Midsommar. El terror no espera la noche

The movie starts out promising and with the interesting backdrop of a Swedish pagan cults. However, it succeeds only in shocking with horrifying imagery of bursting heads/faces and other violence that serves only to hide the fact that this movie is bad at everything else. The character development is extremely bad. We are supposed to care about the main character so the writers came up with a shocking and sad beginning. But we still dont develop much sympathy because the main character (yes I already forgot the name) acts unreasonably and there are no real moments where we get close to her. The plot is extremely foreseeable. Without wanting to spoil much, all characters from the group going to Sweden have happen exactly what you'd expect to happen to them. There is no finesse in story-telling at all and instead cheap attempts at foreshadowing end up as just another horror-movie cliche. The camera work is OK but often too bright and sometimes turns for no reason. It is an attempt of foreshadowing or setting the atmosphere but it is lost on me.

All in all, this movie might be for you if you like to be shocked by violence in a novel setting. Don't watch this with kids or anyone remotely sensitive to violence. Also don't watch it if you care for character development, plot-depth or have good taste in movies, generally.

The movie starts good then by the end you are mad you finished the movie

Gorgeous visuals, creative cinematography and solid performances but the movie feels long winded and disconnected. The characters are underdeveloped and the plot is a little all over the place. The movie does however manage to be intentionally funny at times but not scary or very disturbing.

This is really weird stuff. Not real horror, but more of a psychological mindbender.

The bad: it doesnt really get scary or thrilling. It gets weird allright.

The good: decent acting in a incredibly weird mindbending script.

Not suited for casual viewers.

Be first thing I wanted to do after leaving the cinema, was to discover what the swedish thought of this film, in general they saw it with humour, and an open mind, as I expected.

It's pretty much split right down the middle, first half, dare I say it, normality, drama, with a heavy focus on grief, and the harsh way it can affect someone, particularly if there's trauma involved. The second half is very trippy, and we delve into the world of pagan ritual and bizarre rights, which makes The Whicker Man look like a tea party.

The main leads, Florence Pugh and Jack Reynor, were terrific. Pugh had impressed previously in The Little Drummer Girl, it was obvious she was destined for big things, she played Dani with a real sense of torment, very impressive. The cast had a realism, it was refreshing not to watch a cast that look set for a Dior catwalk.

It won't be for everyone, and I must point out that some scenes are painfully long, needlessly. Some amazing special effects.

Violence and nudity, but neither are gratuitous or simply for shock. A few laughs, several times the cinema erupted in laughter.

Very good. 8/10