Kød & blod

Despite great actors this movie is a waste of time. A mix of a bad american tv show about violence and drugs, a bit of mafia-vibe and a lovestory.

Great actors but you could barely hear what they were saying because most actors were to lazy and speaking to fast. without subtitles it would have been impossible to hear what they saying. Movie could have been great with better scripting and training to speak.

Three stars for the effort. It would be unfair to other movies if I gave more stars.

I would compare watching this movie with reading a classic depressed Russian novel.

At no point is it an enjoyable experience, neither is it fun, but you're still somehow compelled to finish it, clinging on to some shred of optimism for the situation depicted.

This movie perfectly and accurately depicts the staggeringly harmful effect an abusive household has on multiple generations of children; how it sucks everyone around it into its blend of misery and insanity; how the affected finally snap under the pressure of the situation as they reach the limit of coping with their situation.

I would never watch this movie again. Neither would I recommend it to anyone else. But I will likely never forget it.

DO NOT go into this movie expecting some mafia-thriller whatever. This is a psychological piece of art, not a piece of entertainment.

(AFI) Families come in all shapes, sizes and career inclinations. After her mother dies suddenly in a car accident, introverted 17-year-old Ida (Sandra Guldberg Kampp) is welcomed with open arms by her overbearing aunt and druggy grown cousins, who live together in the Danish countryside. Unfortunately for Ida, her aunt is the head of a criminal debt collection enterprise overseeing her trio of gangster sons. Sidse Babett Knudsen plays Ida's aunt with a mesmerizing blend of malevolent and maternal. Part coming-of-age tale, part dysfunctional family drama, part social realism, this absorbing and stylish gangster thriller is seen from the tomboyish Ida's perspective. Told with visual panache and marked by convincing performances, WILDLAND explores the destructive legacy of criminality and the notion of familial emotional debt.