La hija oscura

The movie is really thought provoking. Although I watched it a few weeks ago, I still think about it. The actors are very good. Especially Olivia Coleman and her younger counterpart do an amazing job. The story is not coherent, sometimes you think where does this go? ...but actually I liked this story telling style, because it is close to real life. These things happen, people behave in this way and there is not always a clear explanation given, you need to understand and find out by yourself. Overall a really good movie, recommend to watch it, especially if you have kids. I believe every parent could understand.

The acting is phenomenal, especially from Olivia Colman and Jessie Buckley, and it does an excellent job of getting the audience to understand the stress of parenthood. However, the film tried to build up so much tension that never reached its breaking point. Rather, it fizzles out in a very disappointing finale.

British literature professor Leda Caruso (Olivia Colman) went to Greece on a summer holiday. While she was on the beach, she finds herself obsessively observing an attractive young woman Nina (Dakota Johnson) with her headstrong little daughter Elena (Athena Martin). This made her recall her younger self in her 20s (Jesse Buckley) raising her own two daughters Bianca and Martha (Robyn Elwell and Ellie Blake).

Colman's 48-year old Leda looked like a mild-mannered academic at first glance. However, this film slowly revealed that she carries heavy psychological baggage within her over the years. These painful issues mainly revolved around her tumultuous relationship with her daughters when they were little girls, triggered back to life by seeing the seductive Nina and her Elena. More disturbing details would further unravel as Elena's doll went missing.

It was fascinating to watch Colman and Buckley's consistent portrayals of Leda at two ages in her life. Colman's Leda displayed some testy behavior that did not seem to fit the usual profile of a respectable woman of her age and stature. It was only upon meeting Buckley's young Leda through flashbacks can we understand Colman's Leda's breakdown upon meeting Nina, seeing how they shared the same dilemmas when it came with their daughters and men.

True to her provocative name from Greek myth, Leda was a woman of passion. While Buckley's young Leda had a husband Joe (Jack Farthing), she was also drawn to the intellectual genius and masculine confidence of fellow professor Hardy (Peter Skarsgaard). On her vacation, Colman's middle-aged Leda can still attract her share of male admirers, like elderly villa manager Lyle (Ed Harris) and young working student Will (Paul Mescal).

This female-centric film had an all-female creative team behind it, with Maggie Gyllenhaal on her debut as feature film director and screenplay writer, adapting the novel of Italian writer Elena Ferrante. Gyllenhaal approached the drama with palpable suspense, with gorgeous images were captured by Helene Louvart. Colman, Buckley and Johnson all turn in excellent internally-complex performances of their flawed characters.

..., the previous review is from another movie! !!! Not THE LOST DAUGHTER!

Where to start, I liked the movie. It has the quality to keep you going until the end, due to the tension and creativity of the theme. I have decided to write a somewhat simple review, and nothing deep, I can go on and on..

The most important thing about the film, in my opinion, are the different types of people who participate in this story and therefore personalities, they could have been given more attention and studied more deeply in the film.

Olivia Colman, always great! And Leda in the movie, did not seem awkward to me at first, but she is a woman who does not accept injustice and speaks and protests when many do not dare, she is sincere with herself. Having said this, later the story changes and she has to do something to cope with her own sadness. Yes, it is true that she has also committed an injustice as well, and that makes her even more interesting.

To be honest I have never seen children so spoiled, annoying and whiny, and I know many at this age. I found this portrayal of children somewhat dramatic, and if you pamper them and give them everything from the beginning they will become little devils, it is a fact!!.

A lot of what happens in this movie is because of this children and their attitude towards their parents!! So.. you lose your play doll and just turn everything into a drama? This parents are weak and should act differently in this case.

I have always loved the actor Ed Harris, Lyle in the film, although I would have liked his character to have been more studied, it would make the story more interesting.

I liked the actors and the atmosphere in Greece, really beautiful and it all looks and feels very realistic to me.

Why do we always have expectations? I know it's hard not to have them, but it's just a movie. Do not have expectations and you will lik it more!!

I recommend it!

I learned of Olivia Colman when she played Queen Anne in "The Favorite" (and won an Oscar for the role). I later saw her on "Broadchurch", as well as seasons three and four of "The Crown". She also provided one of the voices in "The Mitchells vs. The Machines".

But now we have Ms. Colman in an intense role. She plays a woman on vacation in Greece whose stay is overshadowed by memories of the daughters whom she abandoned. "The Lost Daughter" both casts doubt on the supposed happiness of family life, and the presumed pleasantness of tourism, with the protagonist's mental state deteriorating as the movie progresses. Jessie Buckley as the protagonist's younger self is equally intense, almost as much as her character in "I'm Thinking of Ending Things".

Maggie Gyllenhaal's directorial debut is a fine one. I wouldn't call it a masterpiece - and it certainly won't be for everyone - but it's not a movie that you're likely to forget any time soon. Both Colman and Buckley received Academy Award nominations for their roles, with excellent support coming from Ed Harris, Dakota Johnson, Dagmara Dominczyk (Karolina on "Succession"), Paul Mescal and Peter Sarsgaard.