La casa al final de la curva

Greetings again from the darkness. Purchasing a home is often called 'The American Dream.' For Josh and Rachel, it's even more special when their son, 6-year-old Max, refers to their new place as "a mansion". Sometimes (especially in movies) dreams turn into nightmares, and that's exactly what happens in this film from writer-director Jason Buxton (his first feature since his debut BLACKBIRD, 2012). Adapted from the short story by Russell Wangersky, this film is billed as a psychological thriller - which it is, yet it's also an enigmatic character study.

Ben Foster (HELL OR HIGH WATER, 2018) plays Josh. Only this isn't the Ben Foster we've come to expect. His usual high-intensity and simmering danger-on-edge is replaced by a mild-mannered man who is even a bit meek whether dealing with his wife or the new manager he once trained at work. Cobie Smulders (Maria Hill in the Marvel Universe) plays his wife Rachel, and their first night in the new house leads to one of the worst cases of coitus-interruptus in history. A car tire comes flying through the living room window just after the loud crash of a car hitting the tree in their front yard. The horrific wreck leaves a young man dead, and the family stunned.

As you might have guessed from the film's title, their new home is located on a dangerous curve. The only warning sign for drivers is mostly blocked by overgrown vegetation. Josh's reaction to the wreck amplifies his struggles at work, while also creating tension with Rachel. He wants to talk about it, and she wants to ignore it. A second wreck has Josh trying to comfort the driver. The wreck convinces Rachel it's time to move, while it simultaneously convinces Josh he could have saved the man's life. Clandestine CPR lessons follow, while family therapy exposes all we need to know.

Rather than a curve, Josh and Rachel come to a fork in the road ... and take different paths. While Josh becomes obsessed with waiting for the next wreck so he can save a life. Rachel simply wants to protect herself and her son, and avoid the obsessed Josh. He's a man who desperately wants to be a savior to strangers, when the best thing he could be is a father/husband. Foster's performance is unlike anything we have seen from him, and it can't help but make us feel uneasy. Director Buxton gives us an early sneak peek at the curve, but mostly we are confused as to why a speed bump or protective/reflective barrier hasn't been installed. Sometimes a movie leaves us feeling like it should have been more interesting, more entertaining, ... more something ... than it was. Foster keeps us watching, yet the whole thing feels a bit hollow.

Opens in select theaters and VOD on May 9, 2025.

It's probably a bit of a stretch to even rate this at 5 stars, just as it's a stretch to label this a thriller. More a drama about a man who seems to become obsessed with life, death and playing God, it's extremely well acted by Ben Foster and Cobie Smulders but good luck finding a character to feel sympathy for when both leads are written as fairly unlikeable. While I had some sympathy for Ben's character at the beginning eventually it eroded. Cobie, as his wife, is written as being a bit too hard and harsh to feel any empathy for. So you end up sitting and watching a movie in which you just kind of dislike the people on screen. I found the ending disappointing and am not sure what the writers were trying to say. It's definitely an interesting watch but nothing to watch a second time. Ben Foster is such a great actor, it's a shame no one seems to be writing great films anymore.

Dramatic thriller "Sharp Corner" charts the descent of average family guy Ben Foster (fine actor) from hating his job, thru leaning on booze, to sheer insanity via the titular accident blackspot outside the new home he's bought with wife Cobie Smulders and their young son. As cars repeatedly crash, and folk die, on his front yard, Foster becomes obsessed with the victims and on prepping to 'help' future ones, rather than preventing them and/or addressing his family's trauma. Writer / director Jason Buxton's second film is original, clever, well performed - tho also slow & implausible at times, with an ending that'll irk some. That said, generally, it's a good film.

I just want to point out two scenes, first when the accident happened and the tire ended at their home at a very difficult moment where it showed how accidents begin to change their lifestyle as soon as they enter their intimacy. The second is when he ruined the traffic lights and the street as if he was the one imposing death and granting life, giving his obsession the maximum extent, free from any controls. I think the movie revolved around these two scenes where Josh's obsession began to grow in a way that destroyed his family life and this obsession surrounded him and took him out of any moral criterion. I thought his obsession was saving lives until the last moment when he destroyed the traffic light and the street to impose what he thought was his ability.

On another platform I was looking for a comedy/thriller and that's what this movie was categorized as. Well it's not a comedy so I was disappointed. But on here it was categorized as a thriller, which again turned out to be wrong, so disappointment again. It's just a drama, and not even a good one. It's just too long before anything interesting happens and then it's just the end, which was too abrupt and again disappointing. The acting was okay so no real complaints about that but with decent actors alone you can't guarantee the movie will be good. For that you need an interesting story and this one was just not one of those.