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Después de la muerte de su hijo, todo lo que Frances Cairnes siente es sed de venganza contra el responsable.Después de la muerte de su hijo, todo lo que Frances Cairnes siente es sed de venganza contra el responsable.Después de la muerte de su hijo, todo lo que Frances Cairnes siente es sed de venganza contra el responsable.
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It's just as well anyone watching this seems to have no knowledge of the source material. It is "based on" a novel by Nicholas Blake, in his Nigel Strangeways series. Blake is the nom-de-plume of the former poet laureate, C. Day-Lewis (yes, indeed, father of DDL). In the 15 or so novels, Nigel is a donnish sort, nephew of a big cheese at Scotland Yard, and occasionally "helps." A gentleman sleuth, in fact.
The Beast Must Die is one of the best novels, and was once filmed (respectfully) by Claude Chabrol. It involves the search by a man for the car and driver that killed his little boy in a hit and run.
This series makes the father a mother, and black, thus ticking two boxes. It makes Nigel a young cop with PTSD (tick). His turns with irrational tantrumising may have their place in some film about PTSD but add nothing except tedium to this story.
I keep watching to see what other horrors the series can inflict. I have long wished that someone would make a series for TV of Nigel Strangeways, but now live in terror that they will, featuring this preposterous and totally unrelated character.
Does nobody read any more? Is nobody capable of watching a period drama series any more? Poirot was a great success, and still holds up brilliantly. Poirot could quote Shelley and refer to a factory as the "fons et origo" of a man's success without being afraid an audience would not get it. That was as recently as the late 80s to about 2000. Morse could refer to opera. But it seems to be de rigeur in today's drama that everything should be up to date and "woke," and by no means referential.
I have rarely been so angry at any adaptation. And I am not Luddite -- I loved Baz Luhrman's Romeo and Juliet, and find Benedict Cumberbatch's Sherlock to be of as high a quality as the definitive Jeremy Brett series. But this Beast Must Die has just shut the door on what could have been a brilliant series of TV dramas with compelling stories and fabulous characters. I commend those who liked this series to the book, and any other Nigel Srangeways novels, all of which are available to read free on Internet Archive.
The Beast Must Die is one of the best novels, and was once filmed (respectfully) by Claude Chabrol. It involves the search by a man for the car and driver that killed his little boy in a hit and run.
This series makes the father a mother, and black, thus ticking two boxes. It makes Nigel a young cop with PTSD (tick). His turns with irrational tantrumising may have their place in some film about PTSD but add nothing except tedium to this story.
I keep watching to see what other horrors the series can inflict. I have long wished that someone would make a series for TV of Nigel Strangeways, but now live in terror that they will, featuring this preposterous and totally unrelated character.
Does nobody read any more? Is nobody capable of watching a period drama series any more? Poirot was a great success, and still holds up brilliantly. Poirot could quote Shelley and refer to a factory as the "fons et origo" of a man's success without being afraid an audience would not get it. That was as recently as the late 80s to about 2000. Morse could refer to opera. But it seems to be de rigeur in today's drama that everything should be up to date and "woke," and by no means referential.
I have rarely been so angry at any adaptation. And I am not Luddite -- I loved Baz Luhrman's Romeo and Juliet, and find Benedict Cumberbatch's Sherlock to be of as high a quality as the definitive Jeremy Brett series. But this Beast Must Die has just shut the door on what could have been a brilliant series of TV dramas with compelling stories and fabulous characters. I commend those who liked this series to the book, and any other Nigel Srangeways novels, all of which are available to read free on Internet Archive.
Here we can see the direct effects of Brexit on people. NHS is failling to take care of loony psychos. The world is crumbling down, everything is falling appart.
Well, seriously, every character seems to so nut that it isn't believable anymore.
The story, acting, filming etc is very decent, but the character development is completely unbelievable. They all seem te be coming from a psychiatric hospital (maybe there isn't any on Wright?)
Please NHS, take care of those lunatics.
Well, seriously, every character seems to so nut that it isn't believable anymore.
The story, acting, filming etc is very decent, but the character development is completely unbelievable. They all seem te be coming from a psychiatric hospital (maybe there isn't any on Wright?)
Please NHS, take care of those lunatics.
I am not finding the story particularly compelling, but the actors make up for it. I feel Cush Jumbo is underutilised so far, but Jared Harris is excellent.
Really enjoyed this series until the final installment, which ended completely anticlimactically. Wish they'd found a more interesting way to wrap things up.
By episode 2 this series started to feel bloated. Backstories backstories backstories.
It might have made a good movie or two part series but I am not willing to sift through all this garbage to find out there is nothing more than who I think was driving. It's pretty obvious who they are trying to make seem innocent and obfuscate their story line.
Nope I'm out.
It might have made a good movie or two part series but I am not willing to sift through all this garbage to find out there is nothing more than who I think was driving. It's pretty obvious who they are trying to make seem innocent and obfuscate their story line.
Nope I'm out.
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- TriviaOn October 26th 2020, scenes were filmed at Bonchurch Garage in Bonchurch, Isle of Wight. Scenes were filmed at Nodehill school on Friday 23rd October 2020.
- Versiones alternativasThe original 5 Britbox episodes were edited into 6 shorter episodes when they aired in the USA on AMC.
- ConexionesVersion of La bestia debe morir (1952)
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