith here. I couldn't stop gushing over Lillian Gish, as she looked so Cute (in every film she looked cute, damn!). Walter Miller was good at his part but the gangsters leader Elmer Booth literal took my breath away with his ferocious looks and attitude. Overall, The Musketeers of Pig Alley is a great watch to learn many sensible ethics that were never used in any Gangster film. I wish somebody had the same brain as Griffiths to make similar intellectual drama in talkies era. Don't miss this another fantastic film of Griffith.
RATING - 7/10*
By - #samthebestest
Griffith sows an Unbelievable idea of Goodwill in One of the First Gangster Film Ever Made in Cinema World. Largely known as The First (or one of the first) Gangster film Ever made, The Musketeers of Pig Alley is still very exciting even without long runtime and heroic/villainous dialogues. I have seen lots of Crime/Gangster dramas till date and have always wondered why there was no film made ever made which could have used goodwill for the sake gangster's character to give him a deserving chance? At last, i found my catch here. The idea i have been looking for was already sown by Genius Griffith way before audience started loving crime dramas i.e post 1930s. A young wife and her musician husband live in poverty in a New York City tenement. The husband's job requires him to go away for for a number of days. On his return, he is robbed by the neighborhood gangster. A highly predictable drama (for today's time i mean) follows the rest of the narrative and the allegorical climax of 'deserving chance' ends this film on a high note. As it states, "One good turn deserves another" and "Links in the System", you can't stop clapping for Griffith here. I couldn't stop gushing over Lillian Gish, as she looked so Cute (in every film she looked cute, damn!). Walter Miller was good at his part but the gangsters leader Elmer Booth literal took my breath away with his ferocious looks and attitude. Overall, The Musketeers of Pig Alley is a great watch to learn many sensible ethics that were never used in any Gangster film. I wish somebody had the same brain as Griffiths to make similar intellectual drama in talkies era. Don't miss this another fantastic film of Griffith.
RATING - 7/10*
By - #samthebestest
In what may be the first mob film DW Griffith establishes some of the genre nuances that remain staples to this day. The Musketeers of Pig Alley is a tense action filled study in nostalge de la boule, father of The Roaring Twenties grandfather of Mean Streets.
A struggling musician on New York's Lower East Side goes on tour and and a local thug tries moving in on wife who in return rebuffs him. He robs the husband upon return but also gets her out of a jam at great cost. In the interim a gang war breaks out.
Musketeers presents inner city life in graphic terms of overcrowding and squalor. Griffith does a fine job of balancing the two major story lines that intersect and further helped along by the innocent beauty of Lillian Gish and charismatic evil of Elmer Booth for casting Cagney. There's a well done suspense building montage into a gunfight (including a jarring close-up of Booth) along with a series of other moments that must have given pause to the folks out in the country to visit the Big Apple. Pig Alley is an an American pioneer.
A struggling musician on New York's Lower East Side goes on tour and and a local thug tries moving in on wife who in return rebuffs him. He robs the husband upon return but also gets her out of a jam at great cost. In the interim a gang war breaks out.
Musketeers presents inner city life in graphic terms of overcrowding and squalor. Griffith does a fine job of balancing the two major story lines that intersect and further helped along by the innocent beauty of Lillian Gish and charismatic evil of Elmer Booth for casting Cagney. There's a well done suspense building montage into a gunfight (including a jarring close-up of Booth) along with a series of other moments that must have given pause to the folks out in the country to visit the Big Apple. Pig Alley is an an American pioneer.
Musketeers of Pig Alley, The (1912)
*** (out of 4)
D.W. Griffith film, which is considered to be the first gangster movie ever made. Griffith does a nice job showing off poor people back in the day and seeing NYC in 1912 is another added bonus. The performance by Dorothy Gish is very good and the supporting players are nice as well. The shootout in the alley remains exciting to this day.
Highly entertaining early film.
Also check out Regeneration (1915).
This is available through Kino, Image and Grapevine.
*** (out of 4)
D.W. Griffith film, which is considered to be the first gangster movie ever made. Griffith does a nice job showing off poor people back in the day and seeing NYC in 1912 is another added bonus. The performance by Dorothy Gish is very good and the supporting players are nice as well. The shootout in the alley remains exciting to this day.
Highly entertaining early film.
Also check out Regeneration (1915).
This is available through Kino, Image and Grapevine.
If you have ever wondered where Jimmy Cagney got some of his mannerisms, watch this film.
Elmer Booth and Harry Carey, early in the movie, portray two New York gangsters so much in the same way Cagney would 20 years later that you almost don't need any other reason to watch "Musketeers."
Watch Carey, playing an un-named character, hitch up his pants. Just great!
This is available in a poor print at YouTube, but watching it there -- or trying to -- will either irritate you or, I hope, drive you to find a good copy to own.
I saw this many years ago in a Griffith retrospective in Los Angeles, and have been in awe of it ever since.
Like so much Mr. Griffith did, it just set the standard for great film-making.
Elmer Booth and Harry Carey, early in the movie, portray two New York gangsters so much in the same way Cagney would 20 years later that you almost don't need any other reason to watch "Musketeers."
Watch Carey, playing an un-named character, hitch up his pants. Just great!
This is available in a poor print at YouTube, but watching it there -- or trying to -- will either irritate you or, I hope, drive you to find a good copy to own.
I saw this many years ago in a Griffith retrospective in Los Angeles, and have been in awe of it ever since.
Like so much Mr. Griffith did, it just set the standard for great film-making.
Most aspects of this short melodrama were made with skill. The acting is generally quite good, the characters are interesting and believable, and the plot is interesting even though a couple of details strain credibility. It's probably one of the very earliest movies about gangs or gangsters, and it portrays the "Musketeers" and their affairs in a way that is more believable than any of the romanticized portrayals that came into vogue later on.
The cast features some names well-known to silent film fans, with Dorothy Gish and many other familiar names. Even some of the small roles feature talented performers, so perhaps it is no surprise that the movie features a high standard of acting.
The story shows the interactions between the gang of "Musketeers" and some other persons who have the misfortune to live nearby. The story and the production make pretty good use of the possibilities, and aside from one or two overly convenient plot turns, they do so in a worthwhile way.
Quite a bit happens in just over 15 minutes, with constant action that is photographed and edited well enough that you largely forget that it was all done using the limited photographic options of its time. This is a good one to watch for anyone interested in very old films.
The cast features some names well-known to silent film fans, with Dorothy Gish and many other familiar names. Even some of the small roles feature talented performers, so perhaps it is no surprise that the movie features a high standard of acting.
The story shows the interactions between the gang of "Musketeers" and some other persons who have the misfortune to live nearby. The story and the production make pretty good use of the possibilities, and aside from one or two overly convenient plot turns, they do so in a worthwhile way.
Quite a bit happens in just over 15 minutes, with constant action that is photographed and edited well enough that you largely forget that it was all done using the limited photographic options of its time. This is a good one to watch for anyone interested in very old films.
¿Sabías que…?
- TriviaMost likely the first film to ever use follow-focus. D.W. Griffith convinced his most trusted cameraman, G.W. Bitzer, to fade out the background when the three gangsters walk towards the alley in the opening scene. During this era a cameraman was judged on how sharp and clear his picture was, so Griffith had to take him to an art museum and show him how the background was out of focus and the characters were in focus to convince him to do the effect on the shot. The focusing method is still used.
- ConexionesFeatured in Hollywood (1980)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Los mosqueteros de Pig Alley
- Locaciones de filmación
- Fort Lee, Nueva Jersey, Estados Unidos(Fort Lee Film Commission)
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución17 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was The Musketeers of Pig Alley (1912) officially released in Canada in English?
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