CALIFICACIÓN DE IMDb
4.7/10
7.2 k
TU CALIFICACIÓN
Un tonto por amor se convierte en una celebridad accidental solo para perderlo todo.Un tonto por amor se convierte en una celebridad accidental solo para perderlo todo.Un tonto por amor se convierte en una celebridad accidental solo para perderlo todo.
- Dirección
- Guionista
- Elenco
Aixa Maldonado
- Maria
- (as Aixa I. Maldonado)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Just a total snooze fest. It's been said in other reviews, and I'm not normally one to pile on, but dead lord... what happened here? I like Charlie Day just fine, the rest of the cast is good, the plot is of course quite dumb which isn't always a bad thing in a comedy such as this one, but it's simply not funny... ever, at all. It's just like the world's worst episode of curb your enthusiasm or something where there's no script at all and we're all expected to find it funny because the actors were funny in other things we've already seen.
I am someone who sticks out bad movies - almost always - but I gave up and stopped watching a little more than halfway through. I just didn't care, wasn't laughing, and had better things to do.
Skip this one.
I am someone who sticks out bad movies - almost always - but I gave up and stopped watching a little more than halfway through. I just didn't care, wasn't laughing, and had better things to do.
Skip this one.
Just to be clear Charlie Day is among my favourite comedic actors ever, IASIP is a masterpiece. For that reason I had extremely high hopes for Fool' Paradise, however my rating of 7 is generous. Fool's paradise slightly misses the mark with concept, does not have enough laughs (most coming from Adrien Brody) and it felt clear that the ending was written years after the body of the script. Charlie Day was funny but not nearly expressive enough for a silent character, 90% of the time he was showing just confusion. This film was carried by an amazing cast who all delivered excellent performances and Charlie Day's direction which was smooth and shows clear potential. Overall it was a lacking script but I 1000% would watch another film written and directed by Charlie Day as there were obvious signs of potential.
This was like a very long, 98 minutes long and dragged out failed SNL sketch. I'm a fan of Charlie Day and he's a great comedian, but putting yourself in a funny film and choosing not to use your comedic trademark funny voice is what failed this film. And that's too bad, as it started out good, not laugh out loud good, but constant smiling and entertaining good. But you can only go so far on silent charm, and can only take so much satirical un-funny comedy. It was great to see the lovely Kate Beckinsale, and Jeong was his usual blast as well, and it was also great to see the late Ray Liotta doing his thing in what is probably the last film he made, but it's too bad this film was more of a flop than it was fun. The story was mostly long dragged out and incoherent nonsense that lacked any good comedy or sharp satire. It's a generous 4/10 for all the stars that I'm sure mostly donated their time for this mess.
A mute John Doe (Charlie Day) is found in a mental institution with the capacity of a five year old. He is released into LA where he is picked up by a movie producer (Ray Liotta). The producer is tired of the star of his movie and intends to use our doppelganger John Doe as a stand-in to replace his star. Lenny (Ken Jeong) is a weasel "publicist" who mistakenly calls John Doe "Latte Pronto" due to the producer's coffee demands. Latte is on his way to becoming a big Hollywood star.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
This is a fascinating movie. Someday, someone will dissect this movie to determine why it's not funny. The most obvious reason is that Charlie Day is playing a mute. He has one of the most comedic voices in the world today. People laugh just by the sound of it. It's like an NBA player saying he'll play while having his hands tied behind his back. Sometimes, actors like to go 180 opposite their strength to show that they have undiscovered depths. They go against their popular narrative. In this one, he's trying to do his version of The Tramp. The character construction is too sloppy. He is literally a blank. Instead of a living breathing character, he is a hole on the screen. There is nothing there.
His nothingness may be the point. The movie is satirizing Hollywood and its nothingness quality. In that, this is not breaking any new cinematic grounds. It is ridiculous without being funny. Ken Jeong's over the top character Lenny is almost there at first until he meets Latte. There is a puzzling hole with Latte that overwhelms any chance for humor. The movie just dies.
I shouldn't have paid attention to this movie as long as I did. The premise was kind of interesting and had the potential for a mid to good plot, but it was just so chaotic without actually going anywhere.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
The whole movie was just a bunch of stuff happening to this random guy who has no memories, doesn't talk, and has the intelligence of a 5 year old. Charlie Day's character, Latte Pronto, is essentially Charlie Chaplain's The Tramp. Latte has absolutely nothing going on. He doesn't interact with other characters in meaningful ways, and doesn't seem to have any thoughts, opinions, desires about the things happening around him. The plot literally happens to him and he's just along for the ride.
Which, ok, if you're gonna have an entirely blank character, then at least make the plot interesting. But the plot is not interesting. Charlie Day goes from the mental hospital to the streets of LA, then a director picks him up cause he's a dead ringer for his problematic lead, then he gets famous in a very "Step 1. Hit the streets of LA, Step 2. Become famous celebrity" kind of way. And that's essentially how the entire movie goes. He gets married, divorced, loses everything in such quick succession that I almost got whiplash.
This movie just needed something more substantial than it gave. Charlie Day's character was the perfect setup for a self discovery plot line, where he finds out who he is and/or who he wants to be through his experiences. I mean they could have had a moment at the end where he finally talks, and that would have been pretty cool. But the movie ends, and nobody important learns anything important, and nothing was accomplished, and also I didn't laugh once. Actually I did get some cleaning done between confused glances at my TV, so one thing was accomplished I guess.
¿Sabías que…?
- TriviaFilmed in 2018, this is one of Ray Liotta's last films, before his death in 2022.
- ErroresWhen Lenny takes Latte back to his motel room, he walks down the row of rooms and when he reaches room 3, he points and explains that that is his room. When the shot changes from inside the room, as he opens the door you can clearly see the number 7 on the door. Room 7 was at the top of the row of rooms, which they already passed.
- Bandas sonorasWipeout
Written by Robert Berryhill, Jim Fuller (as James Fuller), Patrick Connolly and Ronald Wilson
Performed by The Surfaris
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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- How long is Fool's Paradise?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 855,173
- Fin de semana de estreno en EE. UU. y Canadá
- USD 464,259
- 14 may 2023
- Total a nivel mundial
- USD 885,712
- Tiempo de ejecución1 hora 38 minutos
- Color
- Relación de aspecto
- 2.39:1
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