Home Economics

"Home Economics" is a comedy, nothing more. It is about an extended family in which one member is financially well-off and living on a different economic plane than his siblings. This generates some friction, in part due to envy, but also because one wing of the family---the sister in a biracial lesbian relationship-rejects anything on its face that appears to be un-woke.

This is where I think some reviewers misunderstand the series. It is not about promoting wokism; some of its best jokes are stabs at the virtue signaling, hypocrisy and idiocy that comes with some ultra-progressive dogma. When they talk about the pronouns for a pet, you know they know what the real joke is.

Some of the humor might be termed intersectional. Not in the sense that the term is used by progressives, but in terms of the intersection of various doctrines that contradict each other. So you have a scene where the sister is called out for pitting her own feminist ideology against her professed belief that women (and girls) should be supported in their endeavors.

These jabs are not dwelt on. They pass quickly in the course of normal conversation, making them even more impactful.

Like most comedies, the quality of the show depends primarily on its characters. The ensemble nature of this show makes all the characters important, but some carry the load of the humor. And the cast is committed to the humor. The writing is also essential. Though this is not on the same level as "Frasier" or "Modern Family" and thus does not deserve a "10", it deserves more than the "1" that some reviewers have doled out.

At this point, I am content with the balance of the humor---willing to skewer the rich brother or the virtuously poorer members in equal measure.

It kinda reminds me of Life in Pieces with some of the quick dialogue!! It's true that a few of the jokes are a little over the top with the diversity theme but I thought it was and probably will be pretty good!!

I like it, the actors are pretty good and likable. Topher needs to stop with the stupid clumsy acts. They look so scripted and it doesn't work. He doesn't have the comedic timing that the other brother has in his scenes. The sister is kind of annoying but comes together with her wife. I hope the show continues and grows more in-depth characters. I feel it might be the a good show in the spring lineup.

Not bad at all so far. I've always liked Topher Grace and good to see him on a sitcom for the first time since That 70s Show. Acting is pretty good throughout and the comedy doesn't seem too forced. I'll be watching more!

Season 1 was a mid-season replacement that struggles to find its footing and I feel that's where the negative reviews are coming from. If you see a negative review, assume they didn't stick it out to season 2. While it may fall flat in season 1, the show works out the kinks and finds a nice groove for itself in season 2 (much like Parks and Rec or The Office who have famously disliked first seasons but gained their fans in season 2). You really don't need to watch season 1 to understand what's going on either. Tom (Topher Grace) is a best-selling novelist whose next book in progress is about his relationship with his siblings Connor (Jimmy Tatro) and Sarah (Caitlin McGee). Connor is a tech wiz in the top 1%, Tom and his wife are solidly middle class, and Sarah and her wife are barely scraping by. That's really all that's established in season 1 that you need to know, so if you want to get into the show start it at season 2. The chemistry between the actors really shines and you believe that they're actual siblings. Tom's and Sarah's wives Marina and Denise (Karla Souza and Sasheer Zamata) balance out the chaos of the Hayworth family and are given some of the funniest moments in the show as the two outsiders to the madness. Overall, it's a great comeback vehicle for Topher who is supported by an insanely talented cast of up and coming character actors. Just ignore season 1 because otherwise you'll miss out on a charming, hilarious family sitcom.