The Fireman

Charlie Chaplin and friends find work in a crooked fire station, where a wealthy businessman makes an arrangement with the chief to conveniently ignore a house fire so he can cash in his insurance policy. Just enough plot to introduce a smidgen of conflict and move us from one setting to the next, lest the scenery grow too static and the props outlive their usefulness.

In the first act, Charlie flops around the fire house. Sleeping through alarm bells, miraculously sliding up poles, booting his coworkers in the ass and grossing everybody out with his cooking. Standard silent movie physical humor. The second half whisks us away to the scene of the emergency, where our insurance scam has taken an undesirable turn and the fire must be put out after all. Here, the stakes mount and Chaplin closes the show with a hilarious window rescue scene involving a three-story ladder and an obvious mannequin stand-in.

Not one of the comedian's most memorable short films, but (as usual) his physical presence elevates what would have otherwise been a very simple, pointless story. A bit over-stretched, as these things go, but there are far worse ways to burn half an hour.

Monday September 10, 7:00 pm, The Paramount Theater, Seattle

Referring to Chaplin's Mutual films and The Fireman, in his book American Silent Film, William K. Everson explains, "The weakest of them, the purely slapstick entries, such as The Fireman, are still superior to the best of the Keystones and Essanays; and the best of them (The Immigrant, Easy Street, The Rink) could stand with his best work from any period." The Fireman relies entirely upon the physical brutality found in those earlier films for much of its humor. Charlie suffers the indignities of his fellow firemen and flirts with the chief's (Eric Campbell) sweetheart (Edna Purviance). She visits the station with her father who tells the chief, "Let my house burn. I'll get the insurance and you can wed my daughter." Of course, it goes wrong, there is "An honest fire," and Charlie rescues Edna from her burning house while the other firemen are occupied in truest Keystone fashion.

Am a big fan of Charlie Chaplin, have been for over a decade now. Many films and shorts of his are very good to masterpiece, and like many others consider him a comedy genius and one of film's most important and influential directors.

From his post-Essanay period after leaving Keystone, 'The Fireman' is not one of his very best but is one of his best early efforts and among the better short films of his. It shows a noticeable step up in quality though from his Keystone period, where he was still evolving and in the infancy of his long career, from 1914, The Essanay and Mutual periods were something of Chaplin's adolescence period where his style had been found and starting to settle. Something that can be seen in the more than worthwhile 'The Fireman'.

The story is more discernible than usual and is never dull, but is sometimes a bit too busy and manic.

On the other hand, 'The Fireman' looks pretty good, not incredible but it was obvious that Chaplin was taking more time with his work and not churning out countless shorts in the same year of very variable success like he did with Keystone. Appreciate the importance of his Keystone period and there is some good stuff he did there, but the more mature and careful quality seen here and later on is obvious.

While not one of his most hilarious or touching, 'The Fireman' is still very funny with some clever, entertaining and well-timed slapstick and has substance and pathos that generally were not there with Keystone. It moves quickly and there is no dullness in sight. The ending is great fun.

Chaplin directs more than competently, if not quite cinematic genius standard yet. He also, as usual, gives an amusing and expressive performance and at clear ease with the physicality and substance of the role. The supporting cast acquit themselves well, particularly a charming Edna Purviance.

In summary, very good and one of the best from Chaplin's 1916 output. 8/10 Bethany Cox

A typical Chaplin movie from this relatively early stage in the comic's career. He's a clumsy fireman with authority issues due to the bullying nature of fire chief Eric Campbell who takes a liking to Campbell's sweetheart (Edna Purviance). There's nothing groundbreaking here, but the pace is lightning fast and watching Chaplin tormenting Campbell is always fun.

I first saw this movie back in January of this year, around my high school's exam time.

I was stressed out, so I went looking for movies to watch on the Internet, and I came across this.

This was my first Chaplin film; indeed, this was my first silent film, and I must say it made a very good impression on me.

I'm more a fan of verbal comedy, but this was unexpectedly funny!

However, I thought the butt-kicking a bit incessant and found no humor in it.

Other than that, a hilarious film. I give it two thumbs up!