Dead Shot

An eye for an eye leaves the whole world blind.

This seems to be the very brutal message in Dead Shot. This is what the critics would call gritty realism, but I just call it honest film making. It gives us a glimpse into the warring factions of governments and rebels and the men that will take it too far to see it through. Charles and Thomas Guard.keep us sometimes uncomfortably close to these people and their brothers in arms as characters on both sides watch what they started fighting for transition to new bosses and directives until the lines have been blurred so much that you wonder who, if anyone we should be rooting for. It is an excellent lesson in grief and revenge, and well worth the watch.

Charles and Thomas Guard make their second feature film with Dead Shot, but there is quite a nice time in between. Their first film The Uninvited dates back to 2009. So it actually took almost 15 years for the duo to come up with a movie again. This time a film about the IRA and there has been a time when those kinds of films shot out of the ground like mushrooms. For example, there were impressive films such as In the Name of the Father and Some Mothers Son that created rough and realistic images of the wry war between the Irish and the English. But The Devils Own and Blown Away also belonged to those films, but these were films that were a bit lighter and managed to offer more entertainment. Dead Shot actually floats a bit in between, because on the one hand it is a serious film with a fairly heavy subject, but on the other hand it is just an entertaining action movie.

The film is based on the screenplay by Irish writer and screenwriter Ronan Bennett and inspired by the book The Road to Balcombe Street by Steven P. Moysey. The siege of Balcombe Street was an incident involving members of the Provisional Irish Republican Army (IRA) and the London Metropolitan Police and lasted from December 6 to 12, 1975. The siege ended with the surrender of the four IRA members and the release of their two hostages. Loosely we see this topic in the story, but really a lot lighter. Henry Tempest is the soldier who shot Michael O'Hara's wife and Michael swears revenge. But Tempest joins the service of someone named Holland, who is steering a team to track down terrorists. Nowhere does the film go into depth on the political reasons of the IRA, this makes the film a simple entertaining thriller, without too much fuss.

It's certainly not the acting because that's just good. The setting is grim and dark and the film definitely has the 70s vibe. The states that are dotted with junk, the gray appearance and the cracked buildings where Jan and everyone lives give a correct picture. But the paranoid that prevails in the streets of London is also well reflected. Especially with the scene where Michael makes a bomb alert to the police, where his comrade is checked by the local police. The bomb goes out too early and a firefight breaks loose. This is really one of the better scenes from the film and also displays a rough picture. The denouement is very strongly done and at least I didn't really see the end coming, that's always a positive thing for me.

Dead Shot has become a great action/thriller, which really grips the 70s vibe. With just under an hour and a half, the pace stays fine in the film and the whole thing is not bored anywhere. In any case, films about the IRA are generally good and exciting, but unfortunately they are not made much anymore. The acting performances are very good and strong. The film does not go into the political motives of the IRA, but the paranoid that prevailed in the streets of London in the 70s is clearly shown. For the rest, it's just enjoying a good action/thriller and the film is highly recommended to set up once.

When an Irish ex paramilitary (Colin Morgan) witnesses the accidental shooting of his pregnant wife he seeks revenge by looking to kill the soldier responsible (Ami Ameen), however his commander wants more from him first. The soldier meanwhile is due to be charged with the girl's murder but is instead recruited by secretive Mark Strong to seek out IRA members seen as a threat in London.

Dark and gritty thriller full of genuine unpleasantness and indeed unpleasant characters throughout. Whilst the story gives us little that is particular novel, it is well crafted and maintains a solid level of tension with good performances by all with Strong as the tough, get it done whatever the cost leader, the standout.

Dead Shot, while showing the violence of the period, manages to bring out a humanity in the characters that breaks the heart The film is splendid Dark, hard, heartbreaking and the cast does a great job, first and foremost a Colin Morgan who again shows his innate gifts and comes on screen as Michael and not as an actor acting, bringing out his immense pain.

Sometimes I just don't understand with whose eyes films are viewed Inspired by the novel The road to Balcombe Street by SP Moysey, about the real events of 1975, Dead Shot catapults us into the darkness of the period

Dead shot deserves the 5 stars I have nothing more to add.

"I killed her" A sentence that sums up the meaning of the film Colin Morgan once again manages not to act but to transform himself into Michael Intense Strong Hard Harrowing Excellently brought to the stage by the whole cast Inspired by the novel The road to Balcombe Street by SP Moysey, about the real events of 1975, Dead Shot catapults us into the darkness of the period

Dead Shot takes you in this darkness for 90 minutes and you're there you stop breathing A truly worthy cast, with the two main characters falling into a trap of revenge, terror or hatred A trap created by the political rot that surrounds them The hatred, the horror, the bombs, the suffering envelop you quickly, perhaps too quickly, 30 minutes more would have been good.

But this does not make the film lose too much, thanks also to the remarkable skill of a Colin Morgan who manages, each time, to convey a soul to the character.