A medida que un grupo de socorristas escapan de las garras de la muerte, empiezan a ser asesinados por percances cada vez más improbables y asesinos.A medida que un grupo de socorristas escapan de las garras de la muerte, empiezan a ser asesinados por percances cada vez más improbables y asesinos.A medida que un grupo de socorristas escapan de las garras de la muerte, empiezan a ser asesinados por percances cada vez más improbables y asesinos.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
April Telek
- Aunt Brenda
- (as April Amber Telek)
Opiniones destacadas
It's crazy to me to think that the last time a 'Final Destination' movie came out I was a young 20 year old man full of hopes and dreams. And the title of the fourth film in the series, 'The Final Destination', implied it would be the final instalment of the series back in 2009, however anyone familiar with modern Hollywood probably knew that was unlikely to remain the case - and it lasted 2 years.
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
When you make an instalment 14 years after the last, there's probably a sense that you have to do something a little different in order to justify it. And this film does mix the formula up - slightly. Just enough that it feels a little different, but not enough that it really alters the formula we have come to know and love.
The opening scene in this movie was really good. It was lengthy, fairly creative and had some great individual kills in the mix. From there thing go into a lull for a while, allowing the story to set itself up. Then the film goes bananas the rest of the way and we are treated to brilliant kill scene after brilliant kill scene. There are some really good ones in this film.
One thing that was a problem here - and something that has plagued the series in almost every film - is that it is riddled with unlikable characters. I can only think that's being done intentionally at this point to make people feel disposable and like no one is safe, but I can't help but feel the films would be slightly more impactful if the characters were a bit more likable overall.
All in all though I would say 'Final Destination: Bloodlines' was a lot better than it had any right to be 25 years after the original. 8/10.
Respect how they didn't kill off Tony Todd's character to finish the trilogy,due to his real health issues therefore we must imagine it for closure..
With that said,hope they let Final Destination-Rest In Peace versus milking it.
Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.
Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.
Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!
Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.
I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.
Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.
Not part of the trilogy will probably rewatch,but was worth viewing once.
Outside of the cameo with the legendary TT everything else,was basically been there seen that production.. Nothing felt overly original,not clichéd or perhaps with plotholes.
Not disregarding some of the opening scene positives but was like they used the whole budget on that,as the remaining movie felt lackluster.
Did anyone think the home Iris created felt more like,she was trying to keep out walkers versus death? All those spikes,etc. Logic failure!
Notice movies that claim to be horror try to fit in the all type of categories,to get most viewership regardless these days.. Where it can be on Shudder for example,but also under Disney.
I'm rather shocked with the high ratings,but also feel people(certain generations)don't appreciate quality movies anymore.
Acting to actors chosen was tolerable,cinematography & music was fine.. However you just didn't care about anyone,rooting for them or upset if they died.
Not part of the trilogy will probably rewatch,but was worth viewing once.
Final Destination: Bloodlines isn't going to pull a rabbit out of its undead hat, reinvent the horror wheel, or stake its claim as a genre-defining masterstroke-but that's not the point.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
What it does do is breathe new life into a franchise that felt like it had run out of steam. Bloodlines is a solid sixth installment, packing the same patented "inevitable death" mechanics we know and (occasionally) love, but with enough fresh twists to keep die-hard fans from checking out.
If you never warmed to the idea of "death's design" calling the shots, this won't convert you. For everyone else, the film delivers brilliantly choreographed set pieces of grisly demise-think elaborate Rube Goldberg traps drenched in splatter FX-that hit the sweet spot between macabre creativity and good old-fashioned gore.
The biggest upgrade this time around is emotional buy-in: the victims aren't a bunch of arbitrary strangers thrown together by fate. Instead, Bloodlines builds sincere rapport with its core ensemble, giving each death a bit more narrative weight (and, yes, a smidge of pathos) before the inevitable payoff.
Unfortunately, the dialogue remains as thin as ever-flat exposition one moment, telenovela melodrama the next-reminding you that subtlety wasn't high on the call sheet.
On the plus side, the movie leavens the carnage with genuinely funny, ironically staged moments-many courtesy of Erik, whose over-the-top flair steals scenes from our so-called protagonist-and the delightfully absurd chain reactions (who knew the garbage truck could be such a menace?).
Even though the film trudges into its predictable finale with all the subtlety of a wrecking ball, Bloodlines is pure adrenaline: brutal, energetic, and darkly comedic. In other words, exactly what you paid for when you bought that Final Destination ticket.
If you are going into this movie just to have a good time and turn your brain off then you'll enjoy this film. However, as someone who became obsessed with the Final Destination franchise nearly 2 decades ago after watching the choose your own fate edition of Final Destination 3 with the tanning bed scene permanently seared into my brain, I'm a bit more harsh.
Cons:
Pros:
Cons:
- The CGI blood and kills. Nothing takes me out of a scene more than dark red cartoon blood. With a film that is built PRIMARILY on deaths it should be quite limited on the usage of CGI. We've seen great use of practical effects which is why this feels like such wasted potential. The biggest reason these movies work is because no matter how ridiculous the set up is the death still feels real (4th sequel excluded). It doesn't have the same effect if the person dying sudden looks like an animated character.
- This might be the most useless protagonist since the 4th installment. The main character might be the blandest character in the whole movie, and she has some tough competition because only 3 people stand out in this movie. I can forgive throw away characters if the deaths are memorable but both are lacking here.
- There have been rumors that there were reshoots and I believe them because the final act has some pacing issues and ends somewhat abruptly.
Pros:
- I will say that this film had the 2nd best opening scene/disaster behind the pile up.
- Tony Todd's goodbye was moving and possibly the best dialogue he has given in the franchise.
- The hospital death scene involving an MRI machine has a great build up of suspense and emotion and is up there with other iconic final destination death scenes.
- While there is more cons then pros for me I still had a good time and still fun to see in theaters. While some FD sequels miss the mark there is always another sequel that can surpass it. Can't wait for the next sequels!!
Really enjoyed this one! It's super brutal again, but the story was told differently this time with the whole Bloodlines twist, which made it feel fresh and exciting. The plot was good and kept me entertained all the way through, with lots of intense moments, great pacing, and a few cool surprises along the way. I watched it in D-Box with Dolby Atmos - the sound was absolutely amazing, super powerful, and the moving seats made it even more intense and fun. Definitely a unique cinema experience. If you enjoy brutal action, great sound, and a fresh twist, you should totally check it out. Solid 7/10!
¿Sabías que…?
- TriviaTony Todd was allowed total creative control over his final scene, since he clearly didn't have much time left and the crew wanted him to have the final word of his career. His final monologue was one that the crew encouraged him to use to impart some last advice to fans.
- ErroresThe way the MRI machine works in the film is completely unrealistic to life. While the magnetic forces of MRI machines can be strong and pull in metallic objects, the way the film portrays the machine is far from reality.
For starters, MRI machines are in a shielded room due to their strong magnetic forces and not in an office that anyone (doctors or patients) can walk in and out of. They are also always switched on and never turned off.
Even if MRI machines were able to be switched on and off, it would take more than a simple keyboard command to activate it. Also, computers wouldn't be in the same room as MRIs due to them being affected by the strong magnetic forces.
There's no gauge to increase or decrease the machine's strength either, nor is there an override feature or a "Do not exceed" warning level.
The strong magnetic fields are only strong when in close proximity to the MRI machine (10-15ft away).
Most MRI machines across the US alone have a max Tesla strength of 3T (3 Tesla), with very few going to up 7T (7 Tesla) like in the film. The highest Tesla strength on an MRI machine can go up to 11T (11 Tesla).
- Citas
[his last words]
William Bludworth: I intend to enjoy the time I have left, and I suggest you do the same. Life is precious. Enjoy every single second. You never know when... Good luck.
[walks off]
- Créditos curiososTony Todd's credit in the closing titles is accompanied by a part of the "Final Destination" theme music.
- ConexionesFeatured in Geeks + Gamers: Final Destination Bloodlines Trailer: Reaction (2025)
- Bandas sonorasBad Moon Rising
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Craft Recordings, a Division of Concord
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Final Destination: Bloodlines
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 50,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 138,130,814
- Fin de semana de estreno en EE. UU. y Canadá
- USD 51,600,106
- 18 may 2025
- Total a nivel mundial
- USD 285,330,814
- Tiempo de ejecución1 hora 50 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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