Una mujer busca formas de cambiar su vida sin cambiar su cuerpo.Una mujer busca formas de cambiar su vida sin cambiar su cuerpo.Una mujer busca formas de cambiar su vida sin cambiar su cuerpo.
- Nominado a 1 premio Primetime Emmy
- 1 premio ganado y 8 nominaciones en total
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I wanted to like this. I watched all 3 seasons, and there are some interesting elements and scenes, it was an exercise in bad behavior. The main character was such a child she needs a babysitter. Her boyfriend is a shit and her boss, as explained is a narcissist but maybe psycho narcissist. The roommate was the best Character who grew the most in the three seasons.
My only complaint is there was only 6 episodes! Great show loved wardrobe and the writing. Great chemistry with the actors, I couldn't stop watching next thing I know its over :(
Has some really good messages and then drives off a cliff. Hoping it gets back up because I'm loving the body positive stuff and when it's really funny. There's definitely some over the top and unnecessary humor though.
I went into watching this completely without any expectations. For the most part, I'd never heard of or even seen most of the main characters in this series. I decided to watch all three seasons before I left any review; hoping there would be a more profound evolution as the show went on.
Although super funny at times, it seemed to be an endeavor that tried too hard at some points. The characters are all in their early thirties to late forties and based on some of the overtly juvenile and weirdly gross depictions of sex, human anatomy and random crudeness, it felt like they were more like teenagers trapped in adult bodies. And it just got a little too literal when maybe a less primitive approach to comedy would work better.
I can't say that I hated it, I didn't. The timing and chemistry between some of the main characters was really great. Yet, there were also times when it wasn't and it was painful. What could've been a journey on self discovery, evolution and personal growth turned in to being more or less a sounding board for how not to be the very thing you claim to hate. And also, middle school level dialogue between grown folks is not my favorite thing.
Although super funny at times, it seemed to be an endeavor that tried too hard at some points. The characters are all in their early thirties to late forties and based on some of the overtly juvenile and weirdly gross depictions of sex, human anatomy and random crudeness, it felt like they were more like teenagers trapped in adult bodies. And it just got a little too literal when maybe a less primitive approach to comedy would work better.
I can't say that I hated it, I didn't. The timing and chemistry between some of the main characters was really great. Yet, there were also times when it wasn't and it was painful. What could've been a journey on self discovery, evolution and personal growth turned in to being more or less a sounding board for how not to be the very thing you claim to hate. And also, middle school level dialogue between grown folks is not my favorite thing.
I'm halfway through season 2 and can't help but feel this show is trying WAY too hard and sending out so many awful messages. The protagonist I believe is meant to come off as an endearing millennial trying to find her way in the world but instead she is an absolute bully who likes to play victim. Her boyfriend is repulsive and the fact she allows him to treat her like garbage and still goes back to him is sending out such an opposite message to the body positive/strong independent female persona that's simultaneously shoved down our throats. I can't help but feel this is trying to hard to be on the same level as Girls or Fleabag but is completely missing the mark.
¿Sabías que…?
- TriviaA lot of the awkward experience scenes are taken from real life situations that the writer and Aidy have had. Specifically the opening scene in the first episode regarding the trainer was taken from an experience Aidy herself had.
- ConexionesFeatured in Jimmy Kimmel Live!: Vin Diesel/Aidy Bryant/Thundercat (2020)
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