¿Estás Ahí, Dios? Soy Yo, Margaret
Título original: Are You There God? It's Me, Margaret.
Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.Cuando su familia se muda de la ciudad a los suburbios, Margaret, de 11 años, debe lidiar con nuevos amigos, sentimientos y el comienzo de la adolescencia.
- Dirección
- Guionistas
- Elenco
- Premios
- 26 premios ganados y 81 nominaciones en total
Amari Alexis Price
- Janie Loomis
- (as Amari Price)
Katherine Mallen Kupferer
- Gretchen Potter
- (as Katherine Kupferer)
Landon S. Baxter
- Evan Wheeler
- (as Landon Baxter)
Olivia Williams
- Witch
- (as Olivia Frances Williams)
Mike Platarote Jr.
- Guy in Car
- (as Michael Platarote)
Zack Brooks
- Philip Leroy
- (as Zackary Brooks)
Jecobi Swain
- Freddy Barnett
- (as JeCobi Swain)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Are You There, God? It's Me, Margaret, the film adaptation of Judy Bloom's 1970 blockbuster coming-of-age novel, is a quiet buster all its own. Rarely has cinema captured an 11-year-old marching toward puberty with such grace and dignity. In the film's road to maturation, three generations of women will face change just as child/teen Margaret does. Abby Ryder Fortson plays Margaret with a realism that looks as if she were always Margaret.
Margaret is moving from a robust neighborhood in 1970's NYC to dreaded suburban New Jersey carrying a disdain she and her Grandmother, Sylvia (Kathy Bates), evidence with some of the film's best lines. Margaret is not rabid in her criticism of the move, just grumpy and negative. To her interlocutor, God, she pleas, "Don't let Jersey be too awful."
For any youth who has been forced to move from a lively life and friends, this segment will have them chuckling as they remember how they tortured parents when disapproving something done for a better family life and dad's promotion. No pleasing a pre-teen most times anyhow.
Much of the film's energy comes from Margaret and her friends navigating the emergence of boys in their lives and the much-anticipated period. This monumental occurrence is welcomed with great fanfare. The girls' embracing emerging busts is encouraged with a lyric that invokes the life marker and prods it along: "We must, we must, we must increase our bust."
Every other possible pre-adolescent moment in young girls' journey through sixth grade to junior high seems to be covered, and probably was in Judy Bloom's book of the same name. Less physical but no less as powerful is her nascent religiosity confronting her roots in Judaism (father) and Christianity (mother and grandmother).
The cause of the split with her maternal grandparents over her mother marrying a Jew has the potential to bring the family together. However, it will be a long haul for an impatient child/teen who wants family unity almost as much as a period and bigger bust. Her interlocuter, both in person and voiceover, is a God she's not certain is real. Talk about demanding issues for a child/teen!
As in life, not all girls are mean and not all teachers inept; everybody's just trying to get through. If the girls seem to be wishing their life away, they are, but their tender moments of love and friendship promise that humanity will be served.
Writer/director Kelly Fromon Craig's Are You There, God? It's Me, Margaret should be required viewing for anyone mixing it up with different cultures or anyone wanting to experience a pitch-perfect adaptation of a seminal work of art.
Margaret is moving from a robust neighborhood in 1970's NYC to dreaded suburban New Jersey carrying a disdain she and her Grandmother, Sylvia (Kathy Bates), evidence with some of the film's best lines. Margaret is not rabid in her criticism of the move, just grumpy and negative. To her interlocutor, God, she pleas, "Don't let Jersey be too awful."
For any youth who has been forced to move from a lively life and friends, this segment will have them chuckling as they remember how they tortured parents when disapproving something done for a better family life and dad's promotion. No pleasing a pre-teen most times anyhow.
Much of the film's energy comes from Margaret and her friends navigating the emergence of boys in their lives and the much-anticipated period. This monumental occurrence is welcomed with great fanfare. The girls' embracing emerging busts is encouraged with a lyric that invokes the life marker and prods it along: "We must, we must, we must increase our bust."
Every other possible pre-adolescent moment in young girls' journey through sixth grade to junior high seems to be covered, and probably was in Judy Bloom's book of the same name. Less physical but no less as powerful is her nascent religiosity confronting her roots in Judaism (father) and Christianity (mother and grandmother).
The cause of the split with her maternal grandparents over her mother marrying a Jew has the potential to bring the family together. However, it will be a long haul for an impatient child/teen who wants family unity almost as much as a period and bigger bust. Her interlocuter, both in person and voiceover, is a God she's not certain is real. Talk about demanding issues for a child/teen!
As in life, not all girls are mean and not all teachers inept; everybody's just trying to get through. If the girls seem to be wishing their life away, they are, but their tender moments of love and friendship promise that humanity will be served.
Writer/director Kelly Fromon Craig's Are You There, God? It's Me, Margaret should be required viewing for anyone mixing it up with different cultures or anyone wanting to experience a pitch-perfect adaptation of a seminal work of art.
This movie was beautiful. Judy Blume waited for the right person to take on her universe. Kelly Fermon Craig brought a simple touch to Blume's story, making it a true gem to watch.
I had read this book as a young girl and had my daughters read it while growing up. It has given girls a door into their own adolescence for more than 50 years.
I cringed just as I did 45 years ago at the awkward moments and feeling as an outsider as Margret did, but now I also cringed at the mother's misteps. I also known how trying to fit in to being a stay at home mom can be.
Thank goodness the film stuck to the time period. Seeing the electric skillet and blue Corningware made my day.
Thank you for a comfort food kind of movie.
I had read this book as a young girl and had my daughters read it while growing up. It has given girls a door into their own adolescence for more than 50 years.
I cringed just as I did 45 years ago at the awkward moments and feeling as an outsider as Margret did, but now I also cringed at the mother's misteps. I also known how trying to fit in to being a stay at home mom can be.
Thank goodness the film stuck to the time period. Seeing the electric skillet and blue Corningware made my day.
Thank you for a comfort food kind of movie.
Story wise, this movie is exceptional as it walks you through the life and journey of a young girl's daily life in elementary school, moving, summer as she struggles to find meaning and purpose.
From a Faith Based Movie perspective, this movie is not about Christianity, Judaism, Catholicism, Atheism, but a journey of discovering hope in God, as a young girl finds herself caught in a family of parents from two different religious backgrounds while facing life challenges every kid experiences and many parents experience.
Exceptional acting, directing, story and cinematography. Perhaps one of the best movies I've seen in quite a few years about average people.
Highly recommended family movie, especially for children in dual religious families where division has occurred.
One of the beautiful things about this movie, is that it doesn't attempt to give the correct answer, as most Faith Based films do, it merely shows one girls struggle as she goes looking for the answer, and the resolution at the end movie leaves one feeling hopeful.
From a Faith Based Movie perspective, this movie is not about Christianity, Judaism, Catholicism, Atheism, but a journey of discovering hope in God, as a young girl finds herself caught in a family of parents from two different religious backgrounds while facing life challenges every kid experiences and many parents experience.
Exceptional acting, directing, story and cinematography. Perhaps one of the best movies I've seen in quite a few years about average people.
Highly recommended family movie, especially for children in dual religious families where division has occurred.
One of the beautiful things about this movie, is that it doesn't attempt to give the correct answer, as most Faith Based films do, it merely shows one girls struggle as she goes looking for the answer, and the resolution at the end movie leaves one feeling hopeful.
So much to think about after seeing this today. I thought the acting was very good. Realistic. In 4th grade I remember a big controversy at my school about this book. We were not allowed to read it. That was 1978. How refreshing to see what all the fuss was about. Anyway, I enjoyed seeing this film and look forward to buying the book! Powerful. Kathy Bates character is so lovable and fun. Who wouldn't want a Grandma like that? Her timing is hilarious. She's so warm in all the right places. She's the true hero to me. Costumes/attire/fashions seemed believable. Kudos to costume designers. Of course kudos to Judy Blume for the courage to write a book for girls with big ideas. Because we have brains.
Watched it right after watching Indiana Jones and the Dial of Destiny. Anyways this sweet little coming of age film is about Margaret as she tries to figure out a lot of things as a teenager. She is in sixth grade and had to move to New Jersey, leaving her grandmother and friends as her parents decided to shift after the father earned a promotion. In the new city, she makes new friends, waits to have first period and experience her first kiss, while juggling through her biggest conundrum, religion.
The performance stood out along with the smart writing. I instantly bought into these teen characters and their innocence, while relating to the adults emotionally. Margaret reaching out to God throughout the movie simply had a nice touch. Though it doesn't dwell much into the religious aspect, the whole Jewish vs catholic Christians thing, it does handle it without getting preachy. It definitely had multiple stand out scenes, ranging from hilarious to heart touching moments.
Definitely recommended.
The performance stood out along with the smart writing. I instantly bought into these teen characters and their innocence, while relating to the adults emotionally. Margaret reaching out to God throughout the movie simply had a nice touch. Though it doesn't dwell much into the religious aspect, the whole Jewish vs catholic Christians thing, it does handle it without getting preachy. It definitely had multiple stand out scenes, ranging from hilarious to heart touching moments.
Definitely recommended.
¿Sabías que…?
- TriviaJudy Blume, the author of the source novel, has a walk-on role as a woman walking a dog.
- ErroresIn the synagogue, they are using the (Conservative) Rabbinical Assembly's Siddur Lev Shalem prayer book. It was published in 2016. The cantor is a woman, but females weren't ordained as cantors until 1975 for Reform and 1987 for Conservative.
- Citas
Margaret: I immediately wanted to take it off.
Barbara Simon: Yeah. Welcome to womanhood.
- Créditos curiososFans of "The Simpsons" especially will note the Gracie Films logo at the beginning of the film, used at the end of episodes of the aforementioned television show. Gracie Films is an American film and television production company, founded by James L. Brooks in 1986 and named for comedian Gracie Allen, formerly wife and professional partner of George Burns. James Brooks is also a producer of the film. Among other shows and movies, Gracie Films is responsible for "The Mary Tyler Moore Show" (1970-77), "Jerry McGuire" (1996), and "As Good as it Gets" (1997).
- Versiones alternativasThe version of the film shown at advanced screenings featured a "Margaret Moments" segment prior to the film playing, which features women recounting their memories which are relatable to the characters/situations of the original book. Marge Simpson appears during this segment, likely because James L. Brooks/Gracie Films produced the film.
- ConexionesFeatured in 60 Minutes: Prince Harry/A Hans Zimmer Score (2023)
- Bandas sonorasBirds of a Feather
Written by Joe South
Performed by Paul Revere & The Raiders
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Are You There God? It's Me, Margaret.
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 30,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,372,406
- Fin de semana de estreno en EE. UU. y Canadá
- USD 6,739,037
- 30 abr 2023
- Total a nivel mundial
- USD 21,464,043
- Tiempo de ejecución
- 1h 46min(106 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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