Aporia

All time travel stories require varying degrees of suspension of disbelief. The only fully self consistent plots involve "closed loop" stories, like Predestination, but those require us to give up on the concept of free will. Some are just incredibly stupid (Looper comes to mind). On the scale of things, Bill and Ted's Excellent Adventure isn't all that bad.

The good thing about this movie, is that it puts the really implausible stuff right at the beginning, and once it establishes the rules, it mostly sticks to them.

Two randos build a (sort of) time machine out of what looks like a Commodore 64 and a pile of literal junk (seriously, this movie gets a solid F for prop design). Rather than send people back in time, it has one and only one capability: it allows the users to kill a specific person in the past, as long as they can locate that person at a specific time, and of course this tees up a classic morality dilemma.

This changes the present and everyone in it, but because "yada yada yada quantum mechanics", anyone in the room with the machine will remember the original timeline - and NOT have any of the memories they should have in the new timeline. This is actually an issue for a lot of time travel movies, they generally just sweep under the rug rather than confronting it outright.

They start with a pretty clear case where killing a bad person in the past will save the life of a innocent person, but it won't be a spoiler to tell you that this has unintended consequences and that their attempts to set things right will just make things worse, or at least put them further and further from their original world.

So in the end, it's a mix of the butterfly effect, the multiverse, and the Trolley Problem. In spite of some of the other reviews, I found the acting and emotions pretty good. I think it would have made a good Twilight Zone or Black Mirror Episode, but stretching it to a full length movie got a little thin.

I didn't hate the ending, but a lot of people did.

This was an impromptu watch, so I had no expectations for it, decided to watch it when I noticed it was playing at the cinema. It took some time for me to figure out what the storyline was gonna be like. The film was off to a poignant start, yet its impact kinda sucked due to the lack of a gradual buildup that would've given an emotional connection with the characters. Even how Sophie was persuaded to take part in the subsequent events seemed too easily/quickly done. More so, the film fell into the trope where a computer-savvy character solves all these complex calculations or hacks in mere seconds which is always hard to believe.

Despite its intention to evoke emotions, the movie failed to establish a bond between me and its characters. The sci-fi elements lacked complexity and allure, with the core concept being hastily explained and while the plot itself was decent, the narrative suffered from a lack of depth and sentiment, causing me to feel detached from both the characters and the overall cinematic experience. That coupled with how the story progressed almost mechanically from one scene to another.

It was also pretty anticlimactic and it was difficult to see how the movie was gonna play out in the end; and that's not in a nice mysterious suspenseful way, it was just dull and I was waiting for it to end. Sure, the plot twist was a pretty big one but still too little too late. The film needed a deeper emotional connection to the characters, deeper exploration of its sci-fi elements, and deeper dive into the moral dilemmas they faced. Ultimately, it was the emotional weight that the movie most needed in comparison to the latter two aspects, leaving it incomplete in the most vital part.

The idea and twist on the conventional time travel genre was what interested me and ultimately kept me watching, but sadly, this film missed on a huge opportunity to capitalize on the concept. What follows is a meek, dull, repetitive - albeit though provoking story, that I felt was too aloof, riddled with plot holes, that asks too many unanswered questions.

The narrative kept spinning itself in circles but lacked finding more engaging material aside from the expected results. Plus I only found Greer's performance being the most nuanced, and not sure how or why Maadi was cast, as he was unconvincing, and I was constantly annoyed between trying to decipher his accent and seeing his backwards bowl short hairline-cut.

Additionally, the so called time machine wasn't convincing, and felt like an Inspector Gadget cartoon concoction put together from spare parts from a wrecking yard. So I'm not sure what film the critics saw that rated this so high, but I wasn't buying what the filmmaker was selling, and I surely didn't enjoy spending a slowly paced underwhelming 104 minutes to get such a lazy ending.

I have the impression that this film wouldn't have the same charm if it wasn't super indie like it is. The story is about someone who invents a time machine and I imagine if there was money, this prop would be terribly sophisticated, the soundtrack would be present from beginning to end (something that really irritates me in Hollywood cinema) and there would be an all-star cast.

So, we have a well-known actress and others a little less so, but they don't do a bad job. I watched the film from beginning to end without getting bored at all, the story is well told and there are moments of tension and mystery. I would like to not reveal anything that would spoil the experience for those who haven't seen the film yet, but I repeat that it's not bad at all and I don't think anyone will regret watching it. It's a relief to watch a film that doesn't need the usual Hollywood gimmicks.

Anything related to the concept of time and I will always jump right in, notwithstanding the eventual culmination. Suffice it to say that the same morbid curiosity had brought me here in the first place.

Now, I don't regret tuning in and checking this out, but I do have qualms about the film, specifically in regard to its lacklustre writing, which couldn't take advantage of the potential it originally possessed.

The execution has turned out to be underwhelming in practically every aspect, not just from a narrative standpoint but also from a technical as well as from a performance perspective. Nothing worked; nothing substantial was achieved. It feels exceedingly bland and strikingly uninspiring.