Los 3 del infierno

I attended the 3rd and final night of the film's theatrical presentation. The 3rd night happened to be a double feature featuring The Devil's Rejects leading right into it's sequel. I think this was unfortunately a fatal decision since it truly shows how inferior of a film this is to its predecessor. From incredible first act problems to 75% of plot points being rehashed from the previous film, 3 From Hell falls flat. Imagine a car continuously stalling, it gets so close to taking off, but perpetually stalls. This film lacked that dirty, nasty, gross taste we expect with a Rob Zombie film and instead replaces it with silly silly humor and Hollywood production. The film gradually feels more Hollywood and standard as we approach the third act which presents itself like one big reshot 3rd act almost completely separate from themes and character arcs presented in the first half of the film. While it was a joy to see the Firefly family once again, I feel this film ultimately tarnishes the image of the first two thirds of this trilogy. Predictable and tame; two words I'd never expect to describe a sequel to The Devil's Rejects.

Even before the film begins, you are immediately told by the director himself Rob Zombie that there was no intention to create a third film in the series. His masterpiece had come and gone 15 years ago and yet the too often need to relish in past greatness came back to haunt him. The film is nothing like its predecessor's. Its pacing is slow and even annoying at times. Worse the film becomes derivative as it goes on taking useless over amassed tropes to new heights. He could have done so much better and I know that in my heart. But two hours later, like me you'll know why this was only a "3 Day Event".

Bittersweet ending to a trilogy that really feels like how most stories end. It's a rather dull and meningless journey with friendly faces along the way, looking for a purpose after the good old days ended.

3 from Hell can be surprisingly touching sometimes when it just hits the viewer one or two scenes that manage to humanize literal serial killers. I really wish it ended up being a much slower movie all the way through, instead of the second half introducing a new conflict without much purpose.

Still what this movie made me feel as a person who liked both previous movies, is how I imagine the characters feeling. Some of the story revolvs around looking for some new meaning in a world that is hostile, empty, melancholic, and no longer familiar. The whole point of this movie is that we're seeing a family of maniacs going through all this.

I think it's a deeply flawed piece to conclude the story of the beloved characters who remained until the end, but one that manages to find some closure to make piece with the days that are gone and lets our antiheroes go.

The (I dare to say.. touching!) relationship of Otis and Baby must be my favorite thing in the movie, I couldn't have imagined it without the two of them. Sid Haig sadly didn't manage to appear for long in his last ever movie, and his replacement is obviously someone who can't ever compete, but Foxy's character is a likeable addition to the team whose main story focuses around finding his place within the family.

Must see for those who like the series, even with all its flaws! Ironically, we all expected something better, the same way our heroes did with their own lifes, and I can only feel respect for that.

Disappointed, hoped would be better. Baby Firefly way over the top to the point of being frustratingly annoying. Otis still very much the same, thankfully. Foxy was a welcomed addition.

I thoroughly enjoyed House of 1000 Corpses and The Devil's Rejects, Rob Zombie's first two outings for his murderous Firefly clan, but this third chapter is further proof that the rock star turned director has nothing new up his sleeve, and, worse still, seems to have lost all idea of what made his first couple of films so enjoyable in the first place.

3 From Hell is, as expected, violent, trashy and exploitative, but it is also unfocused, badly written, poorly acted, and not in the least bit shocking, everyone trying far too hard this time around, with Zombie's wife Sheri Moon being the worst offender: putting in a grating performance that is about as subtle and nuanced as a lump-hammer to the skull, she gurns and grimaces wildly throughout, her over-the-top 'acting' (for want of a better word) making this supposedly brutal bloodbath far too comical for its own good. Even with a better script, 3 From Hell was always going to fail so long as Rob insisted in putting his wife front and centre.

The plot - for what it's worth - sees the Fireflies sent to death row, having miraculously survived the shootout at the end of The Devil's Rejects. Captain Spaulding is executed by lethal injection (a shame, as he is far and away the best of Zombie's characters), but Otis (Bill Moseley) escapes, teaming up with Winslow Foxworth Coltrane (Richard Brake) to try and break Baby (Sheri Moon) out of jail. After successfully freeing Baby (don't ask how - it's dumb), the trio of killers head for Mexico (somehow avoiding capture at the border) where they are hunted by a team of luchador assassins led by Aquarius (Emilio Rivera), vengeful son of criminal Rondo (Danny Trejo), who was killed during Otis's escape.

In typical Zombie style, there's lots of cussing, plenty of nudity, and an excess of spurting, bloody wounds, with an overuse of slow motion accompanied by cool rock music, some occasional trippy imagery (including a head-scratching dancing cat scene), and a consistently grimy white-trash aesthetic (there's even a three-legged dog; it doesn't get more white-trash than that!). But more importantly, there's no heart, no originality, no sense of excitement, and no character progression.

As for disturbing... well, Clint Howard playing a clown is surely the stuff or nightmares, but everything else is just too contrived and cartoonish to be taken seriously.