Una escritora joven se involucra con su maestro de escritura creativa de la escuela secundaria en un drama oscuro que examina las líneas borrosas de la conectividad emocional entre profesor ... Leer todoUna escritora joven se involucra con su maestro de escritura creativa de la escuela secundaria en un drama oscuro que examina las líneas borrosas de la conectividad emocional entre profesor y protegido, niño y adulto.Una escritora joven se involucra con su maestro de escritura creativa de la escuela secundaria en un drama oscuro que examina las líneas borrosas de la conectividad emocional entre profesor y protegido, niño y adulto.
- Dirección
- Guionista
- Elenco
Dagmara Dominczyk
- Beatrice June Harker
- (as Dagmara Domińczyk)
Ray Fawley
- Restaurant Patron
- (sin créditos)
Trace Haynes
- Restaurant Patron
- (sin créditos)
André Wilkerson
- Restaurant Patron
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Honestly, this film isn't good or bad. It's meant to portray an important message to young adults and adolescents but in possibly the worse way possible and creating an abundance of controversy. Behind the obvious salacious context of the situation, it's a layered story about the characters trying to achieve emancipation through their affairs but failing to acknowledge a boundary between people, whether in power or any given scenario it can lead to detrimental consequences. Because, casting a boundary is knowing the risk being took. Other than the horrible lesson portraying I loved cinematography, felt very subtle and eerie, but still and calm. They emphasized that with all the lamps in every room possible. I live in Tennessee myself, and I come to look at it through a different perspective thanks to the euphoric atmosphere of this film. In its own way. Moving from that moment and addressing the big 50/50 question is I don't think Cairo is the villain. She's just a young human who fell for the wrong heart. Humans make mistakes and greater lessons sprout from that, as in the ending scene she was shown to forgive Miller and also grow significantly as a young adult. The lesson in the film is important for any young adult struggling with accountability. Social boundaries, self reflection. Other than that the dialogue was actually hysterical I felt like I was reading a novel by Fitzgerald because no one talks like that in their day to day life the dialogue is like their reading a screenplay. But I guess it all just emphasizes the culture of the film, it being adapted from a play of course. The accents were horrible though in my defense, I understand it takes place in Tennessee but the accents were too inconsistent and dry. Should have been left out but other than the the acting was simply flawless, enough to get me through and mesmerized in some scenes.
I had high hopes. From the trailer it looked interesting and aesthetically pleasing but I was very wrong. Unfortunately by the end of the movie I was left feeling frustrated because, the main thing about this movie - the tension, it was non existent.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
There was no chemistry between the main protagonists. Zero. And Martin's heavy breathing in Jenna's face was very uncomfortable to watch...
Jenna on the other hand... Oh God, where do I even start?? She was so stiff the whole time it was seriously hard to watch. I don't know when this movie was filmed, but she seems stuck in her "Wednesday" role. Yes, her character is supposed to be strong, opinionated, witty, charming, seductive... But she fails to deliver any of it! She doesn't seem like clever teenage girl suddenly shaken and intrigued by an unexpected new variable in her life, at times she kinda looks bored. Her narrating was good though. But like I mentioned, the main point of the movie, the taboo of the desire and magnetism between main characters, is absolutely lacking. It's almost cringe and uncomfortable watching their scenes of "passion and attraction"...
To sum it up - good idea, poorly executed. Shame.
A poetic cinematic experience that follows Cairo Sweet, a student fond of literature, looking for experiences to write for a writing assignment, and her teacher Jonathan Miller, in a story full of blurry lines.
The social commentary in Miller's Girl is accomplished in a tasteful gothic dreamlike style with a script that gives just enough information to let the audience fill in the blank spaces.
The film's greatest asset is depicting desire as something that has to be realized yet deludes its owner every time its reach is closer to fulfillment, making the situation ambiguously complex. This is rendered brilliantly throughout the film, especially in the dialogues the protagonist has with herself. An open door that lets us in in the melancholic naivety of what it means to be young and flawed in a world that values perfection above all, yet it is found nowhere, and that crave for independence from inherited beliefs, and the natural thrill and anxious ache for the unknown and uncharted territories.
The social commentary in Miller's Girl is accomplished in a tasteful gothic dreamlike style with a script that gives just enough information to let the audience fill in the blank spaces.
The film's greatest asset is depicting desire as something that has to be realized yet deludes its owner every time its reach is closer to fulfillment, making the situation ambiguously complex. This is rendered brilliantly throughout the film, especially in the dialogues the protagonist has with herself. An open door that lets us in in the melancholic naivety of what it means to be young and flawed in a world that values perfection above all, yet it is found nowhere, and that crave for independence from inherited beliefs, and the natural thrill and anxious ache for the unknown and uncharted territories.
A creative writing assignment yields complex results between a teacher and his talented student.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
I note many poor reviews and I'm unsure why that is. The acting is great from every single member of the cast.
The dialogue is meaningful and well thought out.
The plot echoes what is happening around the world right now with thousands of teachers and students: some will get caught and some won't. But it's real and so it's great to see the inner workings of the process, by such great acting and story telling.
There's even a bit in there about how women in fact have all the power in the world, they just don't realise it.
There's an insightful comment too about how "We know where the line is and don't cross it." Except some do, and when they have it's too late to walk it back.
I was surprised at Ortega's depth of character acting, but in hindsight perhaps not a great distance from her Wednesday character.
But there's an interplay between her and Winnie, as power and courage shift between one and the other as the story goes on.
Great film, I liked it a lot.
It tries to have this sexual tension between the main characters all the time. They had no chemistry, they did supposedly have reasons for pursuing each other but it wasn't depicted in a convincing manner. Sometimes I liked it, sometimes I didn't. It had the potential to be something better. The only scene I enjoyed is when Cairo lit up a cigarette in the dark, that looked like something that could've been in a horror movie. The voice narration seemed over the top and unnatural. Felt like the movie was trying too hard. The narration also reminded me of Delores from Westworld.
Jenna Ortega and Martin Freeman were okay but the movie wasn't the most captivating. It's a story that's been done before so it really needed to offer something different. But in the end feels pretty unremarkable and you'll probably forget about it as you leave the theatre. I didn't really care much about what happens with the characters and some of the conversations made me sigh and roll my eyes. I did think it was interesting where the movie took the story and shift in power dynamic between the two, but it could've been written better. Especially if you go and watch gone girl or thoroughbreds. It could've been a more captivating revenge story.
Jenna Ortega and Martin Freeman were okay but the movie wasn't the most captivating. It's a story that's been done before so it really needed to offer something different. But in the end feels pretty unremarkable and you'll probably forget about it as you leave the theatre. I didn't really care much about what happens with the characters and some of the conversations made me sigh and roll my eyes. I did think it was interesting where the movie took the story and shift in power dynamic between the two, but it could've been written better. Especially if you go and watch gone girl or thoroughbreds. It could've been a more captivating revenge story.
¿Sabías que…?
- TriviaThe blocking (where and when characters move during a scene) is very important when Mr. Miller tells Cairo she needs to rewrite her paper. Mr. Miller's desk is raised on a small platform. A character's elevation above one or more characters is often used to indicate who has the power or who is "winning" a scene. At the start when Mr. Miller tells Cairo he won't accept the paper, he is up on the platform and Cairo is on the floor. Cairo soon challenges him and gets on the platform while the two debate their relationship. By the end of the scene, Cairo has "won" and is now standing above Mr. Miller who has stepped off the platform.
- Citas
Jonathan Miller: Don't you get scared, walking through those woods?
Cairo Sweet: I'm the scariest thing in there.
- ConexionesReferenced in Latino Slant: Jenna Ortega's Kiss, PLUS Erotic Scene Reactions! (2024)
- Bandas sonorasThere's a Blessing
written by Johnny Copeland
performed by Johnny Copeland
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- How long is Miller's Girl?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Miller's Girl
- Locaciones de filmación
- Cartersville, Georgia, Estados Unidos(Dellinger Park, Address: 100 Pine Grove Rd, Cartersville, GA 30120-4070)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Total a nivel mundial
- USD 1,714,512
- Tiempo de ejecución
- 1h 33min(93 min)
- Color
- Relación de aspecto
- 2.35 : 1
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