The War of the Worlds

Who decided to take THE greatest science fiction story ever written and make this slow, senseless, passion less, pointless, plodding mess? Why? Why?? You took everything that made this story great and exciting and terrifying and clever and thought provoking and chucked it away!! I'm off to crayon over the Mona Lisa and then record a rap version of Nessun Dorma, cause, you know, that will make them more relevant to modern society and because, well, I'm smarter than their creator's.

This should have been made by people who actually read the ###### book . I feel cheated.

The acting is bad, the script is bad,the directing is abysmal, the love story is pointless and unnecessary, the male lead seems in a permanent state of stupification, the future time shifts stop the story dead and serve no purpose, the slow motion panning shots are so out of place I actually thought my pc was buffering, and the few scenes actually taken from the original source (of which there are five) are so poorly rewritten and changed that they lose all of the excitement and horror that the book evoked...... And..um...the music was *&#T!!

When will these Movie/TV writers/producers realise that this book is still relevant and being read - 120 Years - after it was written for a reason and Stop trying to make it fit their current/ views/agendas!!! For the love of God please just give us our book on the big screen! (sob!).

Kudos for setting it in (roughly!) the correct time and correct location, 1 star for each.

P. S for those close friends of Mr Wells who have chosen to defend this travesty by stating that 'he' would have been happy to have his book completely overhauled to better fit with current perceived social injustices, thank you for taking the time to channel his spirit and share his views with the rest of us poor lowly mortals.

Maybe next time someone decides to butcher this book on film, they could possibly call it something else.

Boring yawn-fest with CBBC effects and a totally unnecessary and very 21st Century sub-plot.

What this story needs is the kind of love and detail that only a Director with passion for the novel (and a big budget!) can deliver.

What Peter Jackson did for Tolkien we need someone similar to do for War of the Worlds.

The impression I had was this production team were not passionate about War of the Worlds, H.G.Wells or maybe even scifi generally. Instead it seemed to me they were dumped with this project and so glossed over the alien invasion part and instead hijacked it as a vehicle for a modern agenda and made that the story instead.

Please god will I still be alive before someone actually produces a period accurate, book accurate, Thunderchild scene including, non budget limiting, visual representation of the original book ?

A message for all scriptwriters -

1. When involved in the representation of a classic masterpiece be accurate to the period it was set in, do not try to re write history with inserted modern sensibilities that simply did not exist at that time.

2. Do not be so arrogant as to think that your tinkering can improve on a literary classic, that you are somehow more skilled than the original author and can improve on their tale.

3. Do not do projects that you know require a very significant budget when you only have a limited budget. Bad effects are worse than no effects at all - some pictures can get away with near zero effects and are all the better for it (eg. the excellent Let the Right One In) but some like War of the Worlds you simply cannot do with out effects, so if you don't have the budget to do it justice then just don't do it. The money (UK TV License Payers money!) would be better spent on alternative projects.

It's quite clear the BBC can do amazing things War and Peace (2016), Peaky Blinders and even do big budget collaborations well as shown in His Dark Materials - How this got through the review board within the BBC amazes me, no wonder they were keeping it back for over a year and released it with so little fanfare they knew it was a **** up, what a waste.

I've been waiting most of my life for a faithful adaptation of the great novel. Sadly, the wait goes on. This is more like a cheap Dr Who episode crossed with Edwardian Eastenders. Absolutely crushed with disappointment. Ah well...

Total tosh.

I have some advise for the BBC, next time you want to dramatise a classic novel get some people to actually read it.

One has to ask the question that although this mini-series was completed almost 2 years ago, and post-production (VFX/Editing, etc) would have taken some additional time, yet it was teased, to British audiences at least, for a possible Summer 2019 release, which of course never happened. Why the big delay, I hear you ask? Well I think some of you, if not ALL of you now know why. It's a clunker - they simply got it utterly, horribly wrong. Now normally I would reserve such vitriol in the final analysis, after the show had completed it's run. But no, it's already a mess, a big bloody mess. I fully suspect that BBC Executives, NOT Peter Harness - the credited writer, dictated most of what we actually see onscreen. Harness adapted the wonderful Jonathan Strange & Mr Norrell into an equally wonderful TV adaptation, so why did he fail so miserably here? I would suggest interference, why? Because I am a Writer with experience of BBC Executives and their propensity for full-on interference. You go into a Script meeting and everybody is upbeat and the general outlook is postively very good. But then, as the meeting progresses, you slowly start to realise that they're gradually trying to change it, not just in certain sections, but in the piece as a WHOLE, until essentially it is completely, if not radically different to what you first presented. Now you might not notice this at first, because they're REALLY that good, but it is totally insiduous and basically standard practice at the BBC right now.