Una cineasta que acaba de ser madre cuenta la historia sobre la política de un solo hijo que impera en China y cómo ha afectado dicha política a la sociedad.Una cineasta que acaba de ser madre cuenta la historia sobre la política de un solo hijo que impera en China y cómo ha afectado dicha política a la sociedad.Una cineasta que acaba de ser madre cuenta la historia sobre la política de un solo hijo que impera en China y cómo ha afectado dicha política a la sociedad.
- Nominado a 1 premio Primetime Emmy
- 10 premios ganados y 50 nominaciones en total
- Self
- (as Long Lan Stuy)
Opiniones destacadas
The movie is very insightful and brings the topic to the discussion which wasn't the case. It's truly a must-watch.
Ms. Wang was born in China and moved to the U.S. Having recently had a baby, she decided to return to her birth country and explore the effects of the policy under which she was born. The social experiment and restrictive policy was instituted out of desperation for a country whose population was booming, yet the economy and food supply were a mess. She shows us the propaganda that was seemingly everywhere - from artwork on neighborhood walls to television shows. The approach was to make people think this was their patriotic duty, and that one child was the idyllic life.
What has never been discussed or studied was the dark side of what the policy meant. It was a system that encouraged boys and downgraded girls. To Ms. Wang's credit, she interviews those on both sides of the policy - those who believe it was necessary and prevented over-population, and those who tell the horror stories of families torn apart, babies abandoned, and the secretive human trafficking that occurred. It's quite devastating to hear these people discuss the personal impact.
The film is autobiographical in nature, in that Ms. Wang is our narrator, often appears on camera, and even interviews her own family members - both to personalize the story and to educate herself. Hearing the story of her grandfather stepping in to prevent sterilization of Nanfu's mother is incredible. We learn she later had a son who became the favored child within the family. And yes, we get details ... very specific details ... on the forced sterilizations and abortions that occurred. One doctor takes credit for 'tens of thousands' of abortions and sterilizations, which Ms. Wang effectively contrasts with America's ever-increasingly restrictive abortion policies. These are the two extremes in preventing women's control of their own bodies.
No top government officials are interviewed, but the implications are quite clear. We even learn of the Utah organization Research-China that researches Asian children adopted during this era, often with the adoptive parents unaware of what was happening in China. We even learn of a set of twins who were separated at birth - one raised in the U.S., the other in China. They have never met. Ms. Wang is quite effective as a documentarian-journalist. Though the film lacks any attempt at style points, the details are astounding. She even shows how the Chinese government transitioned from 'one child' to marketing the benefits of a "two child" household, and how the propaganda machine kicked in. This film is all about impact, and it will deliver a gut-punch.
The movie paints an entirely different picture. Yes, there were those believed they were rightful functioning as an extension of the Red policy. Yet, almost every single person that Wang interviews had to preface recollections of the forced sterilizations and abortions with four haunting words: "I had no choice."
This movie investigates the intersect between acting willfully for your country and its opposite: being forced to do what are considered "necessary evils" for the longevity of the country.
Wang is skeptical that any of this suffering needed to happen to begin with. She provides a counter-narrative to the Communist state, wondering if the mountains of abandoned girl babies were left to die in vain. In retrospect, the policy's dubious reasons point more towards a mindless allegiance to leadership than any saving grace from starvation. That's how the movie is presented, at least.
Definitely worth the watch.
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- Citas
Nanfu Wang: But I want that decision to be my own. I'm struck by the irony that I left a country where the government forced women to abort and I moved to another country where the governments restrict abortions. On the surface they seem like opposites, but both are about taking away women's control of their own bodies.
- ConexionesFeatured in Subject (2022)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- One Child Nation
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 270,128
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,523
- 11 ago 2019
- Total a nivel mundial
- USD 271,841
- Tiempo de ejecución1 hora 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
- 16 : 9