El reino de las hadas

This is the most beautiful production I've seen from Melies. The visuals will have you mesmerized - simply stunning!

It's about a princess that is taken away from her home by and evil witch... a prince and his men will journey to rescue her.

Yes this film is worth the 15 minutes or so to watch!

9/10

Georges Méliès was a marvelous filmmaker who brought movies many innovations and tricks. However, over time his films have become mostly forgotten and many seem very outdated and quaint today. But, if you are patient, they are most enjoyable when you realize how different and innovative they were for the turn of the century. And, a few, like "Fairyland" are true classics.

When the story begins, some prince (Georges Méliès) becomes engaged to a princess. But an evil witch sneaks into the palace with her imps and kidnaps the woman. So it's up to the prince to go on a grand adventure to find his betrothed and teach the wicked witch a lesson. To help him are some fairies and even King Neptune!

This is a cute and clever movie...made better by some gorgeous hand-painted cels. The overall effect is really nice and the 17 minute story seems more like a full-length movie (which it was back in 1903) than a quick short film. Well worth seeing and among the filmmaker's best.

One of Melies' elaborate story productions, ranking with VOYAGE TO THE MOON, using camera tricks, sleight of hand, elaborate costumes and interesting model work. Technically it will look primitive to the modern eye -- the sets are clearly sets, the models clearly models -- but it is all done with Melies' verve and dedication. Certainly, the grotto and underwater sets are beautiful; he knew how to draw stonework.

Melies, I feel, remains the most accessible of the oldest directors, in large part because of the sheer sense of showmanship and joy that is evident in these works. His scenes, when they are not sleight-of-hand magic, are essentially tableaux, punctuated by acrobats. His tableaux are much more elaborate than other directors who use the form, providing a feast for the eye. Working, as he does in this movie, with familiar images, he elaborates them, whereas in VOYAGE TO THE MOON, he invents them and suggest them. The effect is -- there is no other word for it -- magical.

There's a lot of Gilliam and Kubrick to be found in Georges Melies fifteen minute phantasmagoria epic A Kingdom of the Faires made 30 an 40 years before they were born. Melies pulls out all the stops with this wildly color tinted happily ever after nightmare featuring hallucinogenic compositions and early experimentation with miniatures and fish tanks between camera and set.

A King insults a witch who exacts revenge by abducting the princess to a far off lair. The Prince pursues, has to undergo a series of challenges including a stop in Atlantis but ultimately vanquishes the witch with enormous assistance from the good fairy Aurora by drowning her.

Melies moves everything but the camera in this multi set-up (backdrop) picaresque struggle between good and evil lush in opulent design and color; epitomized in the stunning turn of the century pop-out book finale. Despite its creaky look Kingdom is filled with wildly etched compositions of audacity and comedy all from the mind and eye of the neglected pioneer Melies.

This short fantasy feature is quite interesting and creative, with an involved story that is enjoyable to watch despite the somewhat unrefined nature of the production. Méliès made "Kingdom of the Fairies" just a year after his gem "Trip to the Moon", and it uses many of the same skillful techniques, with some different and equally imaginative settings.

The story starts with a princess taken captive by a witch, and from there the plot is quite detailed and interesting. You have to pay close attention, since there are no inter-titles to explain the action (it seems possible that the picture may have had a spoken narrative that was intended to be read while it was running), but there is enough detail that the main events are not that hard to figure out.

Méliès creates several interesting little worlds during the course of the action, and most of them work well. Even the few visual effects that are less convincing cinematic ally are still interesting to look at. Even aside from the story, it's interesting just to look at all the details and the possible associations that they suggest.

This is the kind of very old, pioneering film that might only be of great interest to silent film fans or historians, but anyone who appreciates the more widely-known Méliès features would probably find "Kingdom of the Fairies" well worth taking the time to watch.