Bob Marley: La Leyenda

It's fine, just nothing all that memorable.

I had a pleasant enough time viewing 'Bob Marley: One Love', though it does kinda seem a bit hollow post-watch - as in I don't feel like I've learned much nor actually seen that much, the movie has like three noteworthy events but then that's kinda it. The music from those involved also didn't feel amazingly utilised, I guess they didn't want it to be too jukebox-y.

Kingsley Ben-Adir does well in the lead role as Bob Marley himself. I'm not a Marley superfan or anything close, I basically only know his biggest hits, but the resemblance of Ben-Adir seemed off to me - a thought that was only solidified when the real Marley appears via archive footage at the end. Perhaps that's just me, though.

Lashana Lynch gives a good performance, spearheading the rest of the cast who are alright; interesting to see James Norton, Michael Gandolfini too... even if I didn't realise it was Gandolfini until the credits. Overall, it does feel like the film only scratches the surface of Marley's life. I wanted more from it, but to be fair it is still a decent flick in my opinion.

Bob Marley is one of the most recognizable names in the world, whose music, cultural influence and message of unity transcends borders. And while Reinaldo Marcus Green's "Bob Marley: One Love" tries to portray his influence and legacy on screen, the movie's low-risk conventional approach makes it a rather hollow experience.

The movie is as vanilla as it gets, with nothing really standing out. And that extends to lead actor Kingsley Ben-Adir, who while I think is a great actor, just isn't able to make the character work. He seems to be trying his best to replicate the legend, but is quite not all there with his portrayal that we're always aware we're watching an actor play Bob Marley and not Bob Marley himself.

While "Bob Marley: One Love" is not as boring as some of the other musical biopics I've seen (like 'I Wanna Dance with Somebody' or 'The United States vs Billie Holiday'), it surely doesn't do enough to be worth recommending. It's yet another biopic that plays like a collection of vignettes than an actual narrative story, with some 'greatest hits' backing tracks. It certainly doesn't do Marley's legacy any justice.

When watching the trailers I was scared they were gonna focus more on the music than on the man, and that's exactly what happens.

I feel like they remained só surface level on Bob Marley, the man, and focused more on what his music brought. And I think that's what happens when family is heavily involved in the movie, because they will want to play safe, and that's what this movie does, with the character of Bob Marley.

The screenplay also didn't feel like a final draft, some of the dialogue felt repetitive, and some of it, quite cringy. And for negatives that's what I have.

Kingsley Ben-Adir and Lashana Lynch absolutely kill it, they are fantastic and an early Oscar contender performances. Another thing I was scared was the accents, because at times they can go to over the top and make it feel like a parody, but they weren't they nailed it.

The music was also emaculate, if you're a fan of his music, you'll love what they did, and how they paid their respects.

I feel like for the right audience this definitely will be amazing. It's a cool movie, fun time. I just wish we could learn more about Bob Marley, not just his music.

Bob Marley: One Love is a thoroughly generic biopic told in an entertaining fashion. It starts off with an interesting idea focusing on a specific part of Marley's life and honing in on the unifying power of his music before quickly becoming the kind of biopic that's been done so many times before, frustratingly saving the most powerful moment for the archive footage at the end.

Even when this genre is at its blandest the central performance is rarely the problem and that's absolutely the case here. Kingsley Ben-Adir gives a wonderful performance that never strays into parody and is the only time the film comes close to making Marley feel human. It's also great that Lashana Lynch is given so much, supporting whilst still getting some spotlight.

Reinaldo Marcus Green's direction ends the film a little too early and uses a flashback heavy structure to hit all the required beats but it's all done in a technically competent and very serious way which helps. The soundtrack is obviously a major highlight however the score by Kris Bowers is an unexpected highlight thanks to its very dramatic nature.

The acting was good, the scenes regarding the music and the artistic creativity involved in the endeavor were good, and every scene individually was fine.

What this film lacks is actually direction. It felt disjointed and choppy from the very beginning. It was hard to keep straight what was going on and why. The motivations of events were hard to follow, and conflicts appeared and disappeared without a trace. The actual flow and arc were kind of non-existent in this movie.

I felt the scenes between on-screen Bob and Rita and Bob with the band were the absolute strength. There was chemistry there that felt natural and that felt like I was really getting a glimpse into Bob Marley at this period of his life.

It's so close to being a really good movie, but the lack of continuity in the storytelling robs it of reaching the potential.