Noughts + Crosses

Firstly, the way the series set itself up was excellent, with scene setting and background to make the viewer understand that typical western race roles had been reversed through African conquest. However, the script-writers tried to shoehorn in too many lazy stereotypes that don't exist in the modern world. It would have made sense had this been set in 1900 London, as it would represent the equivalent reversal of 1900 colonialism. Set in the present day it felt like the writers were trying to make too many political points rather than a drama. Once one realises this it becomes more enjoyable, but it's so blatant that it spoils too many of the situations as they couldn't contain themselves. On a more positive note the main characters were well played, and the family dynamics of the two main parts also excellent.

'Noughts + Crosses' is set in an imagined future where the prevelance of insitutitonal racism is somewhat more severe than it is at present, albeit less extreme than in, say Apartheid-era South Africa. The twist is that the story is set in a Britain that has been colonised by Africans. It's interesting to think about how African colonialism might have differed from the European form we actually had, but although the drama makes some nods in this direction, it's alternate history is insufficiently detailed to fully flesh-out a wholly different culture. Instead, the main purpose the swap serves is to force a contemparary white British audience to question our own assumptions about what is normal and natural. And there's nothing wrong with that, per se, but I found the programme rather obvious in its moral messaging, it's characters too embelematic to be cared about. One of the characters is even the Prime Minister, but the lack of detail in the policking we see is typical of the drama as a whole. To really tell a good story about racism (or indeed anything) in general, you need to have the confidence to tell a story in the particular; and that's what I didn't find here.

A fantastic concept often let down by a somewhat clumsy and obvious storyline.

I love the concept and take great joy in the nuances and small details of the world. The adoption of African cultural dress and hair styles, the music, the ceremony, everything quintessentially English replaced by an alternative culture is so well done. The attention to detail is laudable........

......if only the characters and storyline weren't so hamfisted this would be a 10/10 show for me.

I guess the pedestrian nature of the actual plot is to do with the original text being aimed at young adults.

Back on a positive note though....anything that enrages the right wing, racists, Daily Mail readers, whining man-babies and angry man-boys has got to be worth supporting and this show certainly seems to have done just that.

Well done BBC :)

This adaptation of the alternate-history YA series made big waves in 2020 with its contemporary soundtrack, bold afro-futurist designs and cool cameos (the legendary Stormzy shows up). The second series feels like a strangely sad and flaccid afterthought, reduced to only four episodes and clearly shot under restrictions so most scenes are tedious two-or-three person conversations in empty streets. The first series, although clunky at times, had some momentum and felt in comparison like a lost golden dream. The only real throughline here is the evergreen Paterson Joseph as the increasingly erratic and maniacal leader of Albion, pushing for independence to suit his own ends. There is some intriguing world-building here but sadly it seems like unfortunate circumstances and strange decisions have rather sunk the prospects of further visits to this dimension.

What an intriguing plot - a world where whites are the underclass. It's set in modern times, but without the civil rights movement. So there's an interesting mix of then and now issues, flipped on their head.

The characters are like-able and believable. Until they aren't. Characters are complicated. You can't just have them do whatever you want because you need it for the plot. These characters change so fundamentally from episode five to six, it really pulls you out of the story. This is a Dany-season-eight-of-Game-of-Thrones level change.

I did finish the season, may or may not continue, but the writing just didn't hold up to the end.