Diabolik

It is an entertaining movie.

The soundtrack is beautiful.

It is clear that they put a lot of effort to crete the 60s vibe with a lot of liminal spaces.

You have all the tropes in it: the sensual woman, the attractive and skilled villain and the determined detective.

I think that the masks part was an inspiration from "Fantômas".

I had mixed fellings about how should I feel about a movie that glorifies crooks and killers but now I'm sure, I hate it because even if some of people killed haven't been clean they haven't been dirty enough to justify a killing and most of them have been regular people anyway.

This is a '60 movie for the "modern" audiences where the bad must be presented as good.

"Diabolik" is nowhere as bad as people make it out to be: it's certainly flawed (mostly from pacing issues) but it's solid, well-directed and acted, and fairly respectful of the source material. Is this a masterpiece? No. Is this the "rebirth of Italian genre movies"? No, but it's fun and entertaining to watch if you don't expect to go see Citizen Kane.

A note: obviously, Italian press reviews are hating on this movie only because they tried to make something different from the otherwise monotonous theathrical panorama: it's beyond me why every single time someone tries to make a genre movie in Italy, press is always demolishing the effort, there's no surprise the film catalogue isn't evolving much as it should.

As a huge fan of the character, and having felt let down by the 1968 cartoonish effort to bring Diabolik to screen, I was really pumped to learn that this film was being made and had great expectations for it.

Well...

Truth is that I sat in horror during the entire first act as I could not believe the absolutely incompetent direction, writing and acting displayed on screen. The Manetti brothers should stick to TV films and soap operas as they are clearly not cut for this genre.

But hey what do I know? They are already working on the second and third installments lol.

I want to mention that when Claudia Gerini entered the screen, for a moment I forgot that I was watching a mediocre school play. I wish she was in for more. I also really felt that Marinelli, although he did a decent job, was wrongly cast as Diabolik as he does not have the phisique du role. Same for Leone, which beauty and hair pulled up are not enough to make her a believable Eva Kent. Music score was generic and did not help propel the story.

Although I was hoping for the contrary, Diabolik 2022 doesn't stand a chance against the many international titles out there in the same genre, and as a first installment of what it appears to become a trilogy, unfortunately it is not really promising.

As a lover of the original comics (I still have the first 690 numbers), I would say that this is a nice movie. The scenography, the locations, the actors, all have a good "noir" style. Whoever is expecting a more fast rhytm of the action and more special effects doesn't understand that this is an entire recostruction of a paper comics, of the 60s, and it seems that the movie itself has been filmed and produced in those years... We realize this when we see the plastic door of the refuge of Diabolik, the masks, and other details which seem rough and simple, when cinematography didn't have yet the CGI or advanced special effects. Then with a slow rhytm action our attention is more focused on the particulars of the scenes, the characters, the single details, as well as we do when we see the designs on paper. Genious. Ginko character vote 3 (actor Mastandrea is not as pretty as the paper character and has a wrong Roman accent..), Diabolik Marinelli vote 7 (just ok, and with the same eyes and height of the original character :), Eva Kant 10 perfect! (The beauty and the charm by Miriam Leone). Ok to find some defects in the movie, but the lovers of the comics will enjoy watching it.

The story take up in a precise and detailed way number 3 volume of Diabolik.

The actors are perfectly portrayed, the choice of the two main characters is right, even if Diabolik appears very detached, a little less so Ginko, his movements are right but a little too Roman accent.

Even if the story tells about the first meeting and the union of the protagonists, the film gives more importance to the figure of Eva and less to Diabolik.

Direction promoted only in the second part of the film, soundtrack no!

Questionable screenplay.

2 hours are too many and the first half hour is too slow.

Vote 6,5.