Post Mortem: Fotos Del Más Allá

I watch a lot of horror movies, and it's rare that I see one with anything new to offer. This is an exception. Its cinematography alone is worth the viewing. The story builds slowly to an amazing crescendo. Without adding spoilers, it's difficult to describe. But know that the film's tempo draws the viewer deep into this stark post-World War I village nearly devoid of life. The living characters occupy a liminal space between their marginal lives and the land of the dead. The ghosts, and there are many of them, are complex and unpredictable. This is perhaps the best ghost story I have seen this decade. I recommend it highly.

Saw this film at the Science plus Fiction festival of Trieste. I really loved it. The story and pacing are good. The historical setting is very well done and immerse the viewer in the era and location, the supernatural element has a nice crescendo, it reminded me of a good ghost story around a fire that people would narrate to others during a long winter night. The atmosphere is palpable. The two main actors (the young girl and the photograper) were phenomenal. I would suggest to do not miss this one if you like good ghost stories.

The Hungarian thriller is not bad. In a time of such shortage of non-progressive movies, a good movie is a preciousness, climbs the concept for "great."

It is a thriller with horror and mystery biases, perfectly decent - it is possible to watch it with the children present in the room. Good photography, empathic characters, good decoration of scenarios and clothing characteristics of the time (early twentieth century). The film leaves to desire in the originality and, also, in the ending of the story. As for the latter, I recognize to be something that few filmmakers know how to do.

Who likes Thriller, will not regret watching it.

Despite the actors and the never clear plot, especially at the end where it gets lost in big confusion, the whole entertains quite well.........................

Post Mortem: Hungarian horror flick set in 1919 during the Spanish Flu pandemic. Thomas (Viktor Klem) is a post mortem photographer, often snapping the dead with their loved ones. He is with a travelling fair when a young girl, Anna (Fruzsina Hais) asks him to travel to her village to photograph the dead. He only agrees because Anna looks just like a girl he saw in a vision when he was wounded during WW1. The village is gloomy, some residents wear flour sacks over their heads "to fend off the Flu", the dead are stored in a barn, partially frozen due to the Winter cold. Strange events ensue, he hears running on the roof, as he sets up the dead to be photographed we see them move and weep. Shadows appear in the images he develops. He sets out to solve the mystery with the help of Anna who seems wise beyond her years. The spirits which infest the town are noisy ghosts indeed, Poltergeist effects occur, ranging from moving objects to levitation and killings. Only real Zombie but he appears in a terrifying scene. Great performances by Klem and Hais, with an eerie village and an atmosphere which captures the dread and despair of the time when the Spanish Lady stalked the world. Directed & Co-Written by Péter Bergendy. 8/10.