Cuenta bloqueada

'Cam' was a film that was always going to be judged very heavily by how it ended. The reason for this is that it sets itself up in such a bizarre and fascinating way that the audience is desperate to get a satisfying conclusion. The film is very similar to 2013's 'Enemy' in terms of the story, but is also very different to that film in the sense that that film had a definitive purpose, reasoning and point.

I was actually captivated while watching 'Cam' and that is the best thing that this film has going for it. It is a very interesting watch. The pacing is great and the story is mysterious and well told. The problem though was that I was left with a bitter, unsatisfied feeling at the end. I wanted more and I wanted there to have been a purpose for spending these 90 minutes of my life watching this film. Even some very bad films over the years have at least had a purpose.

I'm a little bit torn on this film as you can possibly tell. I could've liked it a lot more than I ultimately did, but I also could've liked it a lot less. I think overall I would lean towards advising people not to spend their time on this one. The ending is simply too weak.

Cam (2018) follows a camgirl who awakes one day to discover she's been replaced on her show with an exact replica of herself. This horror film introduces a haunting and highly intriguing scenario. Although the mystery itself is captivating, the conclusion is underwhelming as the film avoids any delivery of answers. The direction and cinematography were surprisingly fantastic, with the aesthetic of the cam rooms making for some beautiful shots and sets. I also really enjoyed the social commentary on how online sex workers are viewed and how they're forced to lead dual lives due to the stigma associated with the profession. Some better writing and a more solid third act could really change this film from good to great.

The film starts out quite strong with an interesting concept and keeps you intrigued for about half an hour. Unfortunately it then begins to run off the rails up until the climax, where I just didn't know what was going on anymore. The movie doesn't bother giving you any clear answers and ends on a somewhat disappointing note.

CAM is also one of those movies that makes you wonder, why the protagonist acts the way she does. She is portrayed as a quite reasonable girl in the beginning, but her actions become more and more incomprehensible and stupid as the story goes on. What's more, the movie tries to explore different themes throughout its plot (mainly the cam girl's family life), but these efforts don't pay off because of the shallow side characters.

In the end, CAM feels like an overlong BLACK MIRROR episode focusing on the internet's dark side with very moderate success.

I was beginning to think this was one of those dark web films (a la Unfriended 2) with a rushed ending, and I wasn't exactly proved wrong. The ending clearly was rushed, and it DID NOT provide closure. Spoiling it also doesn't make sense because you sat through 85 minutes to understand the reasons for all that was happening. I do not mean to say I dislike films with ambiguity, but this was not even ambiguous in the 'clever film-making' sense.

So, we have a webcam girl who wants to make it to the top 50 of some free-girls-live kind of site without having to resort to too many cheap tricks. But desperation eventually gets her there but then, the internet decides to teach her a lesson. A replica of herself is found having taken over her account on the site, and there's apparently no explanation as to why. While the technicalities are conveniently not discussed/rushed towards the end, the girl (Madeline Brewer, who does a pretty great job) breaks down emotionally to the point of being driven marginally insane. While the story-line is intriguing and director Daniel Goldhaber manages to set things up reasonably well (the brother's birthday scene was top notch), he struggles when it comes to the ending.

An internet-doppelganger is a pretty amazing concept (worth tackling in the present day), and it does invoke the vibe of 'Black Mirror' to a fair extent. However, as a viewer, I was left aghast by that nearly terrible final act. It even seemed like the writer(s) ran out of ideas/story-telling devices to take the film forward and provide a more satisfying conclusion. That's the problem with 'concepts'. They can make you want to watch a film but unless executed decently, it'll appear half-baked. This is exactly what happens in the case of 'Cam'.

While I love films that discuss doppelgangers, this one wholly lacked the tension it was supposed to build. In the end, it just turned out to be one of those films that lacked the cinematic finesse you expected it to have in the first place. The overwhelming number of positive reviews do not help either.

Most of the movie was interesting, bu everything goes down at the end. Nothing is explained, and you end up feeling that you wasted your time