Historias del Loop

Happened across this today and ended up binging the entire series! As some reviewers have stated, the episodes run slowly, however, each episode looks at the story of indivudal characters in the ensemble cast. The twists are based on quirky SciFi elements and helps the viewer examine how the episode character comes to this point or to an unexpected situation, which may not have a typical resolution. The production, cinematography and acting are top notch and worth viewing from a visual and stylistic perspective. The stories leave you with a feeling of melancholy, that is strangely satisfying. Arthouse work in a TV series format. Worth a watch in my book. If you're looking for lasers and whiz-bang effects, this may not be the series for you.

A rare example of what science fiction can achieve, with a subtlety in its thoughtful pacing that is rarer still. Almost certainly this was what failed to appeal to the mass market, since its languorous tempo will drive the mainstream attention-deficit audience out of their tiny minds.

Some well-worn and yet timeless themes are refreshed by gentle treatment.

Unspoken secrets (episode 1) Jealousy (episode 2) Conformity, Fear of responsibility / not wanting to grow up / peter pan syndrome? (episode 3) Existentialism (episode 4) Desire for control / overprotectiveness (episode 5) Forbidden love / possessiveness and the pleasure of its unattainability (episode 6) Guilt and Alienation (episode 7) Grief, nostalgia and the death of innocence (episode 8)

Understated, powerful performances and sympathetic acting.

Inevitably a product of its times, and so occasionally lacking in subtlety plus somewhat heavy handed in its treatment of gender politics. And there are a couple of sex scenes that are unnecessary and were better left to the imagination, not least of all because the majority of the story is suggestive instead of explicit. Perhaps it is a matter of taste.

Supposedly the series was inspired by a painting, which under normal circumstance would not be a recommendation in its favour however for those that are able to work their way through it all, you may be able to appreciate the metaphor in terms of a backdrop for powerful yet restrained drama - as in a theatre where a small number of actors demand your concentration.

Superb.

The story-writers and production team deserve great praise, and whoever it was at Amazon that made the case to purchase the series or - it is almost unimaginable to contemplate - commissioned it rather than relying on The Market to spew it out: we can all hope you get more opportunities to exercise your talents.

The retro-futuristic and immeasurably cozy paintings of Simon Stålenhag have been given life by Amazon Prime. Thanks to my dad, who obtained the Tales from the Loop artbook (org. title Ur Varselklotet) when it was brand new (he may even have donated to its crowdfunding campaign), I've had a good look into Stålenhag's dreamlike alternate past before.

My brother once referred to Stålenhag's peculiar art style as "Sweden punk", where we'll scan our eyeballs over familiar rural environments until, suddenly, some sort of technological behemoth appears. It may be a strange, defunct machine (that nevertheless looks as if Volvo or Stiga could realistically design it) next to a quaint Scandinavian meadow, or a vast spacecraft hovering over a dimly lit torp in the December twilight.

Amazon brings all of this to life with an anthology, each episode nonetheless set in the same continuity, directed by the likes of Andrew Stanton and Jodie Foster (a good choice after her work on Black Mirror) and scored in part by Philip Glass - his haunting, repetitive-but-beautiful tunes as distinctive as ever. The cast includes Jonathan Pryce and Rebecca Hall, who put it best when she said in an interview that the characters genuinely seem to inhabit a universe larger than themselves. The landscape around them clearly has history, even when it isn't expositorily stated.

On that note, the "retro" part of the retro-futurism is also in the characters, including young children who are often more astute than the adults - it shares this with Stranger Things, another nostalgic streaming-original, but I currently think Tales from the Loop is better, partly because of how farcical Things has gotten. Early on, Loretta (Abby Ryder Fortson) and Cole (Duncan Joiner) are curious of the mysteries surrounding The Loop, a scientific facility in their area that seems to dabble in the unnatural.

One of the problems I had with the series is that, possibly due to the episodic structure, certain big revelations seem to come quite early in the show's run. Let me elaborate: In the very first episode, we learn something shocking about two of the main characters, akin to one of the most existentially devastating twists in the Netflix masterpiece Dark, but since we don't yet know these people that well, it isn't as impactful as it could have been. Instead, the second episode moves on to a different (somewhat better-acted) story involving the effects of The Loop, starring a tertiary character from the prior story.

However, accepting the show and the format for what it is, 'tis certainly a charming expedition into the mind of Stålenhag. The book and the artwork are faithfully adapted (including the way the characters are cast, then costumed and groomed) by head writer and developer Nathaniel Halpern, but I gather Stålenhag himself was heavily involved (complete with an on-screen cameo). He even submitted a title card animation, pictured above, "as a suggestion" and they wound up using it.

It just warms my hollow ribcage when an artist gets to realize their vision in this manner, aided by people who demonstrably give a damn. Tales from the Loop, not unlike the Netflix series Love, Death + Robots, is one of those shows that truly prove what a safe space the streaming world is for auteurs, enabled to enrich us with something new instead of sticking to a marketable studio-imposed formula.

If shows like these become successful enough, ginormous studios may learn that providing something new and original is the way to go (people sometimes argue that recent Lucasfilm and Marvel movies do represent an artist's vision, hence their controversy compared to other "factory-made" sequels, but I remain skeptical that Disney would truly allow freedom, or deem controversy as anything other than useful PR). I will certainly do my part and tell you this much: please check out Tales from the Loop. It's a visually inventive and fun watch that touches on the "larger" life questions that sci-fi concepts ought to bring. The dialogue itself can be a bit obvious and some stories may be less intriguing than others, but no matter.

I'm sorry some of the reviewers can't appreciate any Sci-fi that doesn't include laser battles and far out explosions and such. this title goes back to the roots of Science Fiction. It uses another means and different modes to explore the Human Condition. Go back to the Golden Age of Sci-Fi with authors like Arthur C. Clarke and you will see. Sci-Fi simply provides the backdrop for the actual storytelling. The stories are good, albeit slower than we are used to in 2020, but good none the less- much like the original Science Fiction. It's nice to see for a change where the story comes first and everything else is second as opposed to the current crop of Sci-Fi where the action and effects are first and the story is third or fourth.

There is an extraordinary gentleness to this series that has no antecedent. There is no attempt to shock or horrify or amaze. Only engage. Quality is not even but some of the episodes are absolutely hypnotic, you cannot look away.