Marakkar: Lion of the Arabian Sea
- 2021
- 3h 1min
CALIFICACIÓN DE IMDb
5.8/10
9.5 k
TU CALIFICACIÓN
La historia del legendario Kunjali Marakkar IV y su épica guerra contra los portugueses.La historia del legendario Kunjali Marakkar IV y su épica guerra contra los portugueses.La historia del legendario Kunjali Marakkar IV y su épica guerra contra los portugueses.
- Dirección
- Guionistas
- Elenco
- Premios
- 6 premios ganados en total
Innocent Vareed Thekkethala
- Namath Kurup
- (as Innocent)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Overview: "Marakkar: Arabikadalinte Simham" is a cinematic spectacle that boasts intense action sequences, commendable performances, and a storyline that, while thin, serves as a backdrop for the film's visual grandeur.
Visuals: The film's visual composition is nothing short of stunning, with each frame resembling a meticulously crafted painting. The combined efforts of the cinematography team, art department, and director are deserving of high praise for creating such a visually arresting experience.
Special Effects: The VFX work in "Marakkar" is arguably the finest within the Malayalam film industry to date. In contrast to other high-budget Indian films, "Marakkar" exercises restraint in its CGI usage, opting for a balanced blend of visual effects and practical effects that enhance the narrative without overshadowing it-a decision that will likely age well over time.
Design and Artistry: Both costume design and art direction are standout elements, successfully navigating the director's vision of a story that is 30% historical and 70% fictional. The film's aesthetic choices effectively support this creative balance.
Music and Performances: The soundtrack adds an enjoyable layer to the film's atmosphere, while the cast delivers solid performances across the board, despite some characters receiving limited screen time.
Narrative Challenges: However, the film's narrative is encumbered by an excess of characters who fail to justify their presence, leading to a bloated runtime and a sluggish pace. Those seeking a traditional historical drama may find themselves underwhelmed, as the film lacks emotionally resonant moments with its protagonist, Kunjali Marakkar IV, save for the intense final sequence and ending song.
Authenticity: A notable shortcoming is the film's inability to authentically reflect its historical setting. The dialogue lacks period-specific nuances, often indistinguishable from contemporary vernacular, which detracts from the immersive experience.
Screenplay and Theme Music: The screenplay's mediocrity is a significant detriment, undermining the film's potential impact. Additionally, while the theme music is functional and occasionally evocative, its repetitive nature is noticeable.
Conclusion: Despite not meeting the lofty expectations set by its pre-release buzz, "Marakkar: Arabikadalinte Simham" is a commendable effort that showcases the dedication of a large creative team. It represents a bold venture in the Malayalam film industry, with a budget that surpasses typical box office returns.
Verdict: "Marakkar: Arabikadalinte Simham" is a film best appreciated on the big screen, offering a watchable experience that highlights the fruits of collective ambition and hard work.
Visuals: The film's visual composition is nothing short of stunning, with each frame resembling a meticulously crafted painting. The combined efforts of the cinematography team, art department, and director are deserving of high praise for creating such a visually arresting experience.
Special Effects: The VFX work in "Marakkar" is arguably the finest within the Malayalam film industry to date. In contrast to other high-budget Indian films, "Marakkar" exercises restraint in its CGI usage, opting for a balanced blend of visual effects and practical effects that enhance the narrative without overshadowing it-a decision that will likely age well over time.
Design and Artistry: Both costume design and art direction are standout elements, successfully navigating the director's vision of a story that is 30% historical and 70% fictional. The film's aesthetic choices effectively support this creative balance.
Music and Performances: The soundtrack adds an enjoyable layer to the film's atmosphere, while the cast delivers solid performances across the board, despite some characters receiving limited screen time.
Narrative Challenges: However, the film's narrative is encumbered by an excess of characters who fail to justify their presence, leading to a bloated runtime and a sluggish pace. Those seeking a traditional historical drama may find themselves underwhelmed, as the film lacks emotionally resonant moments with its protagonist, Kunjali Marakkar IV, save for the intense final sequence and ending song.
Authenticity: A notable shortcoming is the film's inability to authentically reflect its historical setting. The dialogue lacks period-specific nuances, often indistinguishable from contemporary vernacular, which detracts from the immersive experience.
Screenplay and Theme Music: The screenplay's mediocrity is a significant detriment, undermining the film's potential impact. Additionally, while the theme music is functional and occasionally evocative, its repetitive nature is noticeable.
Conclusion: Despite not meeting the lofty expectations set by its pre-release buzz, "Marakkar: Arabikadalinte Simham" is a commendable effort that showcases the dedication of a large creative team. It represents a bold venture in the Malayalam film industry, with a budget that surpasses typical box office returns.
Verdict: "Marakkar: Arabikadalinte Simham" is a film best appreciated on the big screen, offering a watchable experience that highlights the fruits of collective ambition and hard work.
Poor direction. Very lengthy, 3hour was not engaging at all. Bit lagging.
Weak story- expected a lot in story, but story was not worth making a film on it.
Poor casting- few characters could have been replaced.
Sunil Sheety, Arjun and Prabhu was good. But deserved much more screen time.
Weak story- expected a lot in story, but story was not worth making a film on it.
Poor casting- few characters could have been replaced.
Sunil Sheety, Arjun and Prabhu was good. But deserved much more screen time.
The grand scale of production values such as Art, VFX, series of mega actors, costumes,Songs, Cinematography all would make one think here is Malayalam movie's KGF and Bahubali. First half is crisp and engaging. Pranav Mohanlal portion was very well done. Apart from some miscasting and every one using their own slangs , first half was very impressive.
Second half started of with long cliche melodrama that will put shame to the word cliche. From that point script and director did not know what to do and how to take it to a climax.
Any how, watch it for the first half, for the grandness never seen in malayalam movies before.
Second half started of with long cliche melodrama that will put shame to the word cliche. From that point script and director did not know what to do and how to take it to a climax.
Any how, watch it for the first half, for the grandness never seen in malayalam movies before.
First half is over! You could tell how it's going n where it's going and I'm pretty sure it's not going to get any better. Priyadarshan, please retire, you are outdated and you are a guy who still feel that this melodrama, using the same old cheesy fights and war scenes will sell in the 21st century. Please take a look at movies like Troy, which I felt closely aligns to this movie and what it could have been so far. This movie had a lot of resources at its disposal, but the implementation was s***, thanks to Priyadarshans outdated storyline, direction and war tactics. They could have made this a lot better. I'm pretty sure, the real person "Marakkar" would have had better strategies for beating the Portugese, than this S***. There's nothing out of the box or something tat makes you feel, wow!! They clearly haven't done their research on how war movies can be implemented effectively!!
"Enthino vendi thilakkunna sambar"
What a waste of money and resource. This movie lacks research and brilliance. What it needed was a better story and a brilliant director!! It had all the other elements.
PS: I'm not a Mohanlal fan nor a mamootty fan but a movie buff.! This movie had the resource and capabilities to be a masterclass. DISAPPOINTED!!!!
Second half: After the first half, during the intermission, I posted my review above and I was referring to the old Classic Troy there. That Priyadarshan should have watched Troy. My O my, I was surprised to know that he did watch it and he literally copy pasted scenes from the 2004 movie Troy.! The scene Hector was killed, dialogue to dialogue, BGM and even the scene when Hector's dad pleads to Achilles, to get Hector's body back, they copy pasted it!! Fireballs from Troy was replaced with Spike balls, Achilles was replaced with Marakkar, Hellen was replaced with Aarcha!!
All that resource at their disposal, n all they could do was copy paste a 2004 classic?! And did they really expected us mallu audience to not pick this out???
Please do us a favour everyone and watch the 2004 Brad Pitt movie Troy. (It's my favourite of all time)
I'm also not part of any campaign to demote this movie! Just stating facts and my honest review. I honestly wished this had been better! But thanks to Priyadarshan's outdated brains, my day n time had been spoilt.!!
"Enthino vendi thilakkunna sambar"
What a waste of money and resource. This movie lacks research and brilliance. What it needed was a better story and a brilliant director!! It had all the other elements.
PS: I'm not a Mohanlal fan nor a mamootty fan but a movie buff.! This movie had the resource and capabilities to be a masterclass. DISAPPOINTED!!!!
Second half: After the first half, during the intermission, I posted my review above and I was referring to the old Classic Troy there. That Priyadarshan should have watched Troy. My O my, I was surprised to know that he did watch it and he literally copy pasted scenes from the 2004 movie Troy.! The scene Hector was killed, dialogue to dialogue, BGM and even the scene when Hector's dad pleads to Achilles, to get Hector's body back, they copy pasted it!! Fireballs from Troy was replaced with Spike balls, Achilles was replaced with Marakkar, Hellen was replaced with Aarcha!!
All that resource at their disposal, n all they could do was copy paste a 2004 classic?! And did they really expected us mallu audience to not pick this out???
Please do us a favour everyone and watch the 2004 Brad Pitt movie Troy. (It's my favourite of all time)
I'm also not part of any campaign to demote this movie! Just stating facts and my honest review. I honestly wished this had been better! But thanks to Priyadarshan's outdated brains, my day n time had been spoilt.!!
Dialogue deliverance not up to the average
Not even a single dialogue to be remembered back
Vfx seems to extremely improved in accordance with Malayalam film industry
Average film 🎞 rather than a big budget promotion film.
Not even a single dialogue to be remembered back
Vfx seems to extremely improved in accordance with Malayalam film industry
Average film 🎞 rather than a big budget promotion film.
¿Sabías que…?
- TriviaFour life-size ships were made for the film in Ramoji Film City, Hyderabad.
- ErroresThe "no animals were harmed" disclaimer at the beginning is misspelled (stating that "the sequences is created using visual effects", instead of "are created").
- Créditos curiososAside from the usual "No animals were harmed during the entire shooting of the film" disclaimer, there is also another disclaimer stating: "Women & children were not harassed in the making of this film".
- Versiones alternativasThe film was shot simultaneously in Malayalam and Tamil, while the versions in other Indian languages are dubs.
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- How long is Marakkar: Lion of the Arabian Sea?Con tecnología de Alexa
- What's the budget of this film?Approx 80cr or 800million
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Marakkar: Arabikadalinte Simham
- Locaciones de filmación
- Ramoji Film City, Hyderabad, India(Filming City)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- INR 1,000,000,000 (estimado)
- Total a nivel mundial
- USD 1,775,360
- Tiempo de ejecución3 horas 1 minuto
- Color
- Mezcla de sonido
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By what name was Marakkar: Lion of the Arabian Sea (2021) officially released in Canada in French?
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