CALIFICACIÓN DE IMDb
5.8/10
14 k
TU CALIFICACIÓN
Una mujer opta por un procedimiento de clonación después de recibir un diagnóstico terminal, pero cuando se recupera, sus intentos de que desmantelen su clon fallan, lo que lleva a un duelo ... Leer todoUna mujer opta por un procedimiento de clonación después de recibir un diagnóstico terminal, pero cuando se recupera, sus intentos de que desmantelen su clon fallan, lo que lleva a un duelo a muerte ordenado por la corte.Una mujer opta por un procedimiento de clonación después de recibir un diagnóstico terminal, pero cuando se recupera, sus intentos de que desmantelen su clon fallan, lo que lleva a un duelo a muerte ordenado por la corte.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 5 nominaciones en total
Kristofer Gummerus
- Tom
- (as Kristofer Gummerrus)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
It's not for everyone, I'd admit.
If you enjoyed "the art of self defense", I think you would like this movie.
I think the title is clever, having a dual meaning.
If you enjoyed "the art of self defense", I think you would like this movie.
I think the title is clever, having a dual meaning.
Dual has an intriguing (albeit not entirely original) concept with a lot of comic and dramatic potential.
But the film is stuck in tonal limbo, being neither really funny nor especially poignant.
Dual's setting is its greatest strength. Its world always feels a little off-kilter and subtly dystopian.
But the storytelling is simply not engaging.
The writing feels bland and lazy.
The actors look mostly bored.
Riley Stearns is an interesting filmmaker. His first (and best) film Faults struck the right balance between absurdity and realism.
Since then he's gone on to adopt a more Lanthimos-ish tone, which seems overly self-conscious and gimmicky.
While that may have worked in his previous film, The Art of Self Defense, it doesn't in Dual.
I hope he returns to his earlier style for the next one.
But the film is stuck in tonal limbo, being neither really funny nor especially poignant.
Dual's setting is its greatest strength. Its world always feels a little off-kilter and subtly dystopian.
But the storytelling is simply not engaging.
The writing feels bland and lazy.
The actors look mostly bored.
Riley Stearns is an interesting filmmaker. His first (and best) film Faults struck the right balance between absurdity and realism.
Since then he's gone on to adopt a more Lanthimos-ish tone, which seems overly self-conscious and gimmicky.
While that may have worked in his previous film, The Art of Self Defense, it doesn't in Dual.
I hope he returns to his earlier style for the next one.
Imagine there's a clone, who's now living in your home, an almost perfect doppelganger, taken straight from the lab's hanger. It's a sympathetic swap, as your time has come to drop, all your family need to know, is you'll never let them go.
Though your clock continues ticking, while your feet are all still kicking, and the one who thinks they're you, has made an impressive debut. But the law has made a rule, to remove one in a duel, when your name is on the roster, you can fight your own imposter.
Not that original and with little reflective value.
Though your clock continues ticking, while your feet are all still kicking, and the one who thinks they're you, has made an impressive debut. But the law has made a rule, to remove one in a duel, when your name is on the roster, you can fight your own imposter.
Not that original and with little reflective value.
This movie is NOT targetted at an audience to make money for shareholders, it's made for artistic reasons. It's not made to entertain you, but I do still think it is ONLY interesting for a niche audience of arthouse movie fans.
Any bad? What's most annoying to me about this movie is that the actors are lacking in charisma. Yes, I do understand that they (deliberately) speak their dialogues in a monotone, unnatural way. This whole story does not make sense. As is intended. But even then, I still do NEED CREDIBLE ACTING PERFORMANCES and those are not present unfortunately.
More bad: it's lacking spark and punch half way through. It kinda implodes and becomes a tedious watch, despite it getting quite devious during the second hour.
Better watch the director's first movie which is titled:"Faults" (2014) . THAT is the movie I would really like to recommend for anybody interested in a mesmirising, mysterious, fabulous story with superb acting performances. "Faults" (2014) blew my mind!
Any bad? What's most annoying to me about this movie is that the actors are lacking in charisma. Yes, I do understand that they (deliberately) speak their dialogues in a monotone, unnatural way. This whole story does not make sense. As is intended. But even then, I still do NEED CREDIBLE ACTING PERFORMANCES and those are not present unfortunately.
More bad: it's lacking spark and punch half way through. It kinda implodes and becomes a tedious watch, despite it getting quite devious during the second hour.
Better watch the director's first movie which is titled:"Faults" (2014) . THAT is the movie I would really like to recommend for anybody interested in a mesmirising, mysterious, fabulous story with superb acting performances. "Faults" (2014) blew my mind!
I would like to meet writer/director Riley Stearns. His films have a very unique sense of humour about them and I would like to know if that's how he naturally is. They are very dry and quite dark. You never quite know if you're supposed to be laughing or not. I think most of the time you are.
The film begins with a very intriguing opening scene featuring a duel. At this point I was wondering if the title of the movie had been misspelled. It soon became apparent however that it had not. The film went in a very different direction to what I was expecting and I really enjoyed it.
This was a film where I had absolutely no idea how it was going to end. There were dozens of different conclusions it could have gone with. I really liked the one they picked. It was dark, thought-provoking and interesting. I really enjoyed 'Dual' and would recommend it. 8/10.
The film begins with a very intriguing opening scene featuring a duel. At this point I was wondering if the title of the movie had been misspelled. It soon became apparent however that it had not. The film went in a very different direction to what I was expecting and I really enjoyed it.
This was a film where I had absolutely no idea how it was going to end. There were dozens of different conclusions it could have gone with. I really liked the one they picked. It was dark, thought-provoking and interesting. I really enjoyed 'Dual' and would recommend it. 8/10.
¿Sabías que…?
- TriviaFilmed during the COVID-19 pandemic. Tampere, Finland was chosen as the filming location because of the Finnish government's successful effort to curb corona cases.
- ErroresAt the start of the film when Robert Michaels is trying to kill his double, his double can be seen sticking his arm out from behind the table, but then a split second later the arrow misses his arm and hits him just above his heart. Given the double's body position and the fact that he's turning away from the arrow when it is being fired, it would be physically impossible for the arrow to strike him where it did.
- Créditos curiososIn the end credits, the credit for "Police Officers with Dog" lists the dog, Taika, first, and the trainer, Katja Kontu, last.
- Bandas sonorasGrand March - Aida
Written by Giuseppe Verdi (uncredited)
Arranged by Cornelius Oberhauser and Ferdinand Oberhauser
Courtesy of APM Music
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- How long is Dual?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- EUR 4,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 185,212
- Fin de semana de estreno en EE. UU. y Canadá
- USD 118,254
- 17 abr 2022
- Total a nivel mundial
- USD 425,909
- Tiempo de ejecución1 hora 34 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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