Los vampiros o los archicriminales de París

Now here's a movie that doesn't require a replication of Paris in the early 20th century. The real McCoy is used for the settings, vehicles, costumes, firearms, etc. Since it was filmed in 1916 one can see for example how horse-drawn carriages were still a very popular means of transport in the "modern" sense. If you a true fan of motion picture history -- then you can't afford to miss this gem. It represents the dawn of the motion picture industry before we had well-known movie stars and blockbusters like Intolerance (1916) and Cabinet of Dr. Caligari (1919).

This film, a series of 10 episodes, tells the story of a gang of thieves and murderers (The Vampire Gang) who are out to create havoc in Paris for their own personal goals. The heros of this tale are a newspaper reporter, Phillipe Guerande, and his hilarious sidekick, Mazamette. Together they aim to foil the latest capers of the gang and find themselves in unexpected trouble throughout the entire series. Ingenious methods by the criminals are used in each episode.

Each episode builds upon the first, so I strongly recommend you watch it in sequence (as if you watching the Sopranos on HBO). It's interesting to see how the characters develop and improve their acting as they gain experience and confidence within their roles. Irma Vep and Mazamette, especially are a treat to watch. Later in the series, both Irma Vep and Mazamete deliberately ham it up for the viewing audience and camera just for fun! Guerande reminded me a lot of Gene Kelly with his clean-cut facial expressions and haircut. Only the last episode (#10) was a disappointment. For some reason, much of the print was washed out in the interior scenes, the tinting inconsistent (many outdoor scenes were red instead of green etc.) and the storyline was unrealistically forced forward (i.e., how did Mazamette enter into Guerande's house at 2:00 am uninvited and how did Guerande climb down the 3rd floor balcony of the Vampires' mansion after he threw away their knotted rope, the Vampires' only means of escape from that level?)

Most episodes are 45 minutes in length, except #10 which is nearly a hour. Even though the entire series runs over 8 hours, don't watch it a double speed as suggested by a previous reviewer. The score adds ambience, suspense & excitement to the Parisian scenes at the appropriate places. Lastly there are two supplements on the DVD. The first is a royal waste (a true supernavel, or "turnip" according to the French), the second is a cute story starring the young boy who played Mazamette's son in "Les Vampires".

An intrepid reporter and his loyal friend battle a bizarre secret society of criminals known as The Vampires.

Director Louis Feuillade is something of a legend, having directed an astonishing 630 films in the silent era (and perhaps more). He is best known for "Fantomas", the serial he made prior to "Vampires", and while the former may be marginally superior, they are both exquisite in their own way, and a great example of early thrillers.

Indeed, it is quite impressive that a film is seven hours long and still exists one hundred years later. Given how many silent films have since been lost forever, it is incredible that Feuillade's work seems to be intact and in great shape.

Lensed in an eerily abandoned Paris in 1915, Louis Feuillade's stark chapterplay LES VAMPIRES is a grim and powerful work which is worlds apart from the later glitz and polish of the golden age serials produced by the American studios.

It should be noted that serials were nothing new at this point in time. Formative efforts such as THE PERILS OF PAULINE had already established the appeal of these generally inexpensive actioners, with their bizarre twists and inventive death traps.

The emphasis was generally on a resourceful protagonist pitted against an equally inventive and determined fiend -- frequently an unsuspected heir or lawyer out to obtain an undeserved inheritance.

LES VAMPIRES did this formula one better, making the menace a vast and largely unsuspected criminal empire which is devouring Paris from inside. With members taken from all classes, the dark society is able to plunder, blackmail and murder without dear of action from the authorities. This continues until their removal of a government investigator brings ambitious reporter Philippe Guerande (Edouard Mathe) into things.

Sent to the country to search for details on the official's murder, Philippe plans to combine business and pleasure by meeting Dr. Lox, an old family friend who has a chateau in the area.

Arriving at Lox's estate at the same time as an American heiress who means to purchase the property, the reporter is promptly framed for theft by the hooded agents of the gang, who are secreted in the ancient building.

Locating the dead investigator's head, Philippe manages to turn suspicion on Lox. Murdering the heiress and making his escape across the rooftops, the "doctor" is revealed as the Grand Vampire the (evident) leader of the criminal society.

Philippe falls into the Vampires' hands but is rescued by Oscar Cloud Mazamette (Marcel Levesque) -- a clerk and minor member of the gang whom he had helped earlier. Philippe and Mazamette combine to try to expose the society's operations and bring the gang to a deserved end.

A series of adventures follow, with the Grand Vampire (Fernand Herrmann) and exotic dancer/criminal Irma Vep (Musidora) providing much of the opposition. In a surprise development, it is revealed that the Grand Vampire is not the gang's ultimate leader. When it is convenient, his superior eliminates him. He, in turn, commits suicide when he is imprisoned by the police.

Satanas, the criminal mastermind behind the group's poisons and explosives steps in and assumes co-command with Irma Vep. This occurs too late, however, as Philippe is closing in on the gang's chief meeting place.

After a series of close calls, the reporter and the reformed Mazamette succeed in destroying the Vampires' leadership and bringing the rank and file members to justice.

Not enough emphasis can be placed on the serial's grim and stark look, which almost functions as a characters of its own. This is a Paris where the gang's activities have seemingly terrified the people to the degree that they refuse to venture out unless it is absolutely unavoidable.

Production took place during WW I, when the streets were largely abandoned, and this strange desolation combines with the scurrying of the few characters to present a powerful emphasis that goes beyond the actual turns and twists of the plotline. The result is compelling, entertaining, and more than a bit weird in spots. Tinted scenes add to the welcome air of unreality.

Definitely a 9 out of 10 possible points.

I can't say enough about this film--I've pursued and studied it for the last twenty years! I'm so happy it's finally been made available on video. The first time I saw it was at the Videoteque de Paris...everyday for a week I watched episode after episode but, to my horror, when I requested the last episode I was told it was unavailable! It seems that, just the day before, the grandson of Louis Feuillade--I believe he is Jacques Champraux--had the video pulled from public viewings while it was in litigation. I thought I was going to fall over! The singular reason I was in Paris was to see LES VAMPIRES and suddenly, I was swallowing a very bittersweet pill. Anyway, eventually I saw the last episode, "The Bloody Wedding," but not until some years later when the serial was shown in its entirety at the Art Institute of Chicago. FIN

"Les Vampires" (1915 - 398 minutes - B&W) is a classic of the mute cinema series directed by Louis Feuillade. In ten episodes, it counts the adventures of a masked assailants group who haunt Paris. The mythical actress Musidora [ the first "Vamp" of the European cinema ] is the star in the series, that achieved fame due to the great admiration among the surrealists (Andres Breton and Luis Buñuel were its bigger fans), seduced by the dreamily scenes that sometimes appears in the narrative. At first "Les Vampires" was rejected for the French vanguard directors, that considered it like a mere policeman series. The film was saved from destruction thanks to the efforts of the founder of the French Film library, Henri Langlois, and after years forgotten, "Les Vampires" was exhibited again in the sixties, in concurred sessions that had marked time, especially in Paris, London and New York, causing a reevaluation of the critics relatively to the work of Feuillade. Andres Bazin, the great critic of the French cinema, said that "Les Vampires" was "one of the biggest film of all the times", admiration shared with the directors of the new French cinema. Today, Feuillade is placed side by side to other geniuses of the mute period of the cinema, as Griffith, Stroheim, Murnau and Gance. The episodes: 1: The Cut Head (31 minutes); 2: The Ring that Kills (13 minutes); 3: The Red Book (39 minutes); 4: The Specter (30 minutes); 5: The Escape of the Dead Man (35 minutes); 6: Hypnotic eyes (53 minutes); 7: Satanus (42 minutes); 8: The Master of the Thunder (50 minutes); 9: The Poisoner (48 minutes); 10: The Terrible Marriage (57 minutes).