The Wonderful Wizard of Oz

This film is included in the "More Treasures of the American Film Archive" DVD. The running time is listed at 13 minutes. It kind of looks like a junior high school production of "the Wizard of Oz" with people dressed up in costumes to portray Toto, the Cowardly Lion, Imogene the Cow and what appears to be a donkey. The latter two accompany Dorthy to the Emerald City with the all the rest. The Scarecrow and the Tin Woodsman are not too bad, and not that far removed from the 1939 Classic. The Wizard himself looks like the 19th century Medicine Show man that the Wizard was supposed to be. It is interesting that they basically told the whole story in such a short time frame. This film is actually interesting to watch in a historical sense. For that reason I gave it a 9.

In some ways, I found this 1910 silent version of 'The Wonderful Wizard of Oz' more entertaining than the big-budget MGM remake. And in some ways, this silent version (made while L Frank Baum was still alive and writing more Oz novels) is more faithful to Baum's source novel (and its sequels) than the MGM movie was. More significantly for historical purposes, this silent film preserves some aspects of the hugely popular 1903 stage musical based on 'The Wonderful Wizard of Oz', which deviated significantly from both the novel and the later MGM movie.

In the novel, Toto's single most important function is to be a sounding-board for Dorothy, so that she can express her thoughts aloud without talking to herself. In the stage musical (unlike MGM's version), it was impractical to have a trained dog performing various cues, so Toto was written out. Instead, for the stage musical, Dorothy's companion in the cyclone ride from her Kansas farm to Oz was Imogene the cow, played by two panto-style actors in a cow costume. In this movie, we see several 'animals' (including Imogene, and the Cowardly Lion) which are very obviously played by actors in costumes. Toto appears very briefly as a real dog, to be transformed almost immediately by Glinda into an actor in a dog cozzie, courtesy of a Melies-style jump cut. Refreshingly, Dorothy is actually played here by an age-appropriate little girl (more about her later), rather than a too-old teenage Judy Garland in a bust-suppressor.

In the stage musical based on 'The Wonderful Wizard of Oz', the star performers were the comedy team of Fred Stone and David C Montgomery as the Scarecrow and Tin Woodman; they sang comic songs such as "Hurrah for Baffin's Bay" and performed specialities, notably a 'black art' routine in which Stone assembled the various pieces of Montgomery's disconnected Tin Woodman. (After starring in this stage musical, Montgomery died young; Fred Stone went on to play Katharine Hepburn's father in 'Alice Adams'.) Here in this silent film of the stage musical, there's not much singing, but we do see the Scarecrow and Tin Woodman performing a comical dance. The Scarecrow does a very impressive back handspring, made even more impressive because he immediately segues from this into a weird crawling dance with the animal actors. I was astounded to learn that this acrobatic Scarecrow was Robert Z Leonard, a vaudeville performer who'd worked with Lon Chaney, and who later had a long successful career as a film director, well into the talkies era. (He directed Judy Garland and Liza Minnelli in 'In the Good Old Summertime', among other credits.) One tableau sequence in this silent movie puts Dorothy and the Scarecrow in a forest where the trees have sinister faces; I wonder if this sequence inspired the talking-tree sequence in the MGM film. Elsewhere in this 1910 film, we see that Oz has some black residents ... in loincloths, escorting camels.

The charming and delightful Dorothy in this silent film, as I was pleased to discover, is Bebe Daniels, who later did much to inspire British radio audiences during the Blitz. Here, she performs a delightful dance. The nimble Tin Woodman is played by Alvin Wyckoff, who later became a movie cameraman. There are a couple of very impressive stage sets with ensembles of chorus girls in pageboy outfits, and the Melies-like entrance to the Emerald City looks like an enormous human face. I was hugely impressed with the flying effect used here for the villainous Momba the Witch (no, not Mombi from the Oz books: this is Momba with an 'a') and also used here for Glinda; the Glinda in this movie looks vastly more impressive than Billie Burke did as Glinda with that wastebasket on her head. In this silent version, when Dorothy uses a bucket of water to dissolve the wicked witch, I found the results more impressive than what happened in the MGM version. I'll rate this 1910 movie 'The Wonderful Wizard of Oz' a full 10 out of 10. I wish they had filmed the complete stage musical, even without sound.

"The Wonderful Wizard of Oz" is the earliest existing film of the over 60 movies adapted from the 1900 L. Frank Baum book. And that tally doesn't include subsequent television and live stage presentations. The released Oz movie on March 1910 was produced by the Selig Polyscope Company out of Chicago and adopted many of the elements from the 1902 Wizard of Oz play.

Selig was able to make the movie using the Baum book because the company was involved in the author's "The Fairylogue and Radio-Plays," a combined play/vaudeville act/movie production in 1908. (The short Selig movie played during this production has been lost). After a disastrous two months, the act bankrupted Baum, giving Selig the rights to use his Oz characters and story. Besides the "Wonderful Wizard of Oz" movie, Selig immediately made three Oz sequels within 1910--all three now lost.

In this first 1910 Selig movie, Imogene the Cow, not portrayed in the Braun book, takes the place of Toto. Imogene is a person in a cow costume while Toto the dog could not be asked to be on the 1902 stage for a couple of hours and behave. Toto does make a brief appearance in this movie, but the cow dominates as a companion to Dorothy. Also, the scarecrow is discovered by Dorothy before the tornado and accompanies her to the Land of Oz. Another added element to the movie over the play was the extended role of the Wicked Witch of the West. Just like the Judy Garland 1939 classic, Dorothy has to confront the witch to get her wish from the Wizard. But instead of water shrinking the witch, water thrown at her simply makes the witch disappear.

And it appears the cast is dancing to some music. The 1902 play did havemusic to which accompanied the actors' dance numbers--but since film hadn't advanced enough to play sound, there is no songs heard on the movie that choreograph the cast.

TCM showed this silent short one night while showcasing their Treasures of the American Film Archive, and at 13 minutes, this version of THE WIZARD OF OZ is quite engaging. I can only wonder, though, at the reactions of an audience, circa 1910, going to theatres and watching this version of a story that 20 years later would become one of the most enduring classics not only for children but adults alike, because seeing the events portrayed here just only shows how little we had back then, how much we have now... and why these little shorts are worth preserving. On that basis alone I'd recommend viewing this version devoid of preconceived notions of modern cinema, but as an intellectual ride.

Although it is a rather unrefined movie, it's still fun to watch this early film version of "The Wonderful Wizard of Oz", and it has plenty of energy and ingenuity that make up for its rough edges. It is certainly of interest historically, and for anyone who enjoys the films of the early 1900s, it also works well enough as entertainment.

The story differs considerably both from the book and from the well-known 1939 classic, in large part because it was adapted from a stage production of the story, rather than from the original novel. But most of the characters are easily recognizable, and it's also quite interesting to see a very young Bebe Daniels as Dorothy.

The scarecrow and the tin man probably get the best roles, and in a number of scenes they engage in some amusing antics, making it worth looking for them even when they are not the main focus. It's apparently uncertain who played the scarecrow, which is too bad, because he is pretty funny, and his performance is not unworthy of being compared with Ray Bolger's performance in the wonderful Judy Garland version.

The adaptation does have a very stage-like look, but given that approach, most of it works all right. Some of the camera effects are pretty good for 1910, and even the ones that seem more obvious are at least interesting to watch.

In watching this now, it probably benefits from the endearing qualities of the Oz characters, which are so familiar from other sources. But its original audiences probably enjoyed it as well for its own sake, since it has plenty to offer, and it tells the story with lots of liveliness.