It Snows in Benidorm

I like Timothy Spall as a actor and the fact i live near Benidorm made it a bit more interesting for me looking for cast extra's i know. The film started off great and then nothing happened. If anything it confused my as to why someone would spend such a budget and why Tim accepted this lead role.

Some of the scenes were plastic looking compared to the real life Benidorm, especially in the nightclub areas, it made the movie look like, almost amaturish. God knows why it was nominated, as after he arrives in Spain and realises his brother is missing, nothing else worth substance really happened. It got really boring, really quickly. It was so exciting, i couldn't wait till the end to start some housework.

Coixet tríes bravely a new poetic film with some good points (Sylvia Plath in the old fishermen' s Benidorm), but losing rhythm and falling inadvertedly in some image and lyric topics

I feel a bit mean posting a poor review of this film. It is clear that the director is trying hard to create a visual language that is charming and menacing at the same time. The story, predicated on a man whose joyless life is upended when he tries to visit his brother in Spain only to find him missing and tied up in shady goings-on. Scenes are bathed in light and garish colour strongly reminiscent of Almodovar and which reflect the main character's escape from the drudgery of his routine life.

At times, the camera lingers on the bacchanalia of Benidorm's nightlife and presents an alienating, decadent and surreal world. All of this seems to be intended to to make us uncomfortable. Regrettably, the scenes are so stylised that they feel pretentious rather than disturbing. The film is trying way too hard to create a disconcerting atmosphere with it's blend of innocence and depravity and its focus on the bizarre details of Benidorm life.

The dialogue is stagey. Attempts at elliptical and thought-provoking conversation are grating and make the film feel longer than it's (already too-long) 2 hours. The police officer spouting Sylvia Plath, for example, is utter nonsense.

Going back to my original comment, the reason I'm uncomfortable leaving this film a poor is that I think the director has real creativity and visual flare. I just think she needs to rein it in and concentrate more on the plot, dialogue and editing, which is what makes this such a mess. It's also a real shame to see Spall, one of this country's finest, involved in this half-baked project.

It starts off well, but gradually descends into banality as the viewing time progresses, as elements are introduced that disregard the Chekhov's gun principle. It simply confuses. The standout is Timothy Spall's character, an innocent man who believes his brother is still as dull as ever when it comes to enjoying life, but upon arriving in Benidorm to visit him, he finds that nobody will tell him where he is. It's a compelling plot that maintains good suspense, and the character's dramatic scenes capturing the essence of Benidorm are also commendable, but that device loses its quality in the second half of the film and becomes tiresome. Nonetheless, Benidorm strikes me as an ugly, extremely ugly city, and this movie has only increased my aversion towards it.

However, not all of the film is shot in Benidorm. The part where they showcase the abandoned amusement park is actually the Pola Park, a children's amusement park located in Santa Pola, where I used to go every summer as a child.

This starts off as one film and ends another, with a change mid way through; something I would find interesting but here it's taxing and very boring.

The usually reliable Timothy Spall is solid but I can help but feel he's getting more typecast as lonely, gruff middle aged men- see Mr Turner, Mrs Lowry and Son, The Last Bus and TVs The Sixth Commandment, that I could tell which direction his character would take .

I feel it would work best as a straightforward drama of a drab and lonely man ' finding himself' in Benidorm, with romance blossoming.

The stranger in a stranger land concept worked best with Tim Roth in 'Sundown', this could have aimed for that. Even a 'About Schmidt' plot would work.

The thriller aspect doesn't catch fire and is too slowly paced, doesn't grip either.