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En esta espectacular adaptación libre de la popular obra de teatro "La Biche au Bois", el valiente príncipe Bel-Azor persigue a una vieja y malvada bruja hasta su inexpugnable castillo para ... Leer todoEn esta espectacular adaptación libre de la popular obra de teatro "La Biche au Bois", el valiente príncipe Bel-Azor persigue a una vieja y malvada bruja hasta su inexpugnable castillo para salvar a la bella joven princesa Azurine.En esta espectacular adaptación libre de la popular obra de teatro "La Biche au Bois", el valiente príncipe Bel-Azor persigue a una vieja y malvada bruja hasta su inexpugnable castillo para salvar a la bella joven princesa Azurine.
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Opiniones destacadas
This is the most beautiful production I've seen from Melies. The visuals will have you mesmerized - simply stunning!
It's about a princess that is taken away from her home by and evil witch... a prince and his men will journey to rescue her.
Yes this film is worth the 15 minutes or so to watch!
9/10
It's about a princess that is taken away from her home by and evil witch... a prince and his men will journey to rescue her.
Yes this film is worth the 15 minutes or so to watch!
9/10
One of Melies' elaborate story productions, ranking with VOYAGE TO THE MOON, using camera tricks, sleight of hand, elaborate costumes and interesting model work. Technically it will look primitive to the modern eye -- the sets are clearly sets, the models clearly models -- but it is all done with Melies' verve and dedication. Certainly, the grotto and underwater sets are beautiful; he knew how to draw stonework.
Melies, I feel, remains the most accessible of the oldest directors, in large part because of the sheer sense of showmanship and joy that is evident in these works. His scenes, when they are not sleight-of-hand magic, are essentially tableaux, punctuated by acrobats. His tableaux are much more elaborate than other directors who use the form, providing a feast for the eye. Working, as he does in this movie, with familiar images, he elaborates them, whereas in VOYAGE TO THE MOON, he invents them and suggest them. The effect is -- there is no other word for it -- magical.
Melies, I feel, remains the most accessible of the oldest directors, in large part because of the sheer sense of showmanship and joy that is evident in these works. His scenes, when they are not sleight-of-hand magic, are essentially tableaux, punctuated by acrobats. His tableaux are much more elaborate than other directors who use the form, providing a feast for the eye. Working, as he does in this movie, with familiar images, he elaborates them, whereas in VOYAGE TO THE MOON, he invents them and suggest them. The effect is -- there is no other word for it -- magical.
Georges Méliès was a marvelous filmmaker who brought movies many innovations and tricks. However, over time his films have become mostly forgotten and many seem very outdated and quaint today. But, if you are patient, they are most enjoyable when you realize how different and innovative they were for the turn of the century. And, a few, like "Fairyland" are true classics.
When the story begins, some prince (Georges Méliès) becomes engaged to a princess. But an evil witch sneaks into the palace with her imps and kidnaps the woman. So it's up to the prince to go on a grand adventure to find his betrothed and teach the wicked witch a lesson. To help him are some fairies and even King Neptune!
This is a cute and clever movie...made better by some gorgeous hand-painted cels. The overall effect is really nice and the 17 minute story seems more like a full-length movie (which it was back in 1903) than a quick short film. Well worth seeing and among the filmmaker's best.
When the story begins, some prince (Georges Méliès) becomes engaged to a princess. But an evil witch sneaks into the palace with her imps and kidnaps the woman. So it's up to the prince to go on a grand adventure to find his betrothed and teach the wicked witch a lesson. To help him are some fairies and even King Neptune!
This is a cute and clever movie...made better by some gorgeous hand-painted cels. The overall effect is really nice and the 17 minute story seems more like a full-length movie (which it was back in 1903) than a quick short film. Well worth seeing and among the filmmaker's best.
"Kingdom of the Fairies" is undoubtedly one of Georges Méliès's best féeries, or fairy films, alongside other such ones as "Blubeard" (1901) and, if you want to consider it as part of the genre, "Le Voyage dans la lune" (1902). It is also one of his best films in general. Its narrative follows the abduction of a princess by a wicked fairy/witch, and her subsequent rescue by the prince (played by Méliès)--an adventure which takes the prince and his men to the depths of the sea, where they meet the kingdom of the fairies, ride inside a whale to shore, and to the eventual rescue of the damsel from a burning castle. This was one of the most elaborate Star Film productions, with 20 some changes of scenery, a requirement of many costumes, and a runtime nearing 20 minutes.
Méliès consistently produced the best movie set designs of his era, but the ones in this film especially stand out, including the undersea design and the burning and collapsing castle. Even the miniature model scene of the ship sinking works, because, after all, it's fantasy. The aspect, however, that I particularly appreciate in these fairytale films is their frequent use of the fairy as a narrator, or manipulator of the characters and plot. Another good example of this can be seen in "Bluebeard", as well as in films by others, such as "The Magic Sword" (1901) and "Jack and the Beanstalk" (1902). One scene in "Kingdom of the Fairies" is especially remarkable: it's a vision scene projected by the wicked fairy to the prince and involves the changing of the scenery from the castle room to the vision and back to the castle room.
(EDIT: The hand-colored print now available on home video makes this film look even better.)
Méliès consistently produced the best movie set designs of his era, but the ones in this film especially stand out, including the undersea design and the burning and collapsing castle. Even the miniature model scene of the ship sinking works, because, after all, it's fantasy. The aspect, however, that I particularly appreciate in these fairytale films is their frequent use of the fairy as a narrator, or manipulator of the characters and plot. Another good example of this can be seen in "Bluebeard", as well as in films by others, such as "The Magic Sword" (1901) and "Jack and the Beanstalk" (1902). One scene in "Kingdom of the Fairies" is especially remarkable: it's a vision scene projected by the wicked fairy to the prince and involves the changing of the scenery from the castle room to the vision and back to the castle room.
(EDIT: The hand-colored print now available on home video makes this film look even better.)
This is a great old short. The backgrounds are very intricate, fun and colorful. This is a perfect double feature with A Trip to the Moon (1903), especially if you're the kind of person that likes watching these extremely old films on youtube, like me.
¿Sabías que…?
- TriviaA clip of this film is featured in La invención de Hugo Cabret (2011).
- ConexionesFeatured in Chuck: Chuck Versus the Balcony (2011)
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Detalles
- Tiempo de ejecución
- 16min
- Mezcla de sonido
- Relación de aspecto
- 1.33 : 1
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