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Ulan

  • 2019
  • 1h 36min
CALIFICACIÓN DE IMDb
6.9/10
425
TU CALIFICACIÓN
Carlo Aquino and Nadine Lustre in Ulan (2019)
DramaFantasíaMisterioRomance

Agrega una trama en tu idiomaMaya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?Maya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?Maya (Lustre) has always held a pessimistic view of the rain; it reminds her of failed love and other depressing things. Will the rain ever stop in her journey to overcome past heartaches?

  • Dirección
    • Irene Villamor
  • Guionista
    • Irene Villamor
  • Elenco
    • Nadine Lustre
    • Carlo Aquino
    • Elia Ilano
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    425
    TU CALIFICACIÓN
    • Dirección
      • Irene Villamor
    • Guionista
      • Irene Villamor
    • Elenco
      • Nadine Lustre
      • Carlo Aquino
      • Elia Ilano
    • 30Opiniones de los usuarios
    • 12Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 19 nominaciones en total

    Fotos93

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    + 87
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    Elenco principal57

    Editar
    Nadine Lustre
    Nadine Lustre
    • Maya
    Carlo Aquino
    Carlo Aquino
    • Peter
    Elia Ilano
    Elia Ilano
    • Young Maya
    Perla Bautista
    Perla Bautista
    • Lola Rosie
    AJ Muhlach
    AJ Muhlach
    • Mark
    Marco Gumabao
    Marco Gumabao
    • Andrew
    Josef Elizalde
    Josef Elizalde
    • Topi
    Limer Veloso
    Limer Veloso
    • Norman
    Andrea Del Rosario
    Andrea Del Rosario
    • Auntie Susan
    William Martinez
    William Martinez
    • Uncle Billy
    Leo Martinez
    Leo Martinez
    • Editor in Chief
    Angeli Bayani
    Angeli Bayani
    • Aning ang Bagyo
    Meghan Dee
    Meghan Dee
    • Wife of Mark
    Kylie Verzosa
    Kylie Verzosa
    • Princess
    Keagan De Jesus
    Keagan De Jesus
    • Jose Albert
    Dingdong Dantes
    Dingdong Dantes
    • Tikbalang Groom
    • (voz)
    Mercedes Cabral
    Mercedes Cabral
    • Tikbalang Bride
    • (voz)
    Jhon Roe Apolis
    Jhon Roe Apolis
    • Serafin
    • (as John Roe Domingo)
    • …
    • Dirección
      • Irene Villamor
    • Guionista
      • Irene Villamor
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios30

    6.9425
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    Opiniones destacadas

    8carmelaanthea

    Engaging

    Ulan is a story of love, but it is not simply about romance. Though it injects elements of magic realism, it faithfully mirrors the realities of life - and one such reality is that things do not always go the way we want them to. Maya deals with unpredictability by weaving her own stories and finding solace in the superstitions imparted to her by her grandmother. But as the film unfolds, so does her growth. She learns acceptance - of what she cannot change, of her true strength, of the extent of love that she is capable of giving to others and reserving for herself. So yes, Ulan is a story of love - but more than just romantic love, it highlights the power of self-love.
    7floreschristine-92011

    A Refreshingly New Flavor.

    The movie was not what I expected it to be. I thought it would be a typical Filipino love story but to my surprise it turned out quite refreshing and entertaining.

    It was somewhat disorienting at first for someone who is not a fan of such genre. Throughout the movie I often found myself confused as to the meaning behind the parts of the movie that incorporated fantasy. I was not really sure if the meaning behind those scenes should be taken literally or if one should see it as a kind of symbolism. Or perhaps both.

    But that idea of not really being sure as to the meaning of the whole film actually was the refreshing part of the movie. For me, the movie gave the viewers a choice: take it as it is (that is from the view of a child's memories and perspective), or give a deeper meaning to it (that is from the view of an adult's experiences and struggles).
    7joanacatbagan

    Bizarre but in a good way.

    Ulan is a welcome treat to Filipino audiences who are looking for a new flavor on their usual local flicks as it mixes magic realism with romance. It is really beguiling. Backed-up by an extraordinary story and great screenplay, driven by solid direction and storytelling by Irene Villamor, amazing performance by Nadine Lustre and mesmerizing visuals by Neil Daza, the result is a peculiar yet hauntingly beautiful, and a fullfilling movie experience like no other. Poetic cinema at it's finest.
    8carlsantos-85950

    A Philippine version of Pan's Labyrinth

    My first reaction after watching Ulan was that it was like the critically-acclaimed movie, Pan's Labyrinth. Both movies show the wedding between fantasy and reality within the gaze of a female character, amidst the backdrop of the prevailing social realities. But Ulan is even closer to the heart because it touches on Philippine realties.

    Ulan's narrative intertwines Maya's real situation with the mythical world created by the imagination of the young Maya. It shows the innocence, imagination, and hopefulness of a child and the sadness, horrors, and hopelessness of reality as then realized by the older Maya. While the young Maya can easily solve her dilemmas with a simple work of imagination - just transforming those bullies into eggs - the older Maya has to struggle. She has to deal with small paychecks, a sexist superior, and a disastrous lovelife. The great cinematography and smooth transitions between these two narratives have helped in the realization of this poetic vision of the filmmaker. Even with two different narratives, the film is still so coherent that no scene is wasted apart.

    What I really liked about the film is how it tackles Philippine social realities. It shows state neglect. It shows how the effects of natural disasters are aggravated by the lack of preventive actions and mitigating measures by the government . That beyond these concepts of forbidden love and tikbalangs, these current realities our the real hindrances in the fulfilment of our dreams and fantasies - just as how this torrential rain, brought about by anthropogenic climate disturbance as lamented by Ulan, the mythical creature, has shattered Maya's hope for a happy ever after. What I don't like though is that in the end, instead of teaching us the importance of volunteerism and collective pursuits is battling these realities, it has somehow disintegrated into mere self-love - see how Maya just held hands with her younger self in the end.

    Overall, Ulan is sui generis, a class on its own. It is beyond a fairytale. It is a poem and a piece of art. It pushes the viewers to look beyond its narrative and ponder on the meaning of every scene. It encourages critical thinking, which mainstream films would normally not do in fear of loss of audience and profits. It shows us that our typical romantic movies can be turned into a piece of art where every detail has its symbol and every scene has its interpretation. Above all, it somehow teaches us that amidst the grimness of our reality, we should not give up especially on our ideals.
    8ingadc

    More things in Heaven and Earth

    Ulan is not a romance movie. It is about love but it is against love. It is anti-romance. But it is romantic. It was grounded in truth and yet steeped in the supernatural that wound itself so intricately with the reality of the story. The film benefits from such a rich appreciation of magical realism which gave meaning to what otherwise would be a disorienting narrative flow. Magic and folklore are embedded in Maya's childhood, which I think speaks of a need to reconcile what is seemingly a conflicting reality with the stories we are told, and which to us, speaks just as much truth as anything science could explain.

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    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      Irene Villamor wrote the first draft of the script as early as 2005.
    • Bandas sonoras
      Ulan
      Performed by Janine Teñoso

      Words and music by Rico Blanco

      Published by Music R Us Publishing

      Produced by Civ Fontanilla

      Arranged by Kettle Mata

      Vocal supervision by Pauline Lauron

      Recorded by Joel Vitor

      Mixed and mastered by Joel Mendoza

      Recorded, mixed and mastered at Amerasian Studios

      Courtesy of Viva Records Corp.

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    Preguntas Frecuentes

    • How long is Ulan?
      Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 13 de marzo de 2019 (Filipinas)
    • País de origen
      • Filipinas
    • Sitios oficiales
      • Official Facebook - Viva Films
      • Official Instagram
    • Idiomas
      • Tagalo
      • Filipino
    • Productoras
      • Viva Films
      • N² Productions
      • Hooq
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total a nivel mundial
      • USD 11,327
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 36 minutos
    • Color
      • Color

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