Stream

In Stream, Danielle Harris plays the mother of a 16-year-old girl - that makes me feel very old! Harris is just one of the many horror icons that appear in this gory throwback to when horror didn't feel the need to be 'elevated' - just fun. And it almost succeeds. Almost.

The film takes place in a hotel, where the Keenans - father Roy (Charles Edwin Powell), mother Elaine (Harris), daughter Taylor (Sydney Malakeh) and son Kevin (Wesley Holloway) - have decided to take a family break. Unfortunately, the building has been chosen by an underground organisation as the latest location for an online game of murder, the hotel guests stalked and killed by masked maniacs, with the whole thing streamed live for the enjoyment of gambling sickos.

Director Michael Leavy is clearly aiming for the same level of success enjoyed by his pal Damien Leone (director of the Terrifier movies), even to the point of casting Art the Clown himself, David Howard Thornton, as one of the killers. Leone provides the splattery effects, so gorehounds are well catered for, but what lets the film down are the weak script, which is full of plot holes, the performances, an overlong runtime (at just over two hours), and the generic killers, which reminded me of The Purge and The Strangers, amongst others.

If you're in it for the gore and the cameos (which include Dee Wallace, Felissa Rose, Tony Todd, Bill Moseley and Tim Curry), then you won't be disappointed, but considering the talent involved, I had hoped for the film to be much better overall.

This movie was clearly a passion project. It's moreso a love letter to horror fans than one of those movies that takes itself overly serious. It's fun, it's campy, the practical effects are amazing and over the top which is exactly what you'd expect from this team and it has a similar feel to those 80s films we've come to know and love. You can tell the cast had a blast making it and that's one thing that made this so fun to watch. I feel like conceptually speaking there's a lot of real horror here; especially in the age of online media where people do pretty much anything for views and money.

I was very impressed with the gore in the film, and there are some fun scenes, but everything that doesn't involve the killers is boring as hell. All of these characters are flatly written and acted with only the seasoned actors standing out.

The gore is the real star of the show and it is not disappoiting. There is a scene where two of the killers play tik tak toe on one of their victims. There is also a very impressive decapitation with one of the most realistic fake heads I have ever seen.

In the end, I am not mad I went to see it. I wish the film had been better but the gore does help you get through all of the other stuff.

As a die hard Terrifier and Fuzz on the Lens fan I think I set me expectations way too high. As I look at the numerous 10/10 scores on IMDB it's evident to me that many other fans like myself who have become near family with these filmmakers through social media are doing the kind thing by building this film up to help it. I get it. I am an indie filmmaker myself and understand that building bonds with your niche audience is imperative for any sustained success. But as an audience member I was not very entertained. Aside from Paul Wiley's score, David Howard Thornton's very reminiscent of Art the Clown performance, and Jeffrey Combs who carries much of this film, it felt like a chore to get through. This felt like a first draft of a script that needed more outside eyes on it. The dialogue was flat and characters one dimensional. The "game" I don't think even began til around 45 minutes into the film (or at least it felt that way) The entire runtime before that dragged and dragged. I can count two times that I began to nod off. You also get no real exposition as to why this game is being played, who the players are, or its audience. It would've benefited from some intercutting shots between the game and certain audience members watching and rooting for their favorite players to remind you that this is actually a "stream". What it does do is benefit from the great makeup fx work we've come to love and expect from Damien Leone. There are a few really nice kill scenes that give you big time Terrifier vibes. It just doesn't have enough.

I went into Stream without knowing anything about it. Having seen it, I feel like it's a mixed bag, with its strengths being awesome and its weaknesses dragging it down.

Stream falls into a horror subgenre with which I don't have much experience. But it seems like this movie was made for one purpose: carnage candy. It will surely delight fans of exploitation films. My jaw dropped several times at these shocking scenes.

Everything else to do with the horror elements are done well. The masks look great and there are some good jump scares and suspenseful moments. And the music is beastly.

As for the negatives, the best kills happen in the first half. My jaw rarely dropped in the second half. And anything not to do with the horror elements is poor. I try to give a little leeway for such a low budget independent film, especially when it comes to the acting talent available to them. But every conversation is overly long and awkward.

It's like they should cut here, but they continue for an additional 10 or 15 seconds. And this happens 70-80 times, multiple times within the same scene. I was bored and distracted, waiting for something fun to happen.

If that was cleaned up, and a few unnecessary scenes were deleted, Stream could have been a breezy 90-100 minutes. Instead, it's 130 minutes without warranting that runtime.

I had a solid time with this movie, and any fans of this subgenre should check it out. Support independent films.

(1 viewing, opening Wednesday 8/21/2024)