Roubaix, une lumière

It may be the most exciting uninteresting film I've ever seen. The use of music and diptych dancing in blue and orange colors seem to be the main character. Something about Zem's relentless persistence also fascinates without anyone understanding why. I'm not a fan of Desplechin, but this film gives us mysteries without ever really unpacking them, with a confidence in the viewer that is becoming rare.

I saw this film before I saw the documentary film that was supposed to "inspire" this film. I say supposed, because an inspiration in my opinion is a starting point that we distort and around which we embroider, outside here it is rather an unassumed remake taking up word by word the documentary film and the details of the sets. Speaking of reality here, not a movie, making it an "identical remake with actresses is morally out of place. When I read the reviews about the script and and the storyline's irrelevance of unrelated business, or the quality claiming the film for an ethical police the arms fall to me. Watch the documentary film by Mosco Boucaut "Roubaix, central police station before criticizing this film, because they were content to do the same again but with actresses instead of real protagnists. Total nonsense ...

... is superb as the not-very-bright partner of Lea Seydoux in this latest Desplechin opus. The story has holes in it, but the performances of the three leads do not. I've been an admirer of Roschdy Zem for about 20 years and would watch him in anything. His part is the immigrant who made good in the decaying Northern industrial town, and he settles into it well. Lea Seydoux is sort of the iconic actress in France now, and her movies are high quality, even if they don't move me much. It's Sara Forestier who really impressed me; I've seen a few of her pictures, L'amour est un crime parfait and Gainsbourg (vie heroique) in which she had small parts, but now I'll be looking out for her.

Dr Coulardeau's review is an interesting read--he is certainly angry about the superficial way the city of Roubaix is treated--but I'm not interested in the sociology of film, only in the characters.

This boring to death sort of docufiction should be reviewed as a "thriller"? Better don't waste 2 hours of your time, if you expect something like this.

Commissar Yacoub Daoud knows his multicultural community. In fact he was one of those migrants himself once upon a time, but now calls northern France home. We follow him through his busy days on the job as he investigates a disappearance, an arson and a murder with some unexpected results.

Director Arnaud Desplechin does slightly provocative serious dramas with a lot of dialogue. He had had mixed results over the years, with his film Ismael's Ghosts being a confusing mess according to some. Here, however the artistry gives way to an intelligent cop movie, where the realism hits a sour spot. While OH MERCY! feels fresh, there's nothing innovative about its approach. This is how they made procedural police films in the 80's, only instead of Roschdy Zem you would have gotten Lino Ventura.

Talking about Roschdy Zem, this is one of the most versatile modern French actors, who has a unique presence in action, comedy or serious drama. He and Lea Seydoux, who plays one of the girls tangled in the murder investigation, carry the film forward, delivering intensity and realism. The movie is drastically different from what we are used to in cop dramas coming from USA, and this may be one of the good reasons to give it a try.