CALIFICACIÓN DE IMDb
5.6/10
10 k
TU CALIFICACIÓN
Una mujer de las llanuras se enfrenta a la desolación y dureza de las tierras de las frontera occidental en el siglo XIX.Una mujer de las llanuras se enfrenta a la desolación y dureza de las tierras de las frontera occidental en el siglo XIX.Una mujer de las llanuras se enfrenta a la desolación y dureza de las tierras de las frontera occidental en el siglo XIX.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 6 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A folkloric tale of madness, paranoia & things that go bump in the night, The Wind paints a menacing portrait of isolation, loneliness & their overwhelming nature with its desolate wilderness setting, ominous atmosphere, arresting camerawork, stellar sound design & excellent performances yet the story as a whole fails to deliver the maximum impact due to shortcomings of its own making, for its muddled narrative structure, inconsistent editing & overuse of flashbacks prevents it from realising its true potential.
This film may not be for every horror fan because it is slow paced and flashback oriented, which creates some confusion and boredom. However, the actors were convincing and the cinematography exuded a feeling of true desolation. Several of the scenes were nicely crafted without relying on overt gore or jump scares to frighten the audience.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
I thought it was clever to blend an american western period piece with a demonic, neurotic tone.
I think this movie is definately worth a watch and is one of the more original horror films as of late.
I had high hopes for this movie. The trailer reminded me of The Witch (2015), which is one of my favorite horror movies. But The Wind never grabbed my attention. I told myself that it only had a slow start, but by the end I was simply waiting for it to be over. I thought the two main leads had good performances. I haven't seen Ashley Zukerman in much, but I loved him in Manhattan.
The cinematography was good, some silhouetted shots stood out. The music, especially when something scary happened, didn't really fit.
The story grabbed me at points, trying to uncover the puzzle. But there's really not much to it. If you go in with lowered expectations, and you're into the idea of a slow horror mystery, then there might be something for you here. Otherwise I wouldn't really recommend it.
The cinematography was good, some silhouetted shots stood out. The music, especially when something scary happened, didn't really fit.
The story grabbed me at points, trying to uncover the puzzle. But there's really not much to it. If you go in with lowered expectations, and you're into the idea of a slow horror mystery, then there might be something for you here. Otherwise I wouldn't really recommend it.
Due to its non-linear storytelling, 'The Wind' can be a very difficult movie to follow. The film simultaneously plays in three different times. If you can wrap your head around these different times, it is easy to follow and it becomes very clear which period you're looking at.
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
'The Wind' grabbed me from the mysterious opening scene, and then became spine chillingly creepy and suspenseful. In the vein of 'The Witch' (especially) and 'Hereditary', this film is much deeper than meets the eye, and rather disturbing. The film takes us on a roller coaster ride of fear, deception, infidelity, and absolute evil.
Caitlin Gerard is very good as Lizzy, the film's heroin. Director Emma Tammi did an incredible job ensuring a constant foreboding atmosphere. (Interestingly enough, there's hardly any wind in the film...)
The Wind flirts with some interesting themes about postpartum depression, female jealousy, hallucinatory paranoia, and hellfire possession. It's not about history, or pioneer life, or bloodthirsty ghosts. It's about a loneliness so overwhelming that it becomes terrifying. This excellent is indie horror .
¿Sabías que…?
- TriviaThe character Emma seems to enjoy Gothic literature. Among the books from her collection that read aloud at various points in the film are Mary Shelley's Frankenstein and Ann Radcliffe's The Mysteries of Udolpho.
- ErroresThe cabin that the couple lives in is far too luxurious (by the standards of that time and place) to be credible. Multiple glass windows, multiple glass lamps (that use kerosene, which in turn has to be bought at the store many days away in town), multiple feather pillows, doors with real hinges instead of leather strips: all of this indicated more wealth than the couple could have earned from their farm. And a non-wealthy couple wouldn't have been living out there.
- Citas
Lizzy Macklin: I don't suspect God has much business out here.
- ConexionesFeatured in Folk Horror: Bosques sombríos y días de embrujo (2021)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Wind
- Locaciones de filmación
- New Mexico, Estados Unidos(location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total en EE. UU. y Canadá
- USD 28,252
- Fin de semana de estreno en EE. UU. y Canadá
- USD 14,138
- 7 abr 2019
- Total a nivel mundial
- USD 130,974
- Tiempo de ejecución1 hora 28 minutos
- Color
- Relación de aspecto
- 2.39:1
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