Mabel at the Wheel

Mabel at the Wheel (1914)

** 1/2 (out of 4)

The behind the scenes issues with this movie are pretty interesting but from what I've read Chaplin hated being directed by a woman and his constant battles with Normand almost got him fired. For whatever reason Keystone decided to keep him and Chaplin's hatred of "other directors" finally caused him to be directed by himself from this point on in his career. In the film Mabel and her boyfriend (Harry McCoy) have a falling out so she takes a ride with his rival (Chaplin) but she eventually gets knocked off his bike and into a puddle of mud. Later she's back with the boyfriend who's at a race track when Chaplin kidnaps him forcing Mabel to race the car. This is a mixed bag as far as the film goes because the first half is pretty funny but the second half dealing with the race falls apart. Seeing Chaplin and Mabel slap one another makes you wonder how much they both enjoyed it but these early scenes are certainly the best in the film. The actual auto race wasn't too thrilling or funny to me but things do pick up towards the end and Chaplin's final scene is very funny.

'Mabel at the Wheel' is more Mabel Normand's vehicle than Charles Chaplin's. She is the star in this one and a shining star. Chaplin is going against his usual on-screen persona and is a full-fledged villain, but he is still amusing to watch. He goes wonderfully over the top while scheming how to ruin the race first for Mabel's boyfriend and then for Mabel. Although his motivations seem to remain unclear. At first Chaplin's Villain seems to compete with the racing driver over the heart of Mabel. But when the competition is removed and Mabel takes the wheel, the Villain goes on and tries to sabotage her race causing many life-threatening moments for her. One can assume that when he wasn't able to win over the girl, his main motivation became to kill her. A pretty dark theme for slapstick comedy.

The story is clear, not overly confusing plus the racing sequences are very interesting. It seems that there was more effort put into this one than many other Keystone productions. It might be because Mable Normand directed this film together with Mack Sennet. Mable, being a star, wanted a more polished film.

'Mabel at the Wheel' is one of the best early Chaplin's movies and probably my favorite Mabel Normand movie. It was his eleventh film - imagine - making eleven movies within barely three months. What a schedule.

I hereby recommend reading wmorrow59 review which shares some light behind the scenes on how Mabel and Chaplin didn't get along.

Just watched this-a Keystone comedy short starring Mabel Normand and Charlie Chaplin-on YouTube. Ms. Normand is also the director and Chaplin does not play The Tramp but the comic villain. As such, he's the funniest thing here as he does overacting to a T which is such a standard technique in these silent movies whether melodrama or slapstick comedy. Mabel is quite an accomplished comic herself whether taking a fall, throwing bricks, or biting Charlie's hand. The race sequence doesn't really have any laughs but is quite exciting to watch as we see Ms. Normand do as the title says. Overall, Mabel at the Wheel is highly recommended. P.S. It would have been nice if any of the versions I checked out had a music accompaniment but I can't complain too much about the complete silent version I watched.

The background to this movie is interesting. Mabel and Charlie had not appeared together since Mabel's Strange Predicament. Sennett brought the petulant pair together again in this film after 2 months, but when Charlie arrived for the shoot he was enraged to find Mabel behind the camera. Charlie felt women were best kept in the kitchen - he later had his many young and foolish wives locked up at home. While Mabel wanted to follow a script set by Mack Sennett, Charlie thought the new film needed gagging up. As the proposed gags would boost Chaplin's standing, Mabel refused to entertain them. Charlie immediately went on strike. On hearing this Sennett flew into a rage, storming into Charlie's dressing room shouting 'You'll do as you're told or get out!' However, the balance of power at Keystone was changing. The Englishman was a rising star, and his popularity could eventually equal or eclipse that of the lovely Mabel. Sennett had to keep the two together, or risk becoming the knucklehead who sacked the world's greatest comedian. He decided the two should bury the hatchet, and he directed the film himself (Sennett/Chaplin autobiographies).

Mabel was all sweetness after the furore, although she was unsure about riding pillion with Charlie on the Keystone motorbike – a type of machine he claimed to have ridden before. According to Mabel, the crazy Briton crashed the bike into a ditch before they'd gone twenty yards. He'd lied! Once he'd mastered the technique, all was set for a mad ride along a muddy track, where the hapless Mabel would be dumped in a mud pool. This was the cue for the usual Keystone battle of bricks between Mabel plus boyfriend and Charlie. Interesting how there are always some handy bricks lying around to be thrown by inmates of Sennett's 'University of Nonsense'. Charlie becomes a Ford Sterling- type villain for this film, and initiates various dastardly deeds, such as sticking a pin into Mabel's leg, thumping her in the face, and tying her boyfriend up. Without wishing to give the whole plot away, Mabel ends up taking over her boyfriend's racing car drive. The whole film is clearly based around a famous race filmed in Santa Monica, where a front wheel breaks off a car at Dead Man's Curve, causing it to overturn in spectacular fashion. Mabel openly enjoys the adulation she receives from the spectators and team at the conclusion of the race. Oh, how the cast adored their Keystone Girl!

Things to Note: [1] Charlie's motorbike is a chain drive 1912 Thor IV model. [2] The No. 4 racing car could be Sennett's own Stutz. [3] It is amusing to see the startled old fellow in shirtsleeves and braces,standing in his garden watching Charlie restart his motorbike – he thinks the Hell's Angels are in town. [4] Many roads around Hollywood in those days were seemingly rutted, muddy tracks. [5] When Mabel and Charlie have a fight, a seated spectator looks bemused,then positively scared.[ 6] The entire Keystone company appears to be in this film. [7] The race team's toolkit consists of one spanner, a file, a hand drill, and a bucket. High-tech that. [8] Mabel thinks race preparation comprises taking out a compact and powdering her nose. [9] The mechanic is in the race car to pump fuel and oil (furiously). [10] When the actual race car crashes, the mechanic is thrown out onto his feet. In the faked keystone crash scene the mechanic ends up under the vehicle.[11] There are plenty enough gags for Charlie in the film, and the lack of the standing on the hose gag (which caused the two stars to fall out) does not detract from the film. [12] Charlie reverts to a type of Ford Sterling costume for this film. Could it be that Mabel refused to work with the Tramp, as she feared being upstaged by the scruffy character? She might also have been fearful of the filthy Tramp outfit (Mrs Arbuckle claimed that Mabel used to buy Charlie new clothing, as he never washed his attire).

Charlie Chaplin went from tiny bit player to the top comic for Keystone in less than a year. "Mabel at the Wheel" is one of his earlier films and as the title suggests, it's a Mabel Normand vehicle and he's playing second to her.

Charlie takes Mabel for a ride on his motorcycle but ends up accidentally dumping her in a giant mud puddle. Not surprisingly, she's not happy and she soon goes off with another guy in his race car. Oddly, while this happens right AFTER the mud puddle incident, she's 100% clean...and not a trace of mud.

Charlie is angry he lost her, so he now plots revenge (as you can tell with a bit of overacting by Charlie). He even ends up slugging poor Mabel (which isn't very funny)! This isn't the end to Charlie's nasty behavior--which also includes rock throwing and popping the car's tire. In fact, Charlie is such a jerk you really are rooting for her to run off with Charlie's rival.

In the second part of the comedy, there is a big race and Charlie and his goons kidnap the rival so that he cannot race. So, it's up to Mabel to save the day.

While slapstick comedy is supposed to be violent, seeing Charlie slugging Mabel is terribly unfunny and I cannot imagine audiences of the day liking this, as I've seen hundreds of slapstick films and never recall this sort of behavior. Usually it's more exaggerated and oddly funny. You also see no sign of Charlie's sweet and likable Little Tramp character here...he's just a nasty jerk. Clearly not among Chaplin's best and seeing him behave this way isn't exactly endearing. Fortunately, Chaplin soon stopped playing villain roles and went on to far better things.