Un rockero punk y una joven obsesionada con su banda se enamoran inesperadamente y emprenden un viaje épico juntos a través de los suburbios en decadencia del medio oeste de Estados Unidos.Un rockero punk y una joven obsesionada con su banda se enamoran inesperadamente y emprenden un viaje épico juntos a través de los suburbios en decadencia del medio oeste de Estados Unidos.Un rockero punk y una joven obsesionada con su banda se enamoran inesperadamente y emprenden un viaje épico juntos a través de los suburbios en decadencia del medio oeste de Estados Unidos.
- Dirección
- Guionista
- Elenco
- Premios
- 14 premios ganados y 6 nominaciones en total
Shelby Alayne Antel
- Nikki
- (as Shelby Antel)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The first 15 to 20 minutes struggled, with the cuts too sharp and the dialogue a little clunky. However, stick with it - once it got going it found a good pace with a light tone, comedic moments and some highlights that were genuinely touching. I didn't think it offered anything new in regards to the story (ultimately it's a bad boy and a 'weirdo girl') but it was so well done with thorough, fleshed out characters, that it was very hard to find anything to dislike about it. It felt genuine and, importantly, it offered something different to what gets churned out nowadays. Plus points for a catchy headline song as well.
This movie tries to do everything it can to make the audience want to switch off in the first part. It presents you with a terrible, manipulative person who'd be a danger to anybody getting close to him, and then puts him on a collision course with someone you instinctively want to protect from him.
You're just going to have to trust me that there's more that needs to unfold. Beautiful things are going to happen. It's messy and trashy, and it needs to be. You'll even end up feeling a little bit bad for having those protective feelings at first, which is going to feel unthinkable when you're in the early stages of the story. Learning what Patty wants and seeing her find it is an absolute joy.
It's a great film with some surprisingly subtle things to say about freedom and what it means to invent yourself.
You're just going to have to trust me that there's more that needs to unfold. Beautiful things are going to happen. It's messy and trashy, and it needs to be. You'll even end up feeling a little bit bad for having those protective feelings at first, which is going to feel unthinkable when you're in the early stages of the story. Learning what Patty wants and seeing her find it is an absolute joy.
It's a great film with some surprisingly subtle things to say about freedom and what it means to invent yourself.
Dinner In America is a heartwarming story about an unexpected relationship between two young adults, Patty and Simon. Despite it's rauchiness, it encapsulates the toughness of the world while simultaneously bringing happiness to light in a unique way. While it may not do it perfectly, it's a great film to watch between friends-From laughing to scrunching your nose at the questionable, this film will keep you interested to see what happens next. Although I had my doubts at the beginning of the movie, the ending was pleasantly surprising, as both characters share traits that one wouldn't expect at first glance.
A modern day version of Badlands or True Romance (without the killing), the Ben Stiller produced indie Dinner in America features two outcasts of society banding together through a chance encounter as Kyle Gallner's feisty punk rocker Simon and Emily Skegg's awkward recently fired retail worker and music super-fan Patty find solace in one another's company in the midst of the American mid-west.
A hit at the 2020 Sundance Film Festival where it was nominated for the covetous Grand Jury Prize and a key player at other film festival's over the last few years, Dinner is an impressive feature from director Adam Rehmeier who manages to give his film heart and soul amongst its pitch black showings of dark humor and bubbling tension that appears set to give our two main characters a journey that can only end in way in which they attack life with a fearless recklessness that society has forced them to undertake.
Key to the films success as a darkly in tune exploration of lost souls roaming the increasingly unhinged surrounds of the American working class system is the performances of Gallner and Skeggs, who are both likely to benefit greatly from Dinner finally being available to a mass audience as their turns here suggest both actors are sure to be staple of the industry in the years yet to come should they stay as committed to their craft as they are here.
Full of rage and often misguided energy but also a charisma that is hard to ignore, Gallner does impressive work as the not always likeable but hard to hate Simon while Skegg's is beautifully vulnerable as Patty who starts to grow into a whole different version of herself once Simon enters her life and allows her to be the person she was always supposed to be, even if the landscape and people around her might not be as ready to accept the new version her being.
In many ways Dinner is a slight film, there's no big payoffs or revelations here and for the most part the film plays entirely off the work of its two leads but for anyone that connects to these two lost souls that find acceptance and meaning in one another, Dinner will provide a modern day gun-free Bonnie and Clyde that is fuelled by a wicked sense of humor and desire to stick it to the man.
Final Say -
A dark and sometimes tricky dramedy that won't strike a chord with everyone, Dinner in America is a noteworthy independent offering with two of the more intriguing main duos of recent memory, making this character driven escapade worth seeking out.
3 1/2 Nintendo 64 consoles out of 5
For more reviews check out Jordan and Eddie (The Movie Guys)
A hit at the 2020 Sundance Film Festival where it was nominated for the covetous Grand Jury Prize and a key player at other film festival's over the last few years, Dinner is an impressive feature from director Adam Rehmeier who manages to give his film heart and soul amongst its pitch black showings of dark humor and bubbling tension that appears set to give our two main characters a journey that can only end in way in which they attack life with a fearless recklessness that society has forced them to undertake.
Key to the films success as a darkly in tune exploration of lost souls roaming the increasingly unhinged surrounds of the American working class system is the performances of Gallner and Skeggs, who are both likely to benefit greatly from Dinner finally being available to a mass audience as their turns here suggest both actors are sure to be staple of the industry in the years yet to come should they stay as committed to their craft as they are here.
Full of rage and often misguided energy but also a charisma that is hard to ignore, Gallner does impressive work as the not always likeable but hard to hate Simon while Skegg's is beautifully vulnerable as Patty who starts to grow into a whole different version of herself once Simon enters her life and allows her to be the person she was always supposed to be, even if the landscape and people around her might not be as ready to accept the new version her being.
In many ways Dinner is a slight film, there's no big payoffs or revelations here and for the most part the film plays entirely off the work of its two leads but for anyone that connects to these two lost souls that find acceptance and meaning in one another, Dinner will provide a modern day gun-free Bonnie and Clyde that is fuelled by a wicked sense of humor and desire to stick it to the man.
Final Say -
A dark and sometimes tricky dramedy that won't strike a chord with everyone, Dinner in America is a noteworthy independent offering with two of the more intriguing main duos of recent memory, making this character driven escapade worth seeking out.
3 1/2 Nintendo 64 consoles out of 5
For more reviews check out Jordan and Eddie (The Movie Guys)
I tuned in for Kyle, who I have seen and liked in other things. The first half of this movie had me squirming, with the opening scene being particularly hard to watch; if you're squeamish you may want to avert your eyes. Also there is a LOT of profanity. It was hard for me to see all the ill-treatment that Patty endures in her daily life (what's in all those pill boxes anyway?) I thought, do I really need to see more of this? But by the halfway point I was thoroughly invested. The "dinner in America" scenes around the family table were a hoot-did anybody recognize their own childhood here? (Take it down a notch!) Throw Simon in the mix and the whole household is upended! But a touching tenderness develops when Patty and Simon discover their hidden relationship with each other. I feel like Patty could have ditched her meds after that: Simon is her new feel-good, and it's nice to see Patty shine like that.
¿Sabías que…?
- TriviaThe song "Watermelon" was written for the film as a collaboration between Emily Skeggs (Patty) and writer/director Adam Rehmeier. On their second day in Detroit, Rehmeier had Skeggs write stream-of-consciousness poetry as her character, and they created and recorded the song in a day.
- Bandas sonorasIt's Sad to Belong
Performed by Dan Seals (as England Dan) & John Ford Coley
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
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Detalles
Taquilla
- Total a nivel mundial
- USD 22,394
- Tiempo de ejecución1 hora 46 minutos
- Color
- Relación de aspecto
- 2.39:1
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