Le daim

George has reached a crossroad. Quitting his family life he is searching for a higher calling. This comes to him as soon as he obtains a Deer skin jacket. Everything seems clearer now. Especially when his jacket starts talking to him. Sharing its ultimate dream of being the only jacket in the world.

DEERSKIN steps into the rather tricky territory of a middle age crisis and treats it like no other movies have done before. Jean Dujardin is perfect as a slightly unhinged man whose search for purpose in life goes to the extreme. His partner in crime Denise (Adele Haenel) is seemingly clueless and adoring but has her own secrets in store. Their tandem is not unlike the one of Bonnie and Clyde. They ooze chemistry and a sense of approaching doom.

The film's genre is hard to define. It's too black to be a comedy. Too cheerful to be a horror movie and too grotesque to be a serious drama.

The Director Quentin Dupieux, famous for his thriller RUBBER about a murderous car tire, has another weird story to tell, this time it's more intense and adequate than I care to admit. But he knows how to be precise and concise, and with less than a 90 min run time the film never overstays its welcome. With its dialogue straight from Twin Peaks and the dream logic of David Cronenberg, DEERSKIN is never boring. It will surprise and frustrate in equal measure, but will linger in your mind for a long time.

Hi folks! Usually, I just do not have enough time to leave my reviews, I just watch too many movies.:) However, just cannot agree with rather low rating of this spectacular superb quality aburd-style gem of a movie. I will certainly parallel it to Lars von Trier "Jack that built the house". I saw the same mental problematic, however, there are of course diverse ideas behind of each of the two movies. I wanted also to stress the superb quality of Dupieux of creating a slow crescendo that ends just right. It is by no doubts a "cousin" of great Lars. Pitty that Dupieux is not famous, otherwise this movie would at least won Sundance or Cannes or Berlinale.

Who knows what goes through the mind of a recently separated middle aged man, but if you want an insight into one such gentleman, one with a suede fetish (haven't we all in various interpretations of that word), a penchant for jacket genocide and an ever so slight psychological, psychopathic derangement, then look no further. Jean Dujardin plays an aging buck who impulsively scalps his way through events with the edited financial assistance of the ever elegant Adèle Haenel. Extremely gamy, an acquired taste perhaps.

Well, that was a neat, little, indie experimental film and now I'll be sure not to wear a jacket in France.

The trailer calls this "Wickedly Funny." I did not laugh once, or recognize any humor in this movie. For me, this was a very short film about a man extremely ill and his continual journey into the abyss while he still grasps for more and more.

Georges is a man who's left everything behind to pursue...unclear, but what is known: he sought out a used deerskin jacket he wildly paid too much for and because of that, the seller throws in a video camera. Georges lands at a hotel and the cons are on. He's simultaneously "making a film" and is aware his jacket wants him all to its lonesome. At any cost.

Very well shot, acted, intense, unpredictable and enormously original, I would recommend this very quick gem just to see a different kind of "protagonist." A very ill one.

***

Final thoughts: I hadn't known this was going to become a horror. Technically, it's not, but it does get violent and gory integral to the plot.

This French movie (with subtitles) by Quentin Dupieux is a black comedy that veers towards the violently absurd. So it certainly won't be for everyone.

Positives:

• There's an anarchy to the black comedy on show in Deerskin that's mildly exhilarating. It really IS bloody bonkers. But the absurd story, of a man spiralling into a deerskin-lined black hole, is delivered in an extremely entertaining way.

• It's all delivered with a straight face by Dujardin (famous of course as the Oscar-winner from "The Artist"). And very good he is at it too.

• Adèle Haenel was one of the two lovers in "Portrait of a Lady on Fire" (actually completed after this movie, which has been on the Covid-shelf since 2019). Here she again shows star-power as the barmaid with dreams of hitting the movie-making big-time. Every absurd twist and turn seems to be believable in her hands, once you understand that she is "into it".

Negatives:

• The anarchic story and the extreme violence will not be for everyone. There were 2 walk-outs in my cinema (about 10% of the Cineworld Unlimited audience).

• A few of the lines irritate: Georges mistakenly saying "creditor" instead of "editor" was an example.

Summary Thoughts on "Deerskin": Based on the trailer, I really wasn't sure I was going to enjoy this one. But it has a style about it that is unmistakable. I had no idea where it was going, and the denouement was surprising and satisfying.

It'll be a "marmite" film for sure - some will love it; many will hate it. I doubt there will be much middle ground for this one.

BTW, there is a mid-credits scene, a few seconds into the end credits. Doesn't add much, to be honest.

(For the full graphical review, please check out One Mann's Movies on t'interweb and Facebook. Or the Tiktok channel at @onemannsmovies. Thanks).