¿Estás Ahí, Dios? Soy Yo, Margaret
Título original: Are You There God? It's Me, Margaret.
Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.
- Dirección
- Guionistas
- Elenco
- Premios
- 26 premios ganados y 81 nominaciones en total
Amari Alexis Price
- Janie Loomis
- (as Amari Price)
Katherine Mallen Kupferer
- Gretchen Potter
- (as Katherine Kupferer)
Landon S. Baxter
- Evan Wheeler
- (as Landon Baxter)
Olivia Williams
- Witch
- (as Olivia Frances Williams)
Mike Platarote Jr.
- Guy in Car
- (as Michael Platarote)
Zack Brooks
- Philip Leroy
- (as Zackary Brooks)
Jecobi Swain
- Freddy Barnett
- (as JeCobi Swain)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Kelly Fremon Craig, who earlier wrote and directed The Edge of Seventeen comes up with yet another brilliant effort here. Abby Ryder Fortson is the lady of the hour and she's excellent in her portrayal of 12-year-old Margaret who navigates high-school life and everything else that comes with it after moving to NJ from NY in the '70s. I mean, wow! How beautiful it is to see Margaret grow up without the existence of smartphones and TikTok-ing and all that new-age, validatory baggage. There's so much adorable charm that Abby brings to the central character, coming off as someone all of us (regardless of gender) can relate to. She's going through that inexplicable phase in life where she has to figure everything out including making friends, menstruation, boys, religion, grandparents, etcetera. The film captures all of these aspects without applying filters, making it a refreshingly enjoyable watch.
The supporting cast is incredible too - be it Rachel McAdams (who rocks those '70s mom jeans👖), Benny Safdie, Kathy Bates, and the rest. And for a film with a child protagonist, there's a surprising amount of well-written situational humour. The climax warmed my heart and made me realize how seamlessly and subtly the film underlined its feel-good nature. The cinematography and production design also bring back the aesthetic beauty of the era; a time when apparel, furniture, cars, and houses came with a certain handcrafted allure. The adult characters in the film also get nicely fleshed out, and Barbara's (McAdams) arc especially, is a satisfying one. This wonderful story of "girlhood" almost feels like an old-school throwback to Bo Burnham's Eighth Grade, although they're both very different films.
The supporting cast is incredible too - be it Rachel McAdams (who rocks those '70s mom jeans👖), Benny Safdie, Kathy Bates, and the rest. And for a film with a child protagonist, there's a surprising amount of well-written situational humour. The climax warmed my heart and made me realize how seamlessly and subtly the film underlined its feel-good nature. The cinematography and production design also bring back the aesthetic beauty of the era; a time when apparel, furniture, cars, and houses came with a certain handcrafted allure. The adult characters in the film also get nicely fleshed out, and Barbara's (McAdams) arc especially, is a satisfying one. This wonderful story of "girlhood" almost feels like an old-school throwback to Bo Burnham's Eighth Grade, although they're both very different films.
So much to think about after seeing this today. I thought the acting was very good. Realistic. In 4th grade I remember a big controversy at my school about this book. We were not allowed to read it. That was 1978. How refreshing to see what all the fuss was about. Anyway, I enjoyed seeing this film and look forward to buying the book! Powerful. Kathy Bates character is so lovable and fun. Who wouldn't want a Grandma like that? Her timing is hilarious. She's so warm in all the right places. She's the true hero to me. Costumes/attire/fashions seemed believable. Kudos to costume designers. Of course kudos to Judy Blume for the courage to write a book for girls with big ideas. Because we have brains.
At least marginally better than "Are You There, God? It's me, Jonah Hill. From Moneyball."
Succinctly and pleasantly low stakes; there isn't any high-great drama, until the last twenty minutes, but the tone is consistent and manages to get deep about Faith, or really the absence of it, or how hard it can be for a young person to comprehend how, as Margaret ultimately puts it in the assignment to the teacher, religion makes people fight all the time.
For the most part, this is a story that is a School Year in the Life abd it's perfectly content to be about things like, oh, how you're fitting in with a new group of friends (some more agreeable than others), which boys are cute or not, and yet it's actually about something deeper due to the comparison the film makes between Margaret with Nancy and Margaret's Mom with the PTA (led by... Nancy's Mom): a Group isn't inherently a bad thing, but when there's one person asking or really demanding for this and that with pressures it can add to the already-there pressure of life in Suburbia.
Abby Ryder Fortson is so appealing and wonderful in the lead part, where your heart always goes out to her and she is funny and sympathetic and sometimes awkward in that way an 11 to 12 year old is at that time. The film maybe wraps everything up a little too tidy by the end for me, but it's hard to make a fuss when what is all wrapped up is all just, well, "will I finally talk to Moose who mows the lawn, or will "It" happen in the bathroom?" I never read the book, but it feels like it probably managed to bring everything in adaptation that was necessary (though I wonder if things between Margaret and Nancy came more to a head in the book than here, where things just kind of leave off on a silent understanding of a lie).
If it doesn't reach quite the heights of the director's previous movie, Edge of Seventeen, it's still never less than entertaining, amusing is not always funny (ok the dinner scene with both sides of the families is funny), and it's impressive that this can be in theaters as something for families to see that isn't the more soulless IP or candy-coated fast food.
Succinctly and pleasantly low stakes; there isn't any high-great drama, until the last twenty minutes, but the tone is consistent and manages to get deep about Faith, or really the absence of it, or how hard it can be for a young person to comprehend how, as Margaret ultimately puts it in the assignment to the teacher, religion makes people fight all the time.
For the most part, this is a story that is a School Year in the Life abd it's perfectly content to be about things like, oh, how you're fitting in with a new group of friends (some more agreeable than others), which boys are cute or not, and yet it's actually about something deeper due to the comparison the film makes between Margaret with Nancy and Margaret's Mom with the PTA (led by... Nancy's Mom): a Group isn't inherently a bad thing, but when there's one person asking or really demanding for this and that with pressures it can add to the already-there pressure of life in Suburbia.
Abby Ryder Fortson is so appealing and wonderful in the lead part, where your heart always goes out to her and she is funny and sympathetic and sometimes awkward in that way an 11 to 12 year old is at that time. The film maybe wraps everything up a little too tidy by the end for me, but it's hard to make a fuss when what is all wrapped up is all just, well, "will I finally talk to Moose who mows the lawn, or will "It" happen in the bathroom?" I never read the book, but it feels like it probably managed to bring everything in adaptation that was necessary (though I wonder if things between Margaret and Nancy came more to a head in the book than here, where things just kind of leave off on a silent understanding of a lie).
If it doesn't reach quite the heights of the director's previous movie, Edge of Seventeen, it's still never less than entertaining, amusing is not always funny (ok the dinner scene with both sides of the families is funny), and it's impressive that this can be in theaters as something for families to see that isn't the more soulless IP or candy-coated fast food.
This movie was beautiful. Judy Blume waited for the right person to take on her universe. Kelly Fermon Craig brought a simple touch to Blume's story, making it a true gem to watch.
I had read this book as a young girl and had my daughters read it while growing up. It has given girls a door into their own adolescence for more than 50 years.
I cringed just as I did 45 years ago at the awkward moments and feeling as an outsider as Margret did, but now I also cringed at the mother's misteps. I also known how trying to fit in to being a stay at home mom can be.
Thank goodness the film stuck to the time period. Seeing the electric skillet and blue Corningware made my day.
Thank you for a comfort food kind of movie.
I had read this book as a young girl and had my daughters read it while growing up. It has given girls a door into their own adolescence for more than 50 years.
I cringed just as I did 45 years ago at the awkward moments and feeling as an outsider as Margret did, but now I also cringed at the mother's misteps. I also known how trying to fit in to being a stay at home mom can be.
Thank goodness the film stuck to the time period. Seeing the electric skillet and blue Corningware made my day.
Thank you for a comfort food kind of movie.
Story wise, this movie is exceptional as it walks you through the life and journey of a young girl's daily life in elementary school, moving, summer as she struggles to find meaning and purpose.
From a Faith Based Movie perspective, this movie is not about Christianity, Judaism, Catholicism, Atheism, but a journey of discovering hope in God, as a young girl finds herself caught in a family of parents from two different religious backgrounds while facing life challenges every kid experiences and many parents experience.
Exceptional acting, directing, story and cinematography. Perhaps one of the best movies I've seen in quite a few years about average people.
Highly recommended family movie, especially for children in dual religious families where division has occurred.
One of the beautiful things about this movie, is that it doesn't attempt to give the correct answer, as most Faith Based films do, it merely shows one girls struggle as she goes looking for the answer, and the resolution at the end movie leaves one feeling hopeful.
From a Faith Based Movie perspective, this movie is not about Christianity, Judaism, Catholicism, Atheism, but a journey of discovering hope in God, as a young girl finds herself caught in a family of parents from two different religious backgrounds while facing life challenges every kid experiences and many parents experience.
Exceptional acting, directing, story and cinematography. Perhaps one of the best movies I've seen in quite a few years about average people.
Highly recommended family movie, especially for children in dual religious families where division has occurred.
One of the beautiful things about this movie, is that it doesn't attempt to give the correct answer, as most Faith Based films do, it merely shows one girls struggle as she goes looking for the answer, and the resolution at the end movie leaves one feeling hopeful.
¿Sabías que…?
- TriviaJudy Blume, the author of the source novel, has a walk-on role as a woman walking a dog.
- ErroresIn the synagogue, they are using the (Conservative) Rabbinical Assembly's Siddur Lev Shalem prayer book. It was published in 2016. The cantor is a woman, but females weren't ordained as cantors until 1975 for Reform and 1987 for Conservative.
- Citas
Margaret: I immediately wanted to take it off.
Barbara Simon: Yeah. Welcome to womanhood.
- Créditos curiososFans of "The Simpsons" especially will note the Gracie Films logo at the beginning of the film, used at the end of episodes of the aforementioned television show. Gracie Films is an American film and television production company, founded by James L. Brooks in 1986 and named for comedian Gracie Allen, formerly wife and professional partner of George Burns. James Brooks is also a producer of the film. Among other shows and movies, Gracie Films is responsible for "The Mary Tyler Moore Show" (1970-77), "Jerry McGuire" (1996), and "As Good as it Gets" (1997).
- Versiones alternativasThe version of the film shown at advanced screenings featured a "Margaret Moments" segment prior to the film playing, which features women recounting their memories which are relatable to the characters/situations of the original book. Marge Simpson appears during this segment, likely because James L. Brooks/Gracie Films produced the film.
- ConexionesFeatured in 60 Minutes: Prince Harry/A Hans Zimmer Score (2023)
- Bandas sonorasBirds of a Feather
Written by Joe South
Performed by Paul Revere & The Raiders
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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- How long is Are You There God? It's Me, Margaret.?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Are You There God? It's Me, Margaret.
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,372,406
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,739,037
- 30 abr 2023
- Total a nivel mundial
- USD 21,464,043
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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