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Adaptación libre del poema de Dante Alighieri "La divina comedia", e inspirado en las ilustraciones de Gustav Doré.Adaptación libre del poema de Dante Alighieri "La divina comedia", e inspirado en las ilustraciones de Gustav Doré.Adaptación libre del poema de Dante Alighieri "La divina comedia", e inspirado en las ilustraciones de Gustav Doré.
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When did this film first make its appearance in America? The notes in the DVD say that the film was not widely released until after the First World War, but I've found the following quote in "The Warner Bros. Story" by Clive Hirschhorn, telling what the Warner brothers did after Edison's infamous Trust had "persuaded" them to sell their film exchange business, which would have been in 1911 or 1912, "It was only a matter of months, however, before Sam Warner returned from a trip to New York having bought the rights for a five-reeler called Dante's Inferno based on the famous poem. Sam's idea was to take the film on the road, together with a narrator, who, while the movie unspooled, would read extracts from the original poem. The idea worked. The film opened in Hartford, Connecticut, and, according to Jack Warner, you could hear the cash registers ringing all the way to Ohio. The tour netted them $1,500 which Sam and Jack blew on a crap game in New York." The 2004 DVD release actually follows in Sam's footsteps by having some of the words sung, with music by Tangerine Dream. The music creates a dreamlike atmosphere which helps to overcome the creaky aspects of the film. I feel that an over-the-top, heavily dramatic orchestral soundtrack wouldn't work, as the creakiness would undermine the music. The credits at the start and end of the film were in keeping with those I've seen on other silent movie DVD's, except that they put some fuzzy stills behind them, so I found myself wondering if the entire movie was going to be that indistinct. The film turned out to be in pretty good condition overall, but it did vary a bit, as you'd expect in a film this old. This very important movie is easily worthwhile for any fan of silent film, and it is interesting enough to show to others as well, with the modern soundtrack providing a cushion of familiarity for those who aren't used to silent film. Highly recommended!
L'Inferno was the first feature film released in Italy, beginning that country's long career of storied cinema. An adaptation of the famous Inferno by Dante Alighieri, L'Inferno is not a horror film in the traditional sense. The images of Hell are appropriately disturbing, as are it's inhabitants. The scenes of death and torture are shocking for the time. And to top it all off the old footage (now 108 years old) only adds to the creepy atmosphere. Anyone interested in old horror movies has to see this one.
A striking piece of history, this 1911 adaptation of Dante's The Divine Comedy was the first full length feature made in Italy.
Taking visual inspiration from Gustav Doré's iconic illustrations, Giuseppe de Liguoro worked for more than three years with 150 people and what was then the biggest film budget ever to complete his masterpiece.
Newly restored from a variety of sources, it's still an amazing visual experience as the poet Virgil leads Dante on a journey through Purgatory and Hell.
L'Inferno's pantheon of demons and sinners are imaginatively conjured up on ambitious sets using a variety of then-pioneering cinematic tricks such as forced perspective to allow a gigantic Pluto to rage at the dwarfed interlopers, overlays for when they arrive at the city of Dis and see furies scaling the battlements and an ingenious combination of miniatures and live action to create remarkable encounters with three chained giants and a final confrontation with Lucifer himself.
In between these set pieces, Dante and his guide meet a rogues gallery of history's great sinners and the ironically apposite corners of Hell reserved just for them.
The only real pitchfork in the backside of this otherwise commendable project is the decision to harness the visuals to a soundtrack culled from Tangerine Dream's concept album based on the same literary source.
It's not the German electronic outfit's best work and comes with the additional burden of vocals which tend to detract from the Gothic mood created by the visuals alone.
Still, you can always turn down the sound and play something more sympathetic, say, Bartok's Concerto For Orchestra, because this is one screen gem that deserves to be enjoyed several times over.
Taking visual inspiration from Gustav Doré's iconic illustrations, Giuseppe de Liguoro worked for more than three years with 150 people and what was then the biggest film budget ever to complete his masterpiece.
Newly restored from a variety of sources, it's still an amazing visual experience as the poet Virgil leads Dante on a journey through Purgatory and Hell.
L'Inferno's pantheon of demons and sinners are imaginatively conjured up on ambitious sets using a variety of then-pioneering cinematic tricks such as forced perspective to allow a gigantic Pluto to rage at the dwarfed interlopers, overlays for when they arrive at the city of Dis and see furies scaling the battlements and an ingenious combination of miniatures and live action to create remarkable encounters with three chained giants and a final confrontation with Lucifer himself.
In between these set pieces, Dante and his guide meet a rogues gallery of history's great sinners and the ironically apposite corners of Hell reserved just for them.
The only real pitchfork in the backside of this otherwise commendable project is the decision to harness the visuals to a soundtrack culled from Tangerine Dream's concept album based on the same literary source.
It's not the German electronic outfit's best work and comes with the additional burden of vocals which tend to detract from the Gothic mood created by the visuals alone.
Still, you can always turn down the sound and play something more sympathetic, say, Bartok's Concerto For Orchestra, because this is one screen gem that deserves to be enjoyed several times over.
This was made in 1911! Give me a break! When one sees what was done with primitive assets available to this filmmaker, this is an astounding effort. I did not get in on the Tangerine Dream soundtrack. I watched it cold, without music. It was wonderful. And that is from someone who has absolutely no literal belief in any of this fairy tale. The director frames each circle wonderfully, barely repeating himself and giving us a view of the Danta/Dore woodcuts in cinematic terms. One could sit her and criticize the religious bigotry that brings about this portrayal of God's wrath and all that. There are some pretty nasty jabs at some remarkable people. Nevertheless, the film never strays far from what the great Italian poet intended. I was annoyed at Dante at times tormenting the already tormented souls. Lets face it. These guys are going to be here a long time. They don't need some jackass visitor pulling out their hair or reprimanding them. But that's neither here nor there. I've always wanted to see this film and it fills in a gap in my cinematic experience.
The poet Dante Alighieri (Salvatore Papa) awakes lost in a dark and gloomy wood, and sees the light of salvation at the top of a mountain. He endeavors to ascend to it, but his way is barred by three wild beasts, symbolizing Avarice, Pride and Lust. His muse Beatrice sees his difficulty from Paradise and descends into Limbo and asks the poet Virgil to rescue and guide Dante.
Virgil guides Dante through the circles of Inferno to reach salvation in Paradise. During his journey, Dante meets poets and different sinners being punished by their transgressions.
"L'Inferno" is a must-see view of the poem of Dante Alighieri with the music of Tangerine Dream. One century later, the visual concept of Limbo and Inferno of Gustavo Doré used by directors Francesco Bertolini, Adolfo Padovan and Giuseppe de Liguoro is still impressive, giving the sensation of pictures in movement at an exhibition, specially considering that the cinema technology was in its beginning.
The original film was first screened in Naples in the Teatro Mercadante on 10 March 1911. My vote is eight.
Title (Brazil): "Inferno"
Virgil guides Dante through the circles of Inferno to reach salvation in Paradise. During his journey, Dante meets poets and different sinners being punished by their transgressions.
"L'Inferno" is a must-see view of the poem of Dante Alighieri with the music of Tangerine Dream. One century later, the visual concept of Limbo and Inferno of Gustavo Doré used by directors Francesco Bertolini, Adolfo Padovan and Giuseppe de Liguoro is still impressive, giving the sensation of pictures in movement at an exhibition, specially considering that the cinema technology was in its beginning.
The original film was first screened in Naples in the Teatro Mercadante on 10 March 1911. My vote is eight.
Title (Brazil): "Inferno"
¿Sabías que…?
- TriviaThis is the first feature film to be shown in its entirety, in one screening, in the USA. Prior to this it was thought audiences wouldn't be prepared to sit for over an hour to watch a feature - films such as Les Misérables (1909) and The Life of Moses (1909) were shown in episodic parts over the course of a month or two.
- ErroresThe penultimate scene: as Virgil leads Dante through the subterranean passage, he suffers an uncharacteristic moment of clumsiness (he trips, stumbles, and has to pull his own toga out from under his foot).
- ConexionesEdited into Hell-A-Vision (1936)
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- How long is Dante's Inferno?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 11 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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By what name was El infierno (1911) officially released in India in English?
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