Apollo 11

Saw the Apollo 11 IMAX film last night. Highly recommend. No narration just the NASA announcer, communications between ship and ground plus a few other bits added such as Walter and JFK now and then. Images are amazing, esp in IMAX. It moves well, no slow moments, no soap opera, no agenda, lots of unseen footage and some new stories, pure documentary, the trip is the whole story. PDI is great, TLI is great, LM separation, footage of the crowd is great. Go see, you wont be disappointed. 90 minutes long.

"I didn't feel like a giant. I felt very, very small." Neil Armstrong looking on earth from the moon.

If somehow you missed Apollo 11's flight to the moon in 1969 (indeed you might not have been born yet), fear not: The perfect documentary about those three real superheroes is here. The titular doc stars Neil Armstrong, Buzz Aldrin, and Michael Collins in nail biting suspense and no explosions save rocket propulsion.

The only part not of the original footage is the original synth drones' soundtrack by an inspired Matt Morton. The percussive beat has pomp like that of a thriller in which the president has a fleet of black SUV's rolling to its heart-beating energy, supporting a blockbuster that this time is for real.

Notwithstanding the deeply introspective First Man, starring Ryan Gosling as Armstrong, the real Armstrong comes through in this doc. As expected, he's like the straight arrow he is alleged to be-good guy, slightly nerdy, smart, evident even with as little face time as he has here.

Maybe that's the point: Without the sophisticated computers we have 50 years later, these astronauts and technicians work hard long hours together, no claims to glory, profit, or party loyalty. Their collaboration is worthy of any Marvel voyage; only it's real.

New images and sounds emerge despite the decades of depicting this event in multi-media. Some NASA shots have never been seen before. Although the images may not be as spectacular as the ones we've grown accustomed to, they represent the constantly renewable glory of mankind at its technological best, devoid of petty ego embellishments and full of human connections.

You'll find more dramatic renditions of this adventure, but you'll never find 93 minutes more perfectly capturing the grandeur of science and humanity working together to realize the impossible. This right stuff is right here in a grand documentary called, very simply, Apollo 11.

"Apollo 11" (2019 release; 93 min.) is a documentary about the Apollo 11 mission. As the movie opens, we are informed it is "July 16, 1969" and a mere 3 hours away from the launch. We get full-color footage of the enormous crowds 15 mi. away from the launching pad. Meanwhile, through a quick photo montage, we get a quick glimpse at the three astronauts' life, as they are getting their space suits on. The TV commentator meanwhile talks about "the burdens and hope they carry for all mankind". It is then time for the astronauts to be driven to the Apollo. At this point we are then 10 min. into the movie.

Couple of comments: this documentary is directed and edited by Todd Douglas Miller. There have been many documentaries about the Apollo 11 mission before, so what sets this one apart? Several things: first and foremost, during the collaboration between the film makers and NASA, never before seen 70 mm full color footage was unearthed. That, combined with previously available 16 mm and 32 mm footage allowed the film makers to present this story in a way never before experienced. Frankly, words are not enough. The astronauts' elevator ride up to the top of the Apollo space ship (over 300 ft. tall) finally give a sense of how freaking high that is. Second, the film makers decided to use no voice-over or narrator, and instead let the TV commentary and the internal NASA discussions do all of the talking. Third, there is a fabulous electronic score, courtesy of composer Matt Morton. And get this: Morton used only instruments that were around at the time of Apollo 11's trip to the moon in July, 1969, including including the Moog modular Synthesizer IIIc, the Binson Echorec 2, and the Mellotron. Wow, just wow. When you combine all of these elements, it makes for outright compelling viewing. Even though we of course know the outcome, I nevertheless STILL felt tense as I was watching all of this unfold.

You may or may not be aware that Neil Armstrong spent the last 40 years of his life here in Cincinnati (where I live), including teaching at the University of Cincinnati. Upon his retirement, he became an even more private person than he already was, and public appearances were rare. I had the great fortune of seeing him narrate the "Lincoln Portrait" at a Cincinnati Pops performance in 2009, and the outpouring of love, respect and affection from the public for this true American hero made the hairs stand on my arms. Meanwhile, "Apollo 11" is an unforgettable movie experience, and highly recommended!

*UPDATE Jan 13, 2020* This past weekend I saw an edited version of the film called "Apollo 11 - First Steps Edition" at the Omnimax theater of the Cincinnati Museum Center. It is the exact same footage as in the original film, cut down to 45 min. so as to fit the IMAX/Omnimax schedules. I was incredibly excited beforehand, as I thought this would be true Imax/Omnimax footage, but alas, that is not the case. It's as before but projected on the half-dome screen that is the Omnimax. Still very enjoyable, and I love, LOVE the original score by Matt Morton blasting away in an Omnimax setting.

I had the chance to see an advance screening of the movie in Vienna, during a meeting of the UN Committee on the Peaceful Uses of Outer Space and the word that best sums it all up is "WOW". It is wonderful to be able to witness all the work that went into a momentous achievement. There is the great moment we all know, the "one step for a man, a giant leap for mankind" moment. But this movie pays a much-deserved tribute to all those men and women who joined efforts to make this possible. Fantastic.

Todd Douglas Miller's documentary Apollo 11 is a rich buffet of restored footage, clever image juxtaposition, and ingenious lip reading. There is SO MUCH newly-released footage, one gets the impression that 1/4 of the mission weight must've been cameras and film! Where have these images been for fifty years? There's no narration... just sounds and voices from the mission, peppered with occasional contemporaneous commentary from Walter Cronkite's legendary broadcasts. The film is a beautiful, visceral thrill ride, lovingly constructed, without aggrandizement... yet emotions soar. This is what America once was, and what it could be again, and I absolutely do not mean that in any jingoistic sense. Truly our finest moment. See it in IMAX if you can - IT IS WORTH IT.