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How It Feels to Be Run Over

  • 1900
  • Not Rated
  • 1min
CALIFICACIÓN DE IMDb
6.1/10
1 k
TU CALIFICACIÓN
How It Feels to Be Run Over (1900)
ComediaComedia oscuraCorto

Agrega una trama en tu idiomaIn one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.In one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.In one glorious point-of-view shot, a vehicle dashes full-speed into an ill-starred passer-by.

  • Dirección
    • Cecil M. Hepworth
  • Elenco
    • May Clark
    • Cecil M. Hepworth
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.1/10
    1 k
    TU CALIFICACIÓN
    • Dirección
      • Cecil M. Hepworth
    • Elenco
      • May Clark
      • Cecil M. Hepworth
    • 13Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos2

    Ver el cartel
    Ver el cartel

    Elenco principal2

    Editar
    May Clark
    May Clark
    • Passenger
    Cecil M. Hepworth
    Cecil M. Hepworth
    • Driver
    • Dirección
      • Cecil M. Hepworth
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    6.11K
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    Opiniones destacadas

    8PCC0921

    In a Puff of Smoke the Future Rolls In!

    This is a great little film. There are three things happening here in this 43 second gem. First off, you are looking at something that is a glimpse into our past. It shows what the world was like 120 years ago. It is probably a small part of a few hours of motion picture recordings of what life was like over a century ago on this little blue marble. Before 1895 there wasn't anything. It is something very rare that we have therefore it is precious.

    The second thing going on here is the fact that there is a contrast between technologies. First, we see the horse and buggy go past the camera and then there's a puff of smoke. Just as the smoke starts to clear out comes the car or horseless carriage. There is a contrast between the buggy and the car. In 43 seconds this film gives us an amazing preview of things to come.

    And, of course, the final thing happening in this film is the climactic ending. Do we really feel that the woman cannot drive that vehicle or was she supposed to do that? Do we need to worry about the fact that someone may have gotten hurt badly during this? We also have to take note, that because this film is so short and so new for its time, it reminds us of what we are like now when we watch our YouTube videos. Being as it is one of the first movies ever made it's a wonderful piece of work.

    8.6 (B+ MyGrade) = 8 IMDB
    10Quinoa1984

    a quintessential piece of... cinema, period

    The great thing about this film is that these filmmakers, whether they had seen it or not, had the kind of movie that the Lumiere brothers happened to catch in mind - the Train coming in the Station that basically birthed cinema in 1895 - and they decided 'we can do a step further.' Now, it's not that the whole film is only the car coming at the camera, and we first see a horse and buggy go by the "person" sitting or standing in the road. It's a very basic feeling that the crux of this film does - terror - but it also is more primal, which is helplessness.

    The whole 1 minute is meant to express a feeling, and whether you really feel it or not (it IS 116 years ago now), it does have a visceral impact: it's hard to not believe the car is going to kill "you" in place of the camera, since we're the camera-eye. This is one of the major accomplishments of cinematic grammar: if you can get an audience to feel something by how the camera is in place and how the frame is set in just such a position (and in this case there's even some odd text that comes over black in the last few seconds), then you win at cinema.
    10evandyni

    I felt like I was really there

    This was amazing work for the time period. If this was a 3D movie I might have had to leave the theater because WOW. While the film was short that was expected for being from 1900. I could've watched this film for hours however.
    6addick-2

    Duck!

    Interesting early short in which an out of control motor-car drives straight towards the camera, obviously in an attempt to create the sort of panic that accompanied showings of the Lumiere brothers film of a train arriving at a station. The film itself is a pretty basic one shot clip, as was standard at the time, but of interest is the fact that before the main action a horse drawn carriage trots harmlessly past the camera. An early example of an establishing shot and an attempt to lure the audience into a false sense of security perhaps.
    Snow Leopard

    A Creative Little Film

    Some of these earliest features pack a good amount of creativity into a very short running time. There are probably as many signs of genuine imagination in less than a minute of this little film as you could find in two hours of most recent movies. The idea here is simple, but clever, and it is carried out with an unaffected liveliness that makes it work well.

    The camera is set up so that it looks down an open road as different conveyances approach, to create an anticipation of what might happen when they get closer. It works well, and it also features what must be one of the very earliest uses of title cards - which themselves are done in an amusing fashion. A lot of pioneering films are worthwhile more for their effort and their intentions than for their content or their entertainment value, but this one does pretty well in both departments.

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    Argumento

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    • Trivia
      How It Feels To Be Run Over is based on a very simple premise: a car is driven directly at the camera so that it eventually fills the screen, creating the visual impression suggested by the title.
    • Créditos curiosos
      The intertitle of "Oh my, mother will be pleased" is seen at the end of this film.
    • Conexiones
      Featured in Silent Britain (2006)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • julio de 1900 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idiomas
      • Ninguno
      • Inglés
    • También se conoce como
      • Каково это, когда тебя переехали
    • Locaciones de filmación
      • Reino Unido(location)
    • Productora
      • Hepworth
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 minuto
    • Color
      • Black and White
    • Mezcla de sonido
      • Silent
    • Relación de aspecto
      • 1.33 : 1

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