The Wonderful Wizard of Oz

"The Wonderful Wizard of Oz" is the earliest existing film of the over 60 movies adapted from the 1900 L. Frank Baum book. And that tally doesn't include subsequent television and live stage presentations. The released Oz movie on March 1910 was produced by the Selig Polyscope Company out of Chicago and adopted many of the elements from the 1902 Wizard of Oz play.

Selig was able to make the movie using the Baum book because the company was involved in the author's "The Fairylogue and Radio-Plays," a combined play/vaudeville act/movie production in 1908. (The short Selig movie played during this production has been lost). After a disastrous two months, the act bankrupted Baum, giving Selig the rights to use his Oz characters and story. Besides the "Wonderful Wizard of Oz" movie, Selig immediately made three Oz sequels within 1910--all three now lost.

In this first 1910 Selig movie, Imogene the Cow, not portrayed in the Braun book, takes the place of Toto. Imogene is a person in a cow costume while Toto the dog could not be asked to be on the 1902 stage for a couple of hours and behave. Toto does make a brief appearance in this movie, but the cow dominates as a companion to Dorothy. Also, the scarecrow is discovered by Dorothy before the tornado and accompanies her to the Land of Oz. Another added element to the movie over the play was the extended role of the Wicked Witch of the West. Just like the Judy Garland 1939 classic, Dorothy has to confront the witch to get her wish from the Wizard. But instead of water shrinking the witch, water thrown at her simply makes the witch disappear.

And it appears the cast is dancing to some music. The 1902 play did havemusic to which accompanied the actors' dance numbers--but since film hadn't advanced enough to play sound, there is no songs heard on the movie that choreograph the cast.

Dorothy, Scarecrow, and Toto bring a donkey and cow (played by Men In Suits) along with them in the cyclone (which is simulated by having them hug a big hay bale that turns around and around).

ALL THE INTERTITLES ARE IN GIANT BLOCK CAPITALS.

Toto is a real dog who turns into Man In A Suit #3 to fight the lion (Man In A Suit #4), who is not cowardly at all.

There is a line of chorus girls and another of palace guards. At the end, the guards ride in on REAL HORSES, which makes the Men In Suits (by now including #5, bug, and #6, frog, from the Wicked Witch's lair, and #7, kitty cat, who otherwise has no apparent role in the action) look really, really lame.

The cast of thousands and elaborate sets make you wonder why no one had yet thought of MULTIPLE CAMERAS, and EDITING. But that was a concept they obviously couldn't wrap their minds around, back in 1910. Who knows - maybe a second camera would have cost more than all the actors, dancers, horses, and animal costumes put together.

The costumes and plot are from a stage performance of this classic. It is disjointed and sparse in its portrayal of the story of Dorothy Gale. All the regulars are there, even though we don't get to know them very well. I've not read the book, so are the brain, courage, and heart a part of the story. Also, what about the duplicity of the Wizard. All that aside, it is a memorable thirteen minutes. There are even song and dance numbers (though there is no sound). It was interesting to see Toto transformed into a huge dog so he could protect Dorothy. The scarecrow is the star of this adaptation. He has all the loose and frantic movies of his successors. The plot is a bit dense. It could have used a bit more of an acceptable story line.

Though primitive by today's film-making standards (the animals are portrayed by humans crawling around on all fours in animal costumes, the storm-filled sky is little more than a revolving painted sheet), this early version of the L. Frank Baum classic is an interesting bit of film and Oz history. Though only ten minutes in length, it manages to capture the main points of the story in encapsulated form. Certain well-choreographed (albeit naive) dance numbers indicate that it may have been conceived as a musical long before the 1939 version, and 9-year-old Bebe Daniels (later the hard-boiled Broadway star in "42nd Street") is a competent actress.

TCM showed this silent short one night while showcasing their Treasures of the American Film Archive, and at 13 minutes, this version of THE WIZARD OF OZ is quite engaging. I can only wonder, though, at the reactions of an audience, circa 1910, going to theatres and watching this version of a story that 20 years later would become one of the most enduring classics not only for children but adults alike, because seeing the events portrayed here just only shows how little we had back then, how much we have now... and why these little shorts are worth preserving. On that basis alone I'd recommend viewing this version devoid of preconceived notions of modern cinema, but as an intellectual ride.