Ventajas de viajar en tren

I don't know even if i liked it!

This is a dark comedy/psychological drama thriller. A definition of weirdness. Bizarre, creepy, some hilarious moments, some frightening moments. Excellent acting, also well directed.

But, in my opinion, it is not as clever as the creators think it is. It is not mind blowing, neither it makes much sense. Some metaphors may make sense (abusive relationships at the second part) but overall, this is surrealistic, like a modern fairy tale where Logic and laws of physics don't apply. Like a Kafka's dream.

If that was the intention, it is still enjoyable and interesting even though I would prefer it more cohesive.

In any case, the ending is not good. That is a twist for the sake of twists. And it didn't mean anything, just something irrational, i think it's lazy writing.

If you like your movies to be absurd, watch it for sure.

An absolutely bonkers Gilliam-esque thriller set in Spain that tells the stories of various unsavoury and down right horrific characters which may or may not be the invention of a supposed madman.

The direction is wonderful (think Wes Anderson on a small budget after having a little taste of LSD), the acting is stellar and the entire movie plays out like a surreal, hypnotic yet massively intriguing Grimms Brothers fairy tale. It is darkly humourous, massively entertaining and well worth a watch.

Unlike last year, there has not been an abundance of stellar foreign language movies released in the UK thus far, bar Portrait Of A Lady On Fire, but this offering really does remind you why Spanish cinema is gradually overtaking France as the best in Europe.

Highly recommended.

Advantages of traveling by train (2019) is a film as daring as it is bizarre and, without a doubt, unclassifiable, developing strange stories involving three separate chapters, being apparently independent, Advantages of traveling by train tells the story of the editor Helga Pato (Pilar Castro), a woman in her forties who by chance meets the psychiatrist Ángel Sanagustín (Ernesto Alterio) on a train trip, who tells her (first chapter) the story of one of his patients. Ángel tells Helga the story of Martín Urales de Úbeda, an extremely dangerous paranoid patient obsessed, among other things, with garbage. Martín Urales (Luís Tosar), who enlisted in the army, was sent to fight in the Kosovo War where he met Dr. Linares, a determined and compassionate woman who, when trying to create a children's hospital to cure the damage of the war, She is forced to make a great deal: In exchange for having the hospital she wants, Linares must take one child a month to her benefactors to film adult and snuff films.

Winner of the best film award at the Feroz 2020 awards, it is an ensemble film that mixes suspense, comedy, drama, horror, gore and probably some other genres. It is an unclassifiable coming and going made up of several strangely connected stories, although they are very uneven, some being frankly unpleasant, others disturbing, giving rise to a discouraging result. One of the most surprising recent Spanish films in which thorny themes are mixed, such as male domination, Diogenes syndrome, human abuse and others, meanwhile it unexpectedly delves into dark tunnels that show terrifyingly funny passages, which They get lost in recesses that are the materialization of that interior in which we keep all the psychological breakdowns, traumas, fears, lies and half-truths that characterize us. Filmador Moreno goes from one place to another without losing the global identity, connecting the dots that apparently become loose, leaving things in suspense and then recovering them. The film is notable for its wonderful casting full of the best Spanish actors, giving good performances, with the three main actors standing out: Luis Tosar, Pilar Castro and Ernesto Alterio. Being accompanied by a very good supporting cast with many well-known faces, such as: Quim Gutiérrez, Belén Cuesta, Macarena García, Javier Godino, Javier Botet, Stéphanie Magnin, Ramón Barea, Alberto San Juan, Manuel Morón, among others.

The film plays with reality and fiction, with madness and sanity, and black humor, to translate the novel of the same title written by Antoni Orejudo. As debut director Aritz Moreno explains: "When I read the book, I saw a movie in my head: a peculiar and unusual film like the novel, but that is precisely what attracted me." The novel was adapted by Javier Gullón, who already did an excellent job adapting the initially unadaptable novel: The Duplicated Man by José Samarago, which director Dennis Villenueve turned into the film The Enemy. The film was original but unevenly made by Director Aritz Moreno in his debut film.

Different people's lives with hidden connections to each other Sinister characters of a troubled mind or real ones?

Travelling on a train, you might get someone who is ... let's say interesting. Than again, maybe you are also very interesting yourself. So this movie that is assembled of many parts and seems detached from each other, is actually very much connected. But if you've seen more than one movie, you can assemble that yourself.

What you may not be able to decode, is the connections. And while you can spend your time guessing, you can also just enjoy the mayhem and madness that occurs. There are many dark moments amongst the very fun and light moments. This mixture may not be to your taste, but the movie does that balancing act quite nicely. The tone is tough to acoomplish, but if you yourself are not too sensible, the movie will achieve satisfying your needs ... which may be even in a weird way. Again not judging one way or the other. Sick humor and some depraved things aside, this really is tension filled ... with an ending that you may guess in a way ... but that still is spot on - even if you may not know what it actually means (you can decide that for yourself)