El prodigio

A very interesting watch, for the patient viewer or for any fan of periode pieces, drama, or psychological themed movies. The movie is not fastpaced, but it suits its topic: the wasting away of a child supposed to be able to survive off of God's sustenance only (read: without actually eating food). A miracle indeed, or is there more to it?

The movie is incredibly well scripted and fleshed out. The way the topics are developed throughout the movie are very engaging and original. This is a special movie in the sense that it brings up topics other movies have done before, but never in this novel-like way. Even the unlikely or hard to believe elements aren't that much of a nuissance because it makes for a good story. It is slow, which is one of the reasons I would consider it more arthouse instead of a movie for larger audiences. The slow pace emphasizes how agonizing and painful some of the themes and events are.

The only thing that rubbed me the wrong way is there are a few short parts where the fourth wall is broken. In my opinion, it did not have a clear function and only reduced my ability to really immerse myself. Especially since it is a movie about 19th century Ireland, I would have preferred everything stuck to that. I don't mind fourth wall breaks in general, but here, it just kept me questioning for the first hour what it's purpose was. All of this is set during a period of time in Ireland when the Great famine was a problem. There was no need for a narrator. It was not a comedy. It did not add to the understanding of the plot. Even after finishing the film, I don't understand nor agree with the odd choice.

Other than that, the acting is very good, especially by the main character (Florence Pugh plays the nurse who's supposed to keep watch of the fasting girl). Some characters seem a bit instrumental, e.g. The parents of the fasting girl, though their motives are eluded at, hardly say anything throughout it all. The scenery and camerawork is very much like most aspects of the movie: professionally well done, a pleasure to watch and fitting to the plot.

In short, it has a couple of downsides, but it is very much worth the watch and I imagine the right viewer will be very impressed by "The Wonder".

As "The Wonder" (2022 release from Ireland; 109 min) opens, we are introduced to. Lib Wright, an English nurse who is sent to a remote part of Ireland to observe an 11 yo girl whose family claims has not eaten in 4 months. Or has she? Lib is to watch the girl in 8 hour shifts, along with a local nun... At this point we are 10 min into the movie.

Couple of comments: this is the latest from acclaimed Chilean director Sebastian Lelio ("Gloria", "A Fantastic Woman"). Here he brings to the big screen the novel of the same name by Emma Donoghue. I have not read that novel and hence cannot comment how closely (or not) the movie sticks to the original book. The movie is deliberately paced slowly, reflecting the times of Ireland in the 1860s. Initially it is difficult to understand what exactly is going on (how can the girl sruvive for months without eating?), but then as the movie plays out, we finally see the bigger picture: a morality play on religion with different perspectives from the girl's parents, the doctor, the parish priest, and of course the nurse. Florence Pugh delivers yet another commanding performance as the English nurese (on the heels of her captivating lead in "Don't Worry Darling" a few months ago). The movie features an outstanding score by British composer Matthew Herbert. The photography, shot on location in Ireland, is equally top notch. Bottom line: this movie grabbed my attention from start to finish, and is one of those that seemingly comes out of nowhere in the best possible way.

"The Wonder" had a very brief and limited US theatrical run in early November, and started streaming on Netflix just last night. It is currently rated 86% Certified Fresh on Rotten Tomatoes, and for good reason. I couldn't wait to see this. If you are in the mood for a psychological drama/morality play set in the 1860s in rural Ireland, featuring an outstanding lead performance by Florence Pugh, I'd readily suggest you check it out, and draw your own conclusion.

Firstly, the opening title credits were bold (not the font) but as soon as you hit play you will know what I mean... and I really liked the idea too...!

This, as you may have heard, is a slow-burn, but also a very interesting piece. It's great to see new and inventive stories and plot points. You never really quite know what to think or where it will end up, and that was the best part of the writing, directing and editing... Nurse Wright arrives in small town Ireland hired to 'watch' an 11 year old girl for medical reasons... Together with a nun, they take 8 hour shifts, but as it is the year 1860, science and religious beliefs are quite seperate, but also closely linked.

The acting and slow development of the story keep you engaged and your brain ticking over the possible act III outcomes and payoffs... If you enjoy the period piece, drama, thriller type event then go into this one not knowing too much, if that's possible.

Could end up on the best of the year lists for some I think... Especially on the originality scale.

Florence Pugh stars as an English nurse who travels to Ireland in 1860 to watch over an eleven-year-old girl who has not eaten in the four months since her First Holy Communion. She has been hired to either prove or disprove the possibility of a miracle in the Irish village.

Kila Lord Cassidy is the young girl and she more than holds her own while on screen with Ms. Pugh. Most of the film is almost a two person play with a pair of magnificent performances.

The entire cast is superb but the two main players are so good that I was riveted by the unpredictable story.

As a life long but often doubting Catholic, I highly recommend this great movie.

2022 Netflix film directed by Sebastián Lelio, based on the 2016 novel of the same name by Emma Donoghue.

The production of the film, which received 12 nominations at the British Independent Film Awards on December 4, 2022, began on April 28, 2021.

Sebastián Lelio, a director who has proven himself with many works including Gloria Bell, is one of the directors who best tell women's stories.

It is still a reality today that a disgusting incident that happened to a young girl is legitimized/masked by the villager using religion and even the victim considers himself guilty because of religion.

Even if you don't read about historical events such as the Irish Potato Famine / Black 47, the film, which is more impressive with its texture, reflects the troubles of my period in the background.

The soundtrack of the film, which has a cinematographer like Ari Wegner who created his own fan base, was actually composed by an independent electronic musician, Matthew Herbert.