Muere, monstruo, muere

This is by far the worst movie ever, you spent almost 2 hours of your life and you will regret it

Nothing really happens during the movie. You'll see a couple of decapitations, ugly characters, cops who are supposed to investigate a series of murder but who are more passive than anything else, paranormal activities that are never explained (hey, don't ask to much! lol), scenes involving motorcyclists that don't have any purpose except for the director who certainly judged it would be cool to shoot them in his movie... And you'll listen to so-called philosophic crypto dialogues... I mean most of the dialogues doesn't have any sense or are literally boring! And the final moments of the movie shows finally the monster. Yes, there is a monster and the production design is really good actually. But the last scene involving the monster and the main character is one of the most stupid thing I've ever seen on big screen...

It's for people who are out there looking for something new to watch, it's a slow pace thriller, amazing cinematography with brilliant eerie atmosphere.

The make up artist should have a huge raise, it was so realistic. The movie is slow pace and keeps you intrigued, the actors were natural and even look like normal people, which most movies failed to achieve. I read the people moaning about the thing, but they are forgetting the deliriously dark fairytale captured by the director of this movie. The isolated feeling, beautiful shots of mist covering the scenery and combined with cryptic truth, which of course falls short in the end, without explaining much, maybe there was symbolism or some culture references that only Argentinian people would understand. This is was lovely surprise and looking forward to watching more of Alejandro Fadel's work.

Good movie to watch for especially the dark er atmosphere and also some good lines written in the movie.

A creature adorned with both sexual features on its head and tail... This peculiar film was nominated for "A certain look" at Cannes in 2018. To some, it might appear nonsensical, a sentiment I am inclined to agree with. It seems that the creator has indulged in Freud's sexual theories and drowned it in a sea of sedatives. Frankly speaking, comprehending what unravels within this alternate dimension, inside the director's mind, is utterly perplexing. What was the intended message or purpose? Maybe, it was an attempt to awe the audience with a profound and absurd imagination, to leave them shocked and indignant, making an indelible mark - and indeed, it has succeeded.