Make Up

A young women discovers more than she expected when she goes to live with her boyfriend on a bleak Cornwall caravan park as the season closes. Conjuring an array of potential outcomes from the off, it's left to the viewer to fill in the gaps and provide the explanations for their meaning as the haunting, occasionally claustrophobic and suffocating sequences play out - for real or imagined. Ultimately a voyage of discovery, that stays in the shallows, doesn't sail too far from the coastline, narrating a familiar tale but done so in an imaginative way.

Most viewers may not like the slow pace and sparse dialogue but I thought overall it was quite effective in telling a good story. I'm a fan of Eric Roehmer. The slow everyday-pace set a tone of mystery. The young woman is trying to figure out what's going on as are we. I hope to see more from the director-writer. The lead actress is exceptional.

I found the lead character to be 2 dimensional and to have few redeeming or watchable features. She didn't do a lot, was just one of those characters that just watches everything. This is an overdone technical device to encourage the viewer to watch and pay more attention. However, there was little to see, causing frustration.

The other characters had more life in them but these were not exploited to their full potential. The central theme being a mystery character, didn't really come off that well. This again could have been developed and made much more dramatic and interesting.

A good effort but this storyline was just the basic framework of the story, more flesh was needed on the empty and rather slow bones of the piece.

I'm so disappointed. For the first half I was so into it! The location, the vibe, the atmosphere. But then by the final part, the wheels had well and truly fell off the car. The story just completely caved in on its self. It's literally like two different movies split directly down the middle.

One is a mystery, suspense movie about finding evidence of an affair and the other is a "finding who you are" movie. But the insane thing is, the first "plot" is completely dropped and just forgotten about.

There are lots of pointless things that happen too. Like they feel like they are going to be plot points but then they just aren't?

The writing was like "cagey". No one spoke I'm full sentences. "Jade has a reputation" "what reputation?" "*silence*". Like why did no one talk properly. They just eluded to things and then never followed up on them.

Iv been super harsh on this movie but it's because I loved so many parts of it, particularly the atmosphere. Sea side locations AND caravans are totally my vibe so I was sold. And Shirley was completely insane and I needed more from her. But the the rest of the movie just tore it's self apart from the inside.

'Make Up (2019)' follows a young woman who moves to a caravan park in Cornwall in order to be with her long-term boyfriend. As she adjusts to her new life, she finds herself increasingly unsettled by a mysterious redhead and the gnawing feeling that something just isn't right. The piece is a small, isolated experience that focuses on putting you in the perspective of its quiet main character. Its story is a blend of the overtly mundane and the subtly bizarre. As such, its genre is difficult to define. It really is an odd one, a relationship drama infused with often genuinely unsettling suspense - the stuff that belongs in a straight-up horror. That contrast creates an uneven experience that often feels like it doesn't quite know what it wants to be. That's actually rather fitting in retrospect, as uncertainty is a major theme of the movie, but it makes for an inconsistent in-the-moment experience. On top of that, the affair sometimes borders on being dull. It gets increasingly interesting as it goes on, though, and it does a good job of putting you in the head of its protagonist. It often succeeds in getting under your skin, featuring several disquieting scenes that almost put actual horror films to shame. Once you realise what it's doing (and has been doing all along), it becomes a lot more interesting. It explores its themes in a rather innovative way, subtly and slowly unravelling its material. It isn't exactly exciting but it is often engaging. It's a solid and unconventional first-time effort. 6/10