少年的你

"If this is how the world works, would you bring a child into it?"

Powerful story of bullying, friendship, sacrifice, and the crucible Chinese kids go through in trying to get into the best universities, urged on by the platitudes of adults, so that they can have a better life. Zhou Dongyu and Jackson Yee turn in soulful performances as kids who are vulnerable in different ways, and Zhou Ye is perfectly evil as the main bully. Even with someone looking out for you, who will protect the protector? The film probably goes on a tad too long, but the way parts of the story are revealed and the emotions it plays on keep it riveting throughout.

Bullying ~ the big menace in school. How it affects the bullied person mentally, emotionally, physically. The role of parenting. Not only giving birth but also becoming the parent. The school, teachers, parents, law, and above all we people; have to stop it. The story telling is good. The sacrifice we make, for the other persons.. Important message given which we dont think is a big issue. We take certain issues less important but actually being much more important. Questions raised on loyality, friends, bullying, parenting and much more. See for the message!

Every June, almost 10 million Chinese students sit for the National College Entrance Examination, or the "Gaokao". For many, this nine-hour exam is considered the most important deciding factor in a student's future: Success on the Gaokao is what determines acceptance to China's universities, which in turn determines one's future career.

Although Better Days was initially censored by the Chinese government, the decision was later changed and the movie began showing in theaters. It's not hard to see why it enticed controversy in the first place as it portrays the Gaokao as a high pressure environment that fosters bullying, mental illness, and suicide. It opens a window to a world where students study endless hours in cram schools for their chance at a good future. Accountability in bullying cases is a recurring theme that underlies the movie.

But don't get this wrong, this isn't a story about the Gaokao. This is a story about heartbreak. Heartbreak for students who are bullied by their peers. Heartbreak for single parents who put their hopes and dreams on their children. Heartbreak for those who love unconditionally and are willing to sacrifice everything. Dongyu Zhou (Soul Mate, Under the Hawthorn Tree) and Jackson Yee (TFboys) are deft as two halves of a love story while Director Derek Tsang masterfully captures the sheer range of both leads. The cinematography doesn't go unnoticed either as every shot has tremendous depth for those paying close attention.

Of the many lines that stand out in this movie, one that resonates particularly is "If you weren't the bully, then you were being bullied." To me, this is what makes the film so powerful: its ability to pull at your heart over and over again. Go out and see this film. When you leave the theater, reflect on what you saw. Wonder how despite how far we have come, we still have so much left to go.

Young runaway thug meets little bullied student. Now, you may be thinking: cliche, cliche, cliche. Well, it may look that way, at first sight. But, matter of fact, the end result is - on the other hand, and by all means - utterly surprising and especially convincing. Never trite, never simplistic, never needlessly tear-jerking, never rhetorical (with the sole exception of the finale, but we'll get there...). An almost-masterpiece of social conscious drama.

Even though - you know, because of the all-encompassing censorship - the movie has to proceed by "suggesting" and "implying", it still manages to convey an interesting point, in a manner which is never - I repeat, never - dull or silly. The movie manages to picture a complex everyday reality for an ever-to-large number of students, to picture an oppressing and uncompromising environment, full of every kind of pressure: scholastic, familiar, societal... Competition at all costs and unrestrained pursue of academic excellence are matched by a society which generally entails full-blown individual oppression. In such a context, there's little room left for hope and little hope left in the possibility of changing things for the better.

Edge-of-your-seat gripping and memorable, "Better Days" crawls you in to never let you go, and as I said it compels you to see and investigate, and not ignore (which is always too easy to do). You will see with your own eyes what it means to grow up in a strictly hierarchical society, where you are from a very young age "put into the right pace" and "educated" to the most complete abnegation and the most fatalistic acceptance. Compelled to always be on-the-top-of-your-game, compelled to never fail, never slow down. Because failing is not an option, failing just one test may complete ruin your future existence. Of course, there's consequentially no time for compassion, no time for any kind of distraction, no time to really socialize (and empathize), no time to play, no time to fool around. You must be always perfect. Perfect. Again: at all costs.

I mean, the unbearable pressure which Asian's students have always be subjected to reaches almost paroxysmal levels (for another example of this state of things, I'd strongly suggest you also give a chance to the chilling Korean movie "Pluto", 2012).

By suggesting and implying "Better Days" seems to have been able to elude censorship to some degree. Yes, the finale is clearly false: the last ten minutes or so have most probably been added because of censorship. But - almost incredibly - this finale doesn't really ruin the good work done in the two hours plus before it. Because it's very critical and very hard-hitting, and not by any chance consolatory or reassuring or uplifting, with all due respect to the propaganda agency.

So, in the end, to sum it all up I would say that the movie doesn't make any new point and doesn't really cover any new ground, but it's able to face its topical subject matter with assurance and ability, and great technical gift, as made clear by the excellent directing, the dark gloomy cinematography and great acting (the two protagonists really have a unique chemistry).

"Better Days" is a great movie. Realistic, poignant and thought-provoking. A little gem. Don't miss it.

Derek Tsang's Oscar Nominated (Best International Film) is an impassioned look at school bullying. The movie can be unsparing in depiction of the maltreatment, and, at times it seems like life for our teenage heroine Chen Nian (Dongyu Zhou) is nothing but abuse, whether it be physical or psychological. Still, Tsang brings to it a style and a sweep that is emotionally satisfying all the while.

Chen is a smart high school student on the verge of taking the national college entrance boards - think SAT but done on a Super Bowl level*. The pressures are enormous enough without having a nasty gang of Heathers using all kinds of tactics to make her life miserable. Chen strikes up an unlikely relationship with a street hustler named Xiao Bei (Jackson Yee) and he agrees to be her personal bodyguard of sorts.

The scenes with Chen and Xiao give Tsang an opportunity to really show off his visual skills, even if some of it seems cribbed from Wong Kar-Wai (he is hardly the first, of course, look no further than Sofia Coppola). Varqa Beuher's electronic score adds to the propulsive mix. Tsang also employs time jumps and a lot of cross-cutting - not always to the movie's advantage. A third act twist somewhat derails the story into legal thriller territory. Still, there is no denying Tsang's prowess even at its most overwrought. Zhou is in her late 20s, but, her waif-like appearance easily convinces that she is 17, and her performance is extremely affecting. HK teen idol Yee has a good screen presence to add to their screen chemistry.

BETTER DAYS tells a universal story about bullying, but, it has a vision of its own. Tough subject matter, but, a very rewarding one.

* There has been some internet controversy about Jiu Yuexi's source novel that the movie is based on being unduly influenced by a similar Japanese book by author Higashino Keigo. Of course, in Japan, the national exams are perhaps the most famously hellish in the world.