Entrevistas originales con los pioneros del punk estadounidense y las bandas más conocidas del Reino Unido.Entrevistas originales con los pioneros del punk estadounidense y las bandas más conocidas del Reino Unido.Entrevistas originales con los pioneros del punk estadounidense y las bandas más conocidas del Reino Unido.
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- 3 premios ganados y 1 nominación en total
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UNK (Epix, 2019) - A four hour Documentary co-Produced by Iggy Pop does an okay job of outlining the history of the music sub-genre from it's earliest roots in the late-60s to the grunge boom in the 90s. Director Jesse James Miller and his writing team break down the Doc into four chapters: 1. 60s and early 70s Proto-Punks like the MC5, New York Dolls and Iggy's The Stooges. 2. Mid-70s NYC's CBGB's with the Ramones and London's scene including the Sex Pistols. 3. 80s California's Hardcore bands like The Circle Jerks and Black Flag. 4. 90s with Nirvana and Green Day. The interviewees range from Marky Ramone to Blondie to Johnny Rotten to Penelope Spheris to Henry Rollins to, of course, the patron saint of Rock Docs, Dave Grohl.
As will all these survey shows, one can always argue about which artist deserved inclusion or not, or which bands got too much or too little attention, but PUNK has a genuinely large chapter missing - the late 70s/early 80s 'Post-Punk' movement which included such major stars as Elvis Costello, The Jam, Sonic Youth and Rotten's own band Public Image Limited. It seems like Miller and the Producers wanted to focus on harder edged bands, which is fair enough. Still, if lighter groups like Blondie, Television and the Talking Heads are covered why not Joy Division, Wire, Devo and The Fall? It's a major missing chapter and feels somewhat arbitrary.
PUNK is an entertaining enough sampler with some obvious gaps. If nothing else, it's kind of interesting to see the interviews and hear disparate voices like Jello Biafra, Bikini Kill's Kathleen Hanna, Legs MacNeil, Flea, Exene Cervenka and Joan Jett look back at that era in music.
It was good until episode 4. When you grew up in the 90s in the punk and hardcore scene. People didnt listen to Green Day. They were the band for the kids we always got into fight with because we were punks, the posers who suddenly thought they listen to punk over night because they bought a cd they played on friday when they were partying. thrash metal heads. Hardcore dudes. Not one word of Suicidal Tendencies, MDC, RKL, Misfits, GBH, Discharge. DRI. CRASS, Rudimentary Peni. Nomeansno.The link between Motorhead and punkrock scene. Cro Mags are not mentioned. Just Harley Flanagan as a kid. They jump over so much important bands.. I know you cant get over all bands. but 15 minutes of Bikini Kills when you dont mention the bands above? The history of Bad Brains have been told 15 times the last 20 years in different documentaries. We know how good they were. . Not once have we heard the history of Discharge. How they really got the punk rock scene to blend into hardcore. How Thrash metal and hardcore found a common scene in the early/mid 80s helped many hardcore bands to the next level. Instead you get 30 minutes of green day talking about how many millions records they sold. But still. The first 3 episodes are golden. And the last 10 minutes of episode 4.
There are some great moments in the earlier episodes for sure, but I believe the filmmakers went a little too far in trying to please everyone. As in any other genre of art or music, there was great punk rock and well... there were shameless posers.
Part four was a complete throwaway. If you understand the ethos of Iggy Pop, The Buzzcocks, The Clash, Sex Pistols and other pioneer punk bands, its pretty hard to reconcile it with Green Day and the like. Post-Nirvana punk took a hard tack towards pop/commercialism. The music suffered as well.
At one point in Part 4, one of the Green Day people actually bragged about how many records the band sold and pointed out that they out sold Nirvana. Oh the irony! These dudes are just not too bright. Its cringeworthy listening to them speak.
Let's put Green Day and their ilk solidly in the shameless poser camp. Its skateboard pop.
Say what you will about Kurt Cobain, but his demise was eerily similar to the death of punk rock in the early 90s. When your art form is based on fierce integrity and honesty, it can't survive in a bought and sold medium. One might as well just kill themselves.
Part four was a complete throwaway. If you understand the ethos of Iggy Pop, The Buzzcocks, The Clash, Sex Pistols and other pioneer punk bands, its pretty hard to reconcile it with Green Day and the like. Post-Nirvana punk took a hard tack towards pop/commercialism. The music suffered as well.
At one point in Part 4, one of the Green Day people actually bragged about how many records the band sold and pointed out that they out sold Nirvana. Oh the irony! These dudes are just not too bright. Its cringeworthy listening to them speak.
Let's put Green Day and their ilk solidly in the shameless poser camp. Its skateboard pop.
Say what you will about Kurt Cobain, but his demise was eerily similar to the death of punk rock in the early 90s. When your art form is based on fierce integrity and honesty, it can't survive in a bought and sold medium. One might as well just kill themselves.
The series was overall worthwhile, but it is hard to take episode 4 seriously when they focus on Seattle and fail to mention the Melvins or Mudhoney, same when they repeatedly pojint to L7 and Bikini Kill yet don't include Babes in Toyland and Kim Gordon.
Absolutely outstanding documentary about the history of punk with a who's who of punk. Loved hearing the stories and the revival of punk in the 90's. Could not recommend highly enough.
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- ConexionesReferenced in Last Stop for Lost Property (2020)
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