CALIFICACIÓN DE IMDb
5.2/10
3.6 k
TU CALIFICACIÓN
El regreso al trabajo de una editora de moda se complica cuando descubre que el extraño que besó en una fiesta es su nuevo colega... y el hijo de su jefa.El regreso al trabajo de una editora de moda se complica cuando descubre que el extraño que besó en una fiesta es su nuevo colega... y el hijo de su jefa.El regreso al trabajo de una editora de moda se complica cuando descubre que el extraño que besó en una fiesta es su nuevo colega... y el hijo de su jefa.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 3 nominaciones en total
La La Anthony
- Elodie
- (as Alani 'La La' Anthony)
Sterling Brim
- Tim
- (as Steelo Brim)
Erica J Green
- Terry
- (as Erica J. Green)
TS Madison
- Greta
- (as T.S. Madison)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie is done in the style and long tradition of romcoms from "yesteryear". It's a delightful nod to movies from the 20's, 30's, 40's, 50's, 60s and 70s.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
I'm an avid movie lover raised by a movie and film lover who schooled me in movies from past generations, so for me from the opening credits to the last line I was delighted by this theme. The film was like a love letter classic films and specifically classic Black films.
The movie contains some of these classic movie elements that could be mistaken for if a viewer doesn't have background knowledge, but that's OK because the filmmaker (and maybe the author) alludes to it and almost encourages the viewer to explore classic films by the references to Ina Mae, through the Jenna's costumes, the color tone of the film, the jump cuts, the overt nod to Dorothy Dandridge's Carmen, the campy elements, and the over the top characters, and other iconic classic movie moments interspersed throughout the film.
Gabrielle Union brings reminded me of many leading ladies from these classic films from her perfectly timed comedic moments to the heartfelt ones. Union depicts Jenna Jones as a classic actress with charm, relatability, a dash of glamour, and as an aspirational figure.
The music was wonderful, well-timed, and well chosen to enhance and punctuate scenes. There's art in this movie and I appreciate this art.
I'm not sure what people mean by no chemistry. The two leads definitely have chemistry. I was thinking Union's husband had a cameo to remind people he was around.
Found this movie scrolling Netflix. I have not read the book and didn't know it was a book until coming here. I was curious about the film makers.
This movie is a cute rom-com. It is based on a book that I really enjoyed. It feels like a Hallmark movie and is a little cheesy, but overall still enjoyable. The soundtrack and fashion in it were both great. It is a nice feel-good movie. This movie had a couple of big name stars, but it didn't feel as well done as it could have been. This sometimes happens with romantic comedies or movies based on books. It was an enjoyable movie, but it just was not great. I don't think I would probably watch it again, but I did not regret watching it once. I remembered the story from the book and felt they could've done more with it.
I really enjoy Tia Williams as an author, but this film was a terrible expression of her talents.
The leads didn't have chemistry and there were many underdeveloped themes. My biggest disappointment with this movie is that the editing was awful. I rewound the movie about 10 minutes in because I thought I missed the opening scene where they actually provide context to the the main story line. The movie is disjointed. It's 30 or so random scenes that don't flow together rather than a movie.
Beautiful actors, great wardrobe, and a good soundtrack don't overcome the glaring faults with this film.
The leads didn't have chemistry and there were many underdeveloped themes. My biggest disappointment with this movie is that the editing was awful. I rewound the movie about 10 minutes in because I thought I missed the opening scene where they actually provide context to the the main story line. The movie is disjointed. It's 30 or so random scenes that don't flow together rather than a movie.
Beautiful actors, great wardrobe, and a good soundtrack don't overcome the glaring faults with this film.
I had to Google the director because I couldn't believe someone so inexperienced/incompetent could get a film starring Gabrielle Union and debut at Tribeca Film Festival. It's a sweet effort but entirely amateurishly made.
The camera work is awful. The lines of the characters are laughably bad. It's just a very laborious watch which is sad because it could have been so so much better, with a good director at the helm.
After you get over the shock of how bad it is going to be, if you stick with it, it eventually settles into a slight charm, and the lead actor is so hot so that helps. But overall it's just so bad on so many levels, even my rating is generous.
The camera work is awful. The lines of the characters are laughably bad. It's just a very laborious watch which is sad because it could have been so so much better, with a good director at the helm.
After you get over the shock of how bad it is going to be, if you stick with it, it eventually settles into a slight charm, and the lead actor is so hot so that helps. But overall it's just so bad on so many levels, even my rating is generous.
As soon as I saw the lead actress I knew she'll be playing her usual role. A high powered boss chick struggling with falling in love, blah blah. Beautiful people but so lack lustre. The guest appearance from a washed up rapper and dreadful acting from the YouTuber made it so cringeworthy. It was nice seeing the legendary Janet Hubert and that's it.
I liked was the throwback music from the likes of Sweet Sable who was on the Above the Rim soundtrack and the few guest appearances from several celebrities and of course the comedian Godfrey.
Other than that, I absolutely lost interest. It became boring.
I liked was the throwback music from the likes of Sweet Sable who was on the Above the Rim soundtrack and the few guest appearances from several celebrities and of course the comedian Godfrey.
Other than that, I absolutely lost interest. It became boring.
¿Sabías que…?
- TriviaBased of the book "The Perfect Find" by Tia Williams
- ConexionesReferenced in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
- Bandas sonorasYou Can't Lose a Broken Heart
Written by James P. Johnson (as James Johnson), F.E. Miller (as Flournoy E. Miller)
Performed by Louis Armstrong, Billie Holiday, Sy Oliver & His Orchestra
Courtesy of The Verve Music Group under license from Universal Music Enterprises
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- How long is The Perfect Find?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- The Perfect Find
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 39 minutos
- Color
- Mezcla de sonido
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